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Nothing emboldens sin so much as mercy.

      — Timon of Athens, Act III Scene 5

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1-6 of 6 total

KEYWORD: question

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 3]

Sir Toby Belch

196

No question.

2

Twelfth Night
[I, 3]

Sir Toby Belch

206

Past question; for thou seest it will not curl by nature.

3

Twelfth Night
[I, 4]

Viola

250

You either fear his humour or my negligence, that
you call in question the continuance of his love:
is he inconstant, sir, in his favours?

4

Twelfth Night
[II, 5]

Malvolio

1111

By my life, this is my lady's hand these be her
very C's, her U's and her T's and thus makes she her
great P's. It is, in contempt of question, her hand.

5

Twelfth Night
[IV, 2]

Malvolio

2065

I say, this house is as dark as ignorance, though
ignorance were as dark as hell; and I say, there
was never man thus abused. I am no more mad than you
are: make the trial of it in any constant question.

6

Twelfth Night
[V, 1]

Olivia

2557

Alas, Malvolio, this is not my writing,
Though, I confess, much like the character
But out of question 'tis Maria's hand.
And now I do bethink me, it was she
First told me thou wast mad; then camest in smiling,
And in such forms which here were presupposed
Upon thee in the letter. Prithee, be content:
This practise hath most shrewdly pass'd upon thee;
But when we know the grounds and authors of it,
Thou shalt be both the plaintiff and the judge
Of thine own cause.

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