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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Twelfth Night
[I, 5] |
Feste |
331 |
Do you not hear, fellows? Take away the lady.
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2 |
Twelfth Night
[I, 5] |
Olivia |
458 |
Give me my veil: come, throw it o'er my face.
We'll once more hear Orsino's embassy.
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3 |
Twelfth Night
[I, 5] |
Olivia |
488 |
It is the more like to be feigned: I pray you,
keep it in. I heard you were saucy at my gates,
and allowed your approach rather to wonder at you
than to hear you. If you be not mad, be gone; if
you have reason, be brief: 'tis not that time of
moon with me to make one in so skipping a dialogue.
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4 |
Twelfth Night
[I, 5] |
Olivia |
508 |
Give us the place alone: we will hear this divinity.
[Exeunt MARIA and Attendants]
Now, sir, what is your text?
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5 |
Twelfth Night
[II, 3] |
Feste |
738 |
[Sings]
O mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man's son doth know.
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6 |
Twelfth Night
[II, 3] |
Sir Toby Belch |
757 |
To hear by the nose, it is dulcet in contagion.
But shall we make the welkin dance indeed? shall we
rouse the night-owl in a catch that will draw three
souls out of one weaver? shall we do that?
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7 |
Twelfth Night
[III, 1] |
Olivia |
1342 |
O, by your leave, I pray you,
I bade you never speak again of him:
But, would you undertake another suit,
I had rather hear you to solicit that
Than music from the spheres.
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8 |
Twelfth Night
[III, 1] |
Olivia |
1348 |
Give me leave, beseech you. I did send,
After the last enchantment you did here,
A ring in chase of you: so did I abuse
Myself, my servant and, I fear me, you:
Under your hard construction must I sit,To force that on you, in a shameful cunning,
Which you knew none of yours: what might you think?
Have you not set mine honour at the stake
And baited it with all the unmuzzled thoughts
That tyrannous heart can think? To one of your receiving
Enough is shown: a cypress, not a bosom,
Hideth my heart. So, let me hear you speak.
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9 |
Twelfth Night
[III, 4] |
Maria |
1665 |
No, I warrant you, he will not hear of godliness.
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10 |
Twelfth Night
[IV, 1] |
Olivia |
1997 |
Will it be ever thus? Ungracious wretch,
Fit for the mountains and the barbarous caves,
Where manners ne'er were preach'd! out of my sight!
Be not offended, dear Cesario.
Rudesby, be gone!
[Exeunt SIR TOBY BELCH, SIR ANDREW, and FABIAN]
I prithee, gentle friend,
Let thy fair wisdom, not thy passion, sway
In this uncivil and thou unjust extent
Against thy peace. Go with me to my house,
And hear thou there how many fruitless pranks
This ruffian hath botch'd up, that thou thereby
Mayst smile at this: thou shalt not choose but go:
Do not deny. Beshrew his soul for me,
He started one poor heart of mine in thee.
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11 |
Twelfth Night
[V, 1] |
Orsino |
2309 |
Why should I not, had I the heart to do it,
Like to the Egyptian thief at point of death,
Kill what I love?—a savage jealousy
That sometimes savours nobly. But hear me this:
Since you to non-regardance cast my faith,
And that I partly know the instrument
That screws me from my true place in your favour,
Live you the marble-breasted tyrant still;
But this your minion, whom I know you love,
And whom, by heaven I swear, I tender dearly,
Him will I tear out of that cruel eye,
Where he sits crowned in his master's spite.
Come, boy, with me; my thoughts are ripe in mischief:
I'll sacrifice the lamb that I do love,
To spite a raven's heart within a dove.
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12 |
Twelfth Night
[V, 1] |
Sir Andrew Aguecheek |
2388 |
If a bloody coxcomb be a hurt, you have hurt me: I
think you set nothing by a bloody coxcomb.
[Enter SIR TOBY BELCH and Clown]
Here comes Sir Toby halting; you shall hear more:
but if he had not been in drink, he would have
tickled you othergates than he did.
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13 |
Twelfth Night
[V, 1] |
Fabian |
2568 |
Good madam, hear me speak,
And let no quarrel nor no brawl to come
Taint the condition of this present hour,
Which I have wonder'd at. In hope it shall not,
Most freely I confess, myself and Toby
Set this device against Malvolio here,
Upon some stubborn and uncourteous parts
We had conceived against him: Maria writ
The letter at Sir Toby's great importance;
In recompense whereof he hath married her.
How with a sportful malice it was follow'd,
May rather pluck on laughter than revenge;
If that the injuries be justly weigh'd
That have on both sides pass'd.
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