# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 1]

Orsino

20

Why, so I do, the noblest that I have:
O, when mine eyes did see Olivia first,
Methought she purged the air of pestilence!
That instant was I turn'd into a hart;
And my desires, like fell and cruel hounds,
E'er since pursue me.
[Enter VALENTINE]
How now! what news from her?

2

Twelfth Night
[I, 2]

Viola

75

Orsino! I have heard my father name him:
He was a bachelor then.

3

Twelfth Night
[I, 3]

Maria

136

Ay, but he'll have but a year in all these ducats:
he's a very fool and a prodigal.

4

Twelfth Night
[I, 3]

Maria

142

He hath indeed, almost natural: for besides that
he's a fool, he's a great quarreller: and but that
he hath the gift of a coward to allay the gust he
hath in quarrelling, 'tis thought among the prudent
he would quickly have the gift of a grave.

5

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

174

An you part so, mistress, I would I might never
draw sword again. Fair lady, do you think you have
fools in hand?

6

Twelfth Night
[I, 3]

Maria

177

Sir, I have not you by the hand.

7

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

178

Marry, but you shall have; and here's my hand.

8

Twelfth Night
[I, 3]

Maria

187

Ay, sir, I have them at my fingers' ends: marry,
now I let go your hand, I am barren.

9

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

192

Never in your life, I think; unless you see canary
put me down. Methinks sometimes I have no more wit
than a Christian or an ordinary man has: but I am a
great eater of beef and I believe that does harm to my wit.

10

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

200

What is 'Pourquoi'? do or not do? I would I had
bestowed that time in the tongues that I have in
fencing, dancing and bear-baiting: O, had I but
followed the arts!

11

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

205

Why, would that have mended my hair?

12

Twelfth Night
[I, 3]

Sir Toby Belch

214

She'll none o' the count: she'll not match above
her degree, neither in estate, years, nor wit; I
have heard her swear't. Tut, there's life in't,
man.

13

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

228

And I think I have the back-trick simply as strong
as any man in Illyria.

14

Twelfth Night
[I, 3]

Sir Toby Belch

230

Wherefore are these things hid? wherefore have
these gifts a curtain before 'em? are they like to
take dust, like Mistress Mall's picture? why dost
thou not go to church in a galliard and come home in
a coranto? My very walk should be a jig; I would not
so much as make water but in a sink-a-pace. What
dost thou mean? Is it a world to hide virtues in?
I did think, by the excellent constitution of thy
leg, it was formed under the star of a galliard.

15

Twelfth Night
[I, 4]

Orsino

258

Stand you a while aloof, Cesario,
Thou know'st no less but all; I have unclasp'd
To thee the book even of my secret soul:
Therefore, good youth, address thy gait unto her;
Be not denied access, stand at her doors,
And tell them, there thy fixed foot shall grow
Till thou have audience.

16

Twelfth Night
[I, 5]

Feste

307

Well, God give them wisdom that have it; and those
that are fools, let them use their talents.

17

Twelfth Night
[I, 5]

Feste

323

Wit, an't be thy will, put me into good fooling!
Those wits, that think they have thee, do very oft
prove fools; and I, that am sure I lack thee, may
pass for a wise man: for what says Quinapalus?
'Better a witty fool, than a foolish wit.'
[Enter OLIVIA with MALVOLIO]
God bless thee, lady!

18

Twelfth Night
[I, 5]

Olivia

415

Cousin, cousin, how have you come so early by this lethargy?

19

Twelfth Night
[I, 5]

Malvolio

432

Madam, yond young fellow swears he will speak with
you. I told him you were sick; he takes on him to
understand so much, and therefore comes to speak
with you. I told him you were asleep; he seems to
have a foreknowledge of that too, and therefore
comes to speak with you. What is to be said to him,
lady? he's fortified against any denial.

20

Twelfth Night
[I, 5]

Viola

464

Most radiant, exquisite and unmatchable beauty,—I
pray you, tell me if this be the lady of the house,
for I never saw her: I would be loath to cast away
my speech, for besides that it is excellently well
penned, I have taken great pains to con it. Good
beauties, let me sustain no scorn; I am very
comptible, even to the least sinister usage.