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Why should a man whose blood is warm within,
Sit like his grandsire cut in alabaster?

      — The Merchant of Venice, Act I Scene 1

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1-8 of 8 total

KEYWORD: dispatch

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 2]

Antony

883

So is the fame.
Would we had spoke together! Haste we for it:
Yet, ere we put ourselves in arms, dispatch we
The business we have talk'd of.

2

Antony and Cleopatra
[III, 12]

Octavius

2227

Bring him through the bands.
[Exit EUPHRONIUS]
[To THYREUS] To try eloquence, now 'tis time: dispatch;]
From Antony win Cleopatra: promise,
And in our name, what she requires; add more,
From thine invention, offers: women are not
In their best fortunes strong; but want will perjure
The ne'er touch'd vestal: try thy cunning, Thyreus;
Make thine own edict for thy pains, which we
Will answer as a law.

3

Antony and Cleopatra
[IV, 4]

Antony

2636

Rarely, rarely:
He that unbuckles this, till we do please
To daff't for our repose, shall hear a storm.
Thou fumblest, Eros; and my queen's a squire
More tight at this than thou: dispatch. O love,
That thou couldst see my wars to-day, and knew'st
The royal occupation! thou shouldst see
A workman in't.
[Enter an armed Soldier]
Good morrow to thee; welcome:
Thou look'st like him that knows a warlike charge:
To business that we love we rise betime,
And go to't with delight.

4

Antony and Cleopatra
[IV, 5]

Antony

2695

Go, Eros, send his treasure after; do it;
Detain no jot, I charge thee: write to him—
I will subscribe—gentle adieus and greetings;
Say that I wish he never find more cause
To change a master. O, my fortunes have
Corrupted honest men! Dispatch.—Enobarbus!

5

Antony and Cleopatra
[IV, 14]

Antony

3098

Thrice-nobler than myself!
Thou teachest me, O valiant Eros, what
I should, and thou couldst not. My queen and Eros
Have by their brave instruction got upon me
A nobleness in record: but I will be
A bridegroom in my death, and run into't
As to a lover's bed. Come, then; and, Eros,
Thy master dies thy scholar: to do thus
[Falling on his sword]
I learn'd of thee. How! not dead? not dead?
The guard, ho! O, dispatch me!

6

Antony and Cleopatra
[V, 2]

Cleopatra

3669

Why, that's the way
To fool their preparation, and to conquer
Their most absurd intents.
[Re-enter CHARMIAN]
Now, Charmian!
Show me, my women, like a queen: go fetch
My best attires: I am again for Cydnus,
To meet Mark Antony: sirrah Iras, go.
Now, noble Charmian, we'll dispatch indeed;
And, when thou hast done this chare, I'll give thee leave
To play till doomsday. Bring our crown and all.
Wherefore's this noise?

7

Antony and Cleopatra
[V, 2]

Cleopatra

3760

This proves me base:
If she first meet the curled Antony,
He'll make demand of her, and spend that kiss
Which is my heaven to have. Come, thou
mortal wretch,
[To an asp, which she applies to her breast]
With thy sharp teeth this knot intrinsicate
Of life at once untie: poor venomous fool
Be angry, and dispatch. O, couldst thou speak,
That I might hear thee call great Caesar ass
Unpolicied!

8

Antony and Cleopatra
[V, 2]

Charmian

3791

Too slow a messenger.
[Applies an asp]
O, come apace, dispatch! I partly feel thee.

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