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I love a ballad in print o' life, for then we are sure they are true.

      — The Winter's Tale, Act IV Scene 4

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

As You Like It
[I, 1]

Orlando

2

As I remember, Adam, it was upon this fashion bequeathed
me by will but poor a thousand crowns, and, as thou say'st,
charged my brother, on his blessing, to breed me well; and there
begins my sadness. My brother Jaques he keeps at school, and
report speaks goldenly of his profit. For my part, he keeps me
rustically at home, or, to speak more properly, stays me here at
home unkept; for call you that keeping for a gentleman of my
birth that differs not from the stalling of an ox? His horses are
bred better; for, besides that they are fair with their feeding,
they are taught their manage, and to that end riders dearly
hir'd; but I, his brother, gain nothing under him but growth; for
the which his animals on his dunghills are as much bound to him
as I. Besides this nothing that he so plentifully gives me, the
something that nature gave me his countenance seems to take from
me. He lets me feed with his hinds, bars me the place of a
brother, and as much as in him lies, mines my gentility with my
education. This is it, Adam, that grieves me; and the spirit of
my father, which I think is within me, begins to mutiny against
this servitude. I will no longer endure it, though yet I know no
wise remedy how to avoid it.

2

As You Like It
[I, 1]

Oliver

136

Farewell, good Charles. Now will I stir this gamester. I
hope I shall see an end of him; for my soul, yet I know not why,
hates nothing more than he. Yet he's gentle; never school'd and
yet learned; full of noble device; of all sorts enchantingly
beloved; and, indeed, so much in the heart of the world, and
especially of my own people, who best know him, that I am
altogether misprised. But it shall not be so long; this wrestler
shall clear all. Nothing remains but that I kindle the boy
thither, which now I'll go about. Exit

3

As You Like It
[I, 2]

Le Beau

238

I will tell you the beginning, and, if it please your
ladyships, you may see the end; for the best is yet to do; and
here, where you are, they are coming to perform it.

4

As You Like It
[II, 5]

Amiens

844

Well, I'll end the song. Sirs, cover the while; the Duke
will drink under this tree. He hath been all this day to look
you.

5

As You Like It
[II, 6]

Orlando

881

Why, how now, Adam! No greater heart in thee? Live a
little; comfort a little; cheer thyself a little. If this uncouth
forest yield anything savage, I will either be food for it or
bring it for food to thee. Thy conceit is nearer death than thy
powers. For my sake be comfortable; hold death awhile at the
arm's end. I will here be with thee presently; and if I bring thee
not something to eat, I will give thee leave to die; but if thou
diest before I come, thou art a mocker of my labour. Well said!
thou look'st cheerly; and I'll be with thee quickly. Yet thou
liest in the bleak air. Come, I will bear thee to some shelter;
and thou shalt not die for lack of a dinner, if there live
anything in this desert. Cheerly, good Adam! Exeunt

6

As You Like It
[III, 2]

Celia

1237

'Why should this a desert be?
For it is unpeopled? No;
Tongues I'll hang on every tree
That shall civil sayings show.
Some, how brief the life of man
Runs his erring pilgrimage,
That the streching of a span
Buckles in his sum of age;
Some, of violated vows
'Twixt the souls of friend and friend;
But upon the fairest boughs,
Or at every sentence end,
Will I Rosalinda write,
Teaching all that read to know
The quintessence of every sprite
Heaven would in little show.
Therefore heaven Nature charg'd
That one body should be fill'd
With all graces wide-enlarg'd.
Nature presently distill'd
Helen's cheek, but not her heart,
Cleopatra's majesty,
Atalanta's better part,
Sad Lucretia's modesty.
Thus Rosalinde of many parts
By heavenly synod was devis'd,
Of many faces, eyes, and hearts,
To have the touches dearest priz'd.
Heaven would that she these gifts should have,
And I to live and die her slave.'

7

As You Like It
[III, 3]

Touchstone

1536

Well, praised be the gods for thy foulness;
sluttishness may come hereafter. But be it as it may be, I will
marry thee; and to that end I have been with Sir Oliver Martext,
the vicar of the next village, who hath promis'd to meet me in
this place of the forest, and to couple us.

8

As You Like It
[III, 3]

Touchstone

1543

Amen. A man may, if he were of a fearful heart, stagger
in this attempt; for here we have no temple but the wood, no
assembly but horn-beasts. But what though? Courage! As horns are
odious, they are necessary. It is said: 'Many a man knows no end
of his goods.' Right! Many a man has good horns and knows no end
of them. Well, that is the dowry of his wife; 'tis none of his
own getting. Horns? Even so. Poor men alone? No, no; the noblest
deer hath them as huge as the rascal. Is the single man therefore
blessed? No; as a wall'd town is more worthier than a village, so
is the forehead of a married man more honourable than the bare
brow of a bachelor; and by how much defence is better than no
skill, by so much is horn more precious than to want. Here comes
Sir Oliver.
[Enter SIR OLIVER MARTEXT]
Sir Oliver Martext, you are well met. Will you dispatch us here
under this tree, or shall we go with you to your chapel?

9

As You Like It
[V, 4]

Duke

2593

Proceed, proceed. We will begin these rites,
As we do trust they'll end, in true delights. [A dance] Exeunt EPILOGUE

10

As You Like It
[V, 4]

(stage directions)

2614

THE END

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