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With an angry wafture of your hand,
Gave sign for me to leave you.

      — Julius Caesar, Act II Scene 1

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KEYWORD: name

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[I, 2]

Frederick

330

Bear him away. What is thy name, young man?

2

As You Like It
[I, 3]

Frederick

481

She is too subtle for thee; and her smoothness,
Her very silence and her patience,
Speak to the people, and they pity her.
Thou art a fool. She robs thee of thy name;
And thou wilt show more bright and seem more virtuous
When she is gone. Then open not thy lips.
Firm and irrevocable is my doom
Which I have pass'd upon her; she is banish'd.

3

As You Like It
[I, 3]

Rosalind

532

I'll have no worse a name than Jove's own page,
And therefore look you call me Ganymede.
But what will you be call'd?

4

As You Like It
[II, 7]

Jaques (lord)

965

Why, who cries out on pride
That can therein tax any private party?
Doth it not flow as hugely as the sea,
Till that the wearer's very means do ebb?
What woman in the city do I name
When that I say the city-woman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she such is her neighbour?
Or what is he of basest function
That says his bravery is not on my cost,
Thinking that I mean him, but therein suits
His folly to the mettle of my speech?
There then! how then? what then? Let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himself; if he be free,
Why then my taxing like a wild-goose flies,
Unclaim'd of any man. But who comes here?

5

As You Like It
[III, 2]

Orlando

1122

Hang there, my verse, in witness of my love;
And thou, thrice-crowned Queen of Night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books,
And in their barks my thoughts I'll character,
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree,
The fair, the chaste, and unexpressive she. Exit

6

As You Like It
[III, 2]

Celia

1281

But didst thou hear without wondering how thy name should be
hang'd and carved upon these trees?

7

As You Like It
[III, 2]

Jaques (lord)

1363

Rosalind is your love's name?

8

As You Like It
[III, 2]

Jaques (lord)

1365

I do not like her name.

9

As You Like It
[III, 2]

Rosalind

1444

No; I will not cast away my physic but on those that are
sick. There is a man haunts the forest that abuses our young
plants with carving 'Rosalind' on their barks; hangs odes upon
hawthorns and elegies on brambles; all, forsooth, deifying the
name of Rosalind. If I could meet that fancy-monger, I would give
him some good counsel, for he seems to have the quotidian of love
upon him.

10

As You Like It
[V, 1]

Touchstone

2207

A ripe age. Is thy name William?

11

As You Like It
[V, 1]

Touchstone

2209

A fair name. Wast born i' th' forest here?

12

As You Like It
[V, 4]

Touchstone

2485

O, sir, we quarrel in print by the book, as you have
books for good manners. I will name you the degrees. The first,
the Retort Courteous; the second, the Quip Modest; the third, the
Reply Churlish; the fourth, the Reproof Valiant; the fifth, the
Countercheck Quarrelsome; the sixth, the Lie with Circumstance;
the seventh, the Lie Direct. All these you may avoid but the Lie
Direct; and you may avoid that too with an If. I knew when seven
justices could not take up a quarrel; but when the parties were
met themselves, one of them thought but of an If, as: 'If you
said so, then I said so.' And they shook hands, and swore
brothers. Your If is the only peace-maker; much virtue in If.

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