# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[II, 3]

Sir Andrew Aguecheek

731

Excellent! why, this is the best fooling, when all
is done. Now, a song.

2

Twelfth Night
[II, 3]

Sir Toby Belch

733

Come on; there is sixpence for you: let's have a song.

3

Twelfth Night
[II, 3]

Feste

735

Would you have a love-song, or a song of good life?

4

Twelfth Night
[II, 4]

Orsino

891

Give me some music. Now, good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night:
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times:
Come, but one verse.

5

Twelfth Night
[II, 4]

Orsino

936

O, fellow, come, the song we had last night.
Mark it, Cesario, it is old and plain;
The spinsters and the knitters in the sun
And the free maids that weave their thread with bones
Do use to chant it: it is silly sooth,
And dallies with the innocence of love,
Like the old age.

6

Twelfth Night
[II, 4]

Orsino

944

Ay; prithee, sing.
[Music]
SONG.