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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Comedy of Errors
[II, 1] |
Adriana |
304 |
Patience unmoved! no marvel though she pause;
They can be meek that have no other cause.
A wretched soul, bruised with adversity,
We bid be quiet when we hear it cry;
But were we burdened with like weight of pain,
As much or more would we ourselves complain:
So thou, that hast no unkind mate to grieve thee,
With urging helpless patience wouldst relieve me,
But, if thou live to see like right bereft,
This fool-begg'd patience in thee will be left.
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2 |
Comedy of Errors
[II, 2] |
Antipholus of Syracuse |
463 |
Let's hear it.
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3 |
Comedy of Errors
[II, 2] |
Adriana |
499 |
Ay, ay, Antipholus, look strange and frown:
Some other mistress hath thy sweet aspects;
I am not Adriana nor thy wife.
The time was once when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savor'd in thy taste,
Unless I spake, or look'd, or touch'd, or carved to thee.
How comes it now, my husband, O, how comes it,
That thou art thus estranged from thyself?
Thyself I call it, being strange to me,
That, undividable, incorporate,
Am better than thy dear self's better part.
Ah, do not tear away thyself from me!
For know, my love, as easy mayest thou fall
A drop of water in the breaking gulf,
And take unmingled that same drop again,
Without addition or diminishing,
As take from me thyself and not me too.
How dearly would it touch me to the quick,
Shouldst thou but hear I were licentious
And that this body, consecrate to thee,
By ruffian lust should be contaminate!
Wouldst thou not spit at me and spurn at me
And hurl the name of husband in my face
And tear the stain'd skin off my harlot-brow
And from my false hand cut the wedding-ring
And break it with a deep-divorcing vow?
I know thou canst; and therefore see thou do it.
I am possess'd with an adulterate blot;
My blood is mingled with the crime of lust:
For if we too be one and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then far league and truce with thy true bed;
I live unstain'd, thou undishonoured.
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4 |
Comedy of Errors
[II, 2] |
Antipholus of Syracuse |
570 |
To me she speaks; she moves me for her theme:
What, was I married to her in my dream?
Or sleep I now and think I hear all this?
What error drives our eyes and ears amiss?
Until I know this sure uncertainty,
I'll entertain the offer'd fallacy.
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5 |
Comedy of Errors
[III, 1] |
Antipholus of Ephesus |
680 |
Do you hear, you minion? you'll let us in, I hope?
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6 |
Comedy of Errors
[IV, 1] |
Angelo |
1006 |
You hear how he importunes me;—the chain!
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7 |
Comedy of Errors
[IV, 1] |
Officer |
1032 |
I do arrest you, sir: you hear the suit.
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8 |
Comedy of Errors
[IV, 2] |
Dromio of Syracuse |
1128 |
Not on a band, but on a stronger thing;
A chain, a chain! Do you not hear it ring?
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9 |
Comedy of Errors
[IV, 2] |
Adriana |
1134 |
The hours come back! that did I never hear.
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10 |
Comedy of Errors
[V, 1] |
Second Merchant |
1450 |
These ears of mine, thou know'st did hear thee.
Fie on thee, wretch! 'tis pity that thou livest
To walk where any honest man resort.
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11 |
Comedy of Errors
[V, 1] |
Servant |
1615 |
Mistress, upon my life, I tell you true;
I have not breathed almost since I did see it.
He cries for you, and vows, if he can take you,
To scorch your face and to disfigure you.
[Cry within]
Hark, hark! I hear him, mistress. fly, be gone!
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12 |
Comedy of Errors
[V, 1] |
Aegeon |
1746 |
Not know my voice! O time's extremity,
Hast thou so crack'd and splitted my poor tongue
In seven short years, that here my only son
Knows not my feeble key of untuned cares?
Though now this grained face of mine be hid
In sap-consuming winter's drizzled snow,
And all the conduits of my blood froze up,
Yet hath my night of life some memory,
My wasting lamps some fading glimmer left,
My dull deaf ears a little use to hear:
All these old witnesses—I cannot err—
Tell me thou art my son Antipholus.
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13 |
Comedy of Errors
[V, 1] |
Antipholus of Syracuse |
1815 |
And so do I; yet did she call me so:
And this fair gentlewoman, her sister here,
Did call me brother.
[To Luciana]
What I told you then,
I hope I shall have leisure to make good;
If this be not a dream I see and hear.
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14 |
Comedy of Errors
[V, 1] |
Aemilia |
1838 |
Renowned duke, vouchsafe to take the pains
To go with us into the abbey here
And hear at large discoursed all our fortunes:
And all that are assembled in this place,
That by this sympathized one day's error
Have suffer'd wrong, go keep us company,
And we shall make full satisfaction.
Thirty-three years have I but gone in travail
Of you, my sons; and till this present hour
My heavy burden ne'er delivered.
The duke, my husband and my children both,
And you the calendars of their nativity,
Go to a gossips' feast and go with me;
After so long grief, such festivity!
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