# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

King John
[I, 1]

Philip the Bastard

186

Brother, adieu: good fortune come to thee!
For thou wast got i' the way of honesty.
[Exeunt all but BASTARD]
A foot of honour better than I was;
But many a many foot of land the worse.
Well, now can I make any Joan a lady.
'Good den, sir Richard!'—'God-a-mercy, fellow!'—
And if his name be George, I'll call him Peter;
For new-made honour doth forget men's names;
'Tis too respective and too sociable
For your conversion. Now your traveller,
He and his toothpick at my worship's mess,
And when my knightly stomach is sufficed,
Why then I suck my teeth and catechise
My picked man of countries: 'My dear sir,'
Thus, leaning on mine elbow, I begin,
'I shall beseech you'—that is question now;
And then comes answer like an Absey book:
'O sir,' says answer, 'at your best command;
At your employment; at your service, sir;'
'No, sir,' says question, 'I, sweet sir, at yours:'
And so, ere answer knows what question would,
Saving in dialogue of compliment,
And talking of the Alps and Apennines,
The Pyrenean and the river Po,
It draws toward supper in conclusion so.
But this is worshipful society
And fits the mounting spirit like myself,
For he is but a bastard to the time
That doth not smack of observation;
And so am I, whether I smack or no;
And not alone in habit and device,
Exterior form, outward accoutrement,
But from the inward motion to deliver
Sweet, sweet, sweet poison for the age's tooth:
Which, though I will not practise to deceive,
Yet, to avoid deceit, I mean to learn;
For it shall strew the footsteps of my rising.
But who comes in such haste in riding-robes?
What woman-post is this? hath she no husband
That will take pains to blow a horn before her?
[Enter LADY FAULCONBRIDGE and GURNEY]
O me! it is my mother. How now, good lady!
What brings you here to court so hastily?

2

King John
[III, 1]

Philip the Bastard

1145

Hang nothing but a calf's-skin, most sweet lout.

3

King John
[III, 4]

Lewis

1495

There's nothing in this world can make me joy:
Life is as tedious as a twice-told tale
Vexing the dull ear of a drowsy man;
And bitter shame hath spoil'd the sweet world's taste
That it yields nought but shame and bitterness.

4

King John
[IV, 2]

Pembroke

1809

And when it breaks, I fear will issue thence
The foul corruption of a sweet child's death.

5

King John
[IV, 3]

Salisbury

2080

If that it be the work of any hand!
We had a kind of light what would ensue:
It is the shameful work of Hubert's hand;
The practise and the purpose of the king:
From whose obedience I forbid my soul,
Kneeling before this ruin of sweet life,
And breathing to his breathless excellence
The incense of a vow, a holy vow,
Never to taste the pleasures of the world,
Never to be infected with delight,
Nor conversant with ease and idleness,
Till I have set a glory to this hand,
By giving it the worship of revenge.

6

King John
[IV, 3]

Hubert de Burgh

2130

'Tis not an hour since I left him well:
I honour'd him, I loved him, and will weep
My date of life out for his sweet life's loss.

7

King John
[IV, 3]

Hubert de Burgh

2164

If I in act, consent, or sin of thought,
Be guilty of the stealing that sweet breath
Which was embounded in this beauteous clay,
Let hell want pains enough to torture me.
I left him well.

8

King John
[V, 2]

Philip the Bastard

2409

By all the blood that ever fury breathed,
The youth says well. Now hear our English king;
For thus his royalty doth speak in me.
He is prepared, and reason too he should:
This apish and unmannerly approach,
This harness'd masque and unadvised revel,
This unhair'd sauciness and boyish troops,
The king doth smile at; and is well prepared
To whip this dwarfish war, these pigmy arms,
From out the circle of his territories.
That hand which had the strength, even at your door,
To cudgel you and make you take the hatch,
To dive like buckets in concealed wells,
To crouch in litter of your stable planks,
To lie like pawns lock'd up in chests and trunks,
To hug with swine, to seek sweet safety out
In vaults and prisons, and to thrill and shake
Even at the crying of your nation's crow,
Thinking his voice an armed Englishman;
Shall that victorious hand be feebled here,
That in your chambers gave you chastisement?
No: know the gallant monarch is in arms
And like an eagle o'er his aery towers,
To souse annoyance that comes near his nest.
And you degenerate, you ingrate revolts,
You bloody Neroes, ripping up the womb
Of your dear mother England, blush for shame;
For your own ladies and pale-visaged maids
Like Amazons come tripping after drums,
Their thimbles into armed gauntlets change,
Their needles to lances, and their gentle hearts
To fierce and bloody inclination.

9

King John
[V, 6]

Hubert de Burgh

2600

O, my sweet sir, news fitting to the night,
Black, fearful, comfortless and horrible.

10

King John
[V, 7]

Philip the Bastard

2737

Thither shall it then:
And happily may your sweet self put on
The lineal state and glory of the land!
To whom with all submission, on my knee
I do bequeath my faithful services
And true subjection everlastingly.