# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 3]

Maria

118

By my troth, Sir Toby, you must come in earlier o'
nights: your cousin, my lady, takes great
exceptions to your ill hours.

2

Twelfth Night
[I, 3]

Sir Toby Belch

230

Wherefore are these things hid? wherefore have
these gifts a curtain before 'em? are they like to
take dust, like Mistress Mall's picture? why dost
thou not go to church in a galliard and come home in
a coranto? My very walk should be a jig; I would not
so much as make water but in a sink-a-pace. What
dost thou mean? Is it a world to hide virtues in?
I did think, by the excellent constitution of thy
leg, it was formed under the star of a galliard.

3

Twelfth Night
[I, 5]

Olivia

415

Cousin, cousin, how have you come so early by this lethargy?

4

Twelfth Night
[I, 5]

Olivia

458

Give me my veil: come, throw it o'er my face.
We'll once more hear Orsino's embassy.

5

Twelfth Night
[I, 5]

Olivia

486

Come to what is important in't: I forgive you the praise.

6

Twelfth Night
[I, 5]

Olivia

572

Get you to your lord;
I cannot love him: let him send no more;
Unless, perchance, you come to me again,
To tell me how he takes it. Fare you well:
I thank you for your pains: spend this for me.

7

Twelfth Night
[I, 5]

Olivia

597

Run after that same peevish messenger,
The county's man: he left this ring behind him,
Would I or not: tell him I'll none of it.
Desire him not to flatter with his lord,
Nor hold him up with hopes; I am not for him:
If that the youth will come this way to-morrow,
I'll give him reasons for't: hie thee, Malvolio.

8

Twelfth Night
[II, 1]

Antonio

651

The gentleness of all the gods go with thee!
I have many enemies in Orsino's court,
Else would I very shortly see thee there.
But, come what may, I do adore thee so,
That danger shall seem sport, and I will go.

9

Twelfth Night
[II, 2]

Malvolio

661

She returns this ring to you, sir: you might have
saved me my pains, to have taken it away yourself.
She adds, moreover, that you should put your lord
into a desperate assurance she will none of him:
and one thing more, that you be never so hardy to
come again in his affairs, unless it be to report
your lord's taking of this. Receive it so.

10

Twelfth Night
[II, 2]

Malvolio

669

Come, sir, you peevishly threw it to her; and her
will is, it should be so returned: if it be worth
stooping for, there it lies in your eye; if not, be
it his that finds it.

11

Twelfth Night
[II, 3]

Sir Toby Belch

733

Come on; there is sixpence for you: let's have a song.

12

Twelfth Night
[II, 3]

Feste

747

[Sings]
What is love? 'tis not hereafter;
Present mirth hath present laughter;
What's to come is still unsure:
In delay there lies no plenty;
Then come kiss me, sweet and twenty,
Youth's a stuff will not endure.

13

Twelfth Night
[II, 3]

Sir Andrew Aguecheek

769

Good, i' faith. Come, begin.

14

Twelfth Night
[II, 3]

Sir Toby Belch

863

He shall think, by the letters that thou wilt drop,
that they come from my niece, and that she's in
love with him.

15

Twelfth Night
[II, 3]

Sir Toby Belch

887

Come, come, I'll go burn some sack; 'tis too late
to go to bed now: come, knight; come, knight.

16

Twelfth Night
[II, 4]

Orsino

891

Give me some music. Now, good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night:
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times:
Come, but one verse.

17

Twelfth Night
[II, 4]

Orsino

902

Seek him out, and play the tune the while.
[Exit CURIO. Music plays]
Come hither, boy: if ever thou shalt love,
In the sweet pangs of it remember me;
For such as I am all true lovers are,
Unstaid and skittish in all motions else,
Save in the constant image of the creature
That is beloved. How dost thou like this tune?

18

Twelfth Night
[II, 4]

Orsino

936

O, fellow, come, the song we had last night.
Mark it, Cesario, it is old and plain;
The spinsters and the knitters in the sun
And the free maids that weave their thread with bones
Do use to chant it: it is silly sooth,
And dallies with the innocence of love,
Like the old age.

19

Twelfth Night
[II, 4]

Feste

947

Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there!

20

Twelfth Night
[II, 5]

Sir Toby Belch

1029

Come thy ways, Signior Fabian.