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If it will feed nothing else, it will feed my revenge.

      — The Merchant of Venice, Act III Scene 1

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KEYWORD: thousand

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 4]

Iachimo

441

Yours; whom in constancy you think stands so safe.
I will lay you ten thousand ducats to your ring,
that, commend me to the court where your lady is,
with no more advantage than the opportunity of a
second conference, and I will bring from thence
that honour of hers which you imagine so reserved.

2

Cymbeline
[I, 4]

Iachimo

462

By the gods, it is one. If I bring you no
sufficient testimony that I have enjoyed the dearest
bodily part of your mistress, my ten thousand ducats
are yours; so is your diamond too: if I come off,
and leave her in such honour as you have trust in,
she your jewel, this your jewel, and my gold are
yours: provided I have your commendation for my more
free entertainment.

3

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

4

Cymbeline
[III, 1]

Caius Lucius

1412

When Julius Caesar, whose remembrance yet
Lives in men's eyes and will to ears and tongues
Be theme and hearing ever, was in this Britain
And conquer'd it, Cassibelan, thine uncle,—
Famous in Caesar's praises, no whit less
Than in his feats deserving it—for him
And his succession granted Rome a tribute,
Yearly three thousand pounds, which by thee lately
Is left untender'd.

5

Cymbeline
[V, 3]

Posthumus Leonatus

3038

Close by the battle, ditch'd, and wall'd with turf;
Which gave advantage to an ancient soldier,
An honest one, I warrant; who deserved
So long a breeding as his white beard came to,
In doing this for's country: athwart the lane,
He, with two striplings-lads more like to run
The country base than to commit such slaughter
With faces fit for masks, or rather fairer
Than those for preservation cased, or shame—
Made good the passage; cried to those that fled,
'Our Britain s harts die flying, not our men:
To darkness fleet souls that fly backwards. Stand;
Or we are Romans and will give you that
Like beasts which you shun beastly, and may save,
But to look back in frown: stand, stand.'
These three,
Three thousand confident, in act as many—
For three performers are the file when all
The rest do nothing—with this word 'Stand, stand,'
Accommodated by the place, more charming
With their own nobleness, which could have turn'd
A distaff to a lance, gilded pale looks,
Part shame, part spirit renew'd; that some,
turn'd coward
But by example—O, a sin in war,
Damn'd in the first beginners!—gan to look
The way that they did, and to grin like lions
Upon the pikes o' the hunters. Then began
A stop i' the chaser, a retire, anon
A rout, confusion thick; forthwith they fly
Chickens, the way which they stoop'd eagles; slaves,
The strides they victors made: and now our cowards,
Like fragments in hard voyages, became
The life o' the need: having found the backdoor open
Of the unguarded hearts, heavens, how they wound!
Some slain before; some dying; some their friends
O'er borne i' the former wave: ten, chased by one,
Are now each one the slaughter-man of twenty:
Those that would die or ere resist are grown
The mortal bugs o' the field.

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