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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Love's Labour's Lost
[II, 1] |
Rosaline |
761 |
Ay, our way to be gone.
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2 |
Love's Labour's Lost
[III, 1] |
Don Adriano de Armado |
815 |
The way is but short: away!
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3 |
Love's Labour's Lost
[IV, 2] |
Holofernes |
1154 |
Most barbarous intimation! yet a kind of
insinuation, as it were, in via, in way, of
explication; facere, as it were, replication, or
rather, ostentare, to show, as it were, his
inclination, after his undressed, unpolished,
uneducated, unpruned, untrained, or rather,
unlettered, or ratherest, unconfirmed fashion, to
insert again my haud credo for a deer.
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4 |
Love's Labour's Lost
[IV, 2] |
Holofernes |
1280 |
I will overglance the superscript: 'To the
snow-white hand of the most beauteous Lady
Rosaline.' I will look again on the intellect of
the letter, for the nomination of the party writing
to the person written unto: 'Your ladyship's in all
desired employment, BIRON.' Sir Nathaniel, this
Biron is one of the votaries with the king; and here
he hath framed a letter to a sequent of the stranger
queen's, which accidentally, or by the way of
progression, hath miscarried. Trip and go, my
sweet; deliver this paper into the royal hand of the
king: it may concern much. Stay not thy
compliment; I forgive thy duty; adieu.
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5 |
Love's Labour's Lost
[IV, 3] |
Biron |
1397 |
This is the liver-vein, which makes flesh a deity,
A green goose a goddess: pure, pure idolatry.
God amend us, God amend! we are much out o' the way.
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6 |
Love's Labour's Lost
[IV, 3] |
Biron |
1719 |
First, from the park let us conduct them thither;
Then homeward every man attach the hand
Of his fair mistress: in the afternoon
We will with some strange pastime solace them,
Such as the shortness of the time can shape;
For revels, dances, masks and merry hours
Forerun fair Love, strewing her way with flowers.
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7 |
Love's Labour's Lost
[V, 1] |
Moth |
1862 |
An excellent device! so, if any of the audience
hiss, you may cry 'Well done, Hercules! now thou
crushest the snake!' that is the way to make an
offence gracious, though few have the grace to do it.
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8 |
Love's Labour's Lost
[V, 2] |
Rosaline |
1890 |
That was the way to make his godhead wax,
For he hath been five thousand years a boy.
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9 |
Love's Labour's Lost
[V, 2] |
Costard |
2612 |
The party is gone, fellow Hector, she is gone; she
is two months on her way.
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10 |
Love's Labour's Lost
[V, 2] |
Rosaline |
2801 |
Why, that's the way to choke a gibing spirit,
Whose influence is begot of that loose grace
Which shallow laughing hearers give to fools:
A jest's prosperity lies in the ear
Of him that hears it, never in the tongue
Of him that makes it: then, if sickly ears,
Deaf'd with the clamours of their own dear groans,
Will hear your idle scorns, continue then,
And I will have you and that fault withal;
But if they will not, throw away that spirit,
And I shall find you empty of that fault,
Right joyful of your reformation.
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11 |
Love's Labour's Lost
[V, 2] |
Ferdinand |
2816 |
No, madam; we will bring you on your way.
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12 |
Love's Labour's Lost
[V, 2] |
Don Adriano de Armado |
2876 |
The words of Mercury are harsh after the songs of
Apollo. You that way: we this way.
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