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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Benedick |
153 |
Why, i' faith, methinks she's too low for a high
praise, too brown for a fair praise and too little
for a great praise: only this commendation I can
afford her, that were she other than she is, she
were unhandsome; and being no other but as she is, I
do not like her.
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2 |
Much Ado about Nothing
[II, 1] |
Claudio |
684 |
Silence is the perfectest herald of joy: I were
but little happy, if I could say how much. Lady, as
you are mine, I am yours: I give away myself for
you and dote upon the exchange.
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3 |
Much Ado about Nothing
[II, 1] |
Leonato |
717 |
There's little of the melancholy element in her, my
lord: she is never sad but when she sleeps, and
not ever sad then; for I have heard my daughter say,
she hath often dreamed of unhappiness and waked
herself with laughing.
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4 |
Much Ado about Nothing
[III, 1] |
Hero |
1088 |
Now, Ursula, when Beatrice doth come,
As we do trace this alley up and down,
Our talk must only be of Benedick.
When I do name him, let it be thy part
To praise him more than ever man did merit:
My talk to thee must be how Benedick
Is sick in love with Beatrice. Of this matter
Is little Cupid's crafty arrow made,
That only wounds by hearsay.
[Enter BEATRICE, behind]
Now begin;
For look where Beatrice, like a lapwing, runs
Close by the ground, to hear our conference.
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5 |
Much Ado about Nothing
[III, 2] |
Don Pedro |
1203 |
Nay, that would be as great a soil in the new gloss
of your marriage as to show a child his new coat
and forbid him to wear it. I will only be bold
with Benedick for his company; for, from the crown
of his head to the sole of his foot, he is all
mirth: he hath twice or thrice cut Cupid's
bow-string and the little hangman dare not shoot at
him; he hath a heart as sound as a bell and his
tongue is the clapper, for what his heart thinks his
tongue speaks.
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6 |
Much Ado about Nothing
[III, 5] |
Dogberry |
1588 |
Goodman Verges, sir, speaks a little off the
matter: an old man, sir, and his wits are not so
blunt as, God help, I would desire they were; but,
in faith, honest as the skin between his brows.
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7 |
Much Ado about Nothing
[IV, 1] |
Leonato |
1769 |
Wherefore! Why, doth not every earthly thing
Cry shame upon her? Could she here deny
The story that is printed in her blood?
Do not live, Hero; do not ope thine eyes:
For, did I think thou wouldst not quickly die,
Thought I thy spirits were stronger than thy shames,
Myself would, on the rearward of reproaches,
Strike at thy life. Grieved I, I had but one?
Chid I for that at frugal nature's frame?
O, one too much by thee! Why had I one?
Why ever wast thou lovely in my eyes?
Why had I not with charitable hand
Took up a beggar's issue at my gates,
Who smirch'd thus and mired with infamy,
I might have said 'No part of it is mine;
This shame derives itself from unknown loins'?
But mine and mine I loved and mine I praised
And mine that I was proud on, mine so much
That I myself was to myself not mine,
Valuing of her,—why, she, O, she is fallen
Into a pit of ink, that the wide sea
Hath drops too few to wash her clean again
And salt too little which may season give
To her foul-tainted flesh!
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8 |
Much Ado about Nothing
[IV, 1] |
Friar Francis |
1805 |
Hear me a little; for I have only been
Silent so long and given way unto
This course of fortune [—]
By noting of the lady I have mark'd
A thousand blushing apparitions
To start into her face, a thousand innocent shames
In angel whiteness beat away those blushes;
And in her eye there hath appear'd a fire,
To burn the errors that these princes hold
Against her maiden truth. Call me a fool;
Trust not my reading nor my observations,
Which with experimental seal doth warrant
The tenor of my book; trust not my age,
My reverence, calling, nor divinity,
If this sweet lady lie not guiltless here
Under some biting error.
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9 |
Much Ado about Nothing
[IV, 2] |
Dogberry |
1999 |
Write down, that they hope they serve God: and
write God first; for God defend but God should go
before such villains! Masters, it is proved already
that you are little better than false knaves; and it
will go near to be thought so shortly. How answer
you for yourselves?
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10 |
Much Ado about Nothing
[V, 1] |
Don Pedro |
2234 |
I'll tell thee how Beatrice praised thy wit the
other day. I said, thou hadst a fine wit: 'True,'
said she, 'a fine little one.' 'No,' said I, 'a
great wit:' 'Right,' says she, 'a great gross one.'
'Nay,' said I, 'a good wit:' 'Just,' said she, 'it
hurts nobody.' 'Nay,' said I, 'the gentleman
is wise:' 'Certain,' said she, 'a wise gentleman.'
'Nay,' said I, 'he hath the tongues:' 'That I
believe,' said she, 'for he swore a thing to me on
Monday night, which he forswore on Tuesday morning;
there's a double tongue; there's two tongues.' Thus
did she, an hour together, transshape thy particular
virtues: yet at last she concluded with a sigh, thou
wast the properest man in Italy.
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