# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[III, 6]

Second Lord

1735

Believe it, my lord, in mine own direct knowledge,
without any malice, but to speak of him as my
kinsman, he's a most notable coward, an infinite and
endless liar, an hourly promise-breaker, the owner
of no one good quality worthy your lordship's
entertainment.

2

All's Well That Ends Well
[III, 6]

First Lord

1759

O, for the love of laughter, let him fetch his drum;
he says he has a stratagem for't: when your
lordship sees the bottom of his success in't, and to
what metal this counterfeit lump of ore will be
melted, if you give him not John Drum's
entertainment, your inclining cannot be removed.
Here he comes.

3

All's Well That Ends Well
[IV, 1]

Second Lord

1915

He must think us some band of strangers i' the
adversary's entertainment. Now he hath a smack of
all neighbouring languages; therefore we must every
one be a man of his own fancy, not to know what we
speak one to another; so we seem to know, is to
know straight our purpose: choughs' language,
gabble enough, and good enough. As for you,
interpreter, you must seem very politic. But couch,
ho! here he comes, to beguile two hours in a sleep,
and then to return and swear the lies he forges.