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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[I, 1] |
Helena |
80 |
O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.
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2 |
All's Well That Ends Well
[I, 1] |
Page |
189 |
Monsieur Parolles, my lord calls for you.
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3 |
All's Well That Ends Well
[I, 1] |
Helena |
193 |
Monsieur Parolles, you were born under a charitable star.
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4 |
All's Well That Ends Well
[I, 2] |
(stage directions) |
257 |
[Enter BERTRAM, LAFEU, and PAROLLES]
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5 |
All's Well That Ends Well
[II, 1] |
(stage directions) |
590 |
[Flourish of cornets. Enter the KING, attended]
with divers young Lords taking leave for the
Florentine war; BERTRAM, and PAROLLES]
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6 |
All's Well That Ends Well
[II, 1] |
Second Lord |
635 |
Sweet Monsieur Parolles!
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7 |
All's Well That Ends Well
[II, 1] |
(stage directions) |
647 |
[Re-enter KING. BERTRAM and PAROLLES retire]
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8 |
All's Well That Ends Well
[II, 1] |
(stage directions) |
658 |
[Exeunt BERTRAM and PAROLLES]
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9 |
All's Well That Ends Well
[II, 3] |
(stage directions) |
890 |
[Enter BERTRAM, LAFEU, and PAROLLES]
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10 |
All's Well That Ends Well
[II, 3] |
Parolles |
932 |
I would have said it; you say well. Here comes the king.
[Enter KING, HELENA, and Attendants. LAFEU and]
PAROLLES retire]
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11 |
All's Well That Ends Well
[II, 3] |
(stage directions) |
1087 |
[Exeunt all but LAFEU and PAROLLES]
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12 |
All's Well That Ends Well
[II, 3] |
Bertram |
1174 |
O my Parolles, they have married me!
I'll to the Tuscan wars, and never bed her.
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13 |
All's Well That Ends Well
[II, 4] |
(stage directions) |
1217 |
[Enter PAROLLES]
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14 |
All's Well That Ends Well
[II, 4] |
Helena |
1260 |
I pray you.
[Exit PAROLLES]
Come, sirrah.
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15 |
All's Well That Ends Well
[II, 5] |
(stage directions) |
1277 |
[Enter PAROLLES]
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16 |
All's Well That Ends Well
[II, 5] |
Bertram |
1283 |
[Aside to PAROLLES] Is she gone to the king?
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17 |
All's Well That Ends Well
[III, 2] |
Countess |
1491 |
Parolles, was it not?
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18 |
All's Well That Ends Well
[III, 3] |
(stage directions) |
1541 |
[Flourish. Enter the DUKE of Florence, BERTRAM,]
PAROLLES, Soldiers, Drum, and Trumpets]
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19 |
All's Well That Ends Well
[III, 5] |
Mariana |
1622 |
I know that knave; hang him! one Parolles: a
filthy officer he is in those suggestions for the
young earl. Beware of them, Diana; their promises,
enticements, oaths, tokens, and all these engines of
lust, are not the things they go under: many a maid
hath been seduced by them; and the misery is,
example, that so terrible shows in the wreck of
maidenhood, cannot for all that dissuade succession,
but that they are limed with the twigs that threaten
them. I hope I need not to advise you further; but
I hope your own grace will keep you where you are,
though there were no further danger known but the
modesty which is so lost.
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20 |
All's Well That Ends Well
[III, 5] |
Diana |
1672 |
Monsieur Parolles.
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