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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Leonato |
2 |
I learn in this letter that Don Peter of Arragon
comes this night to Messina.
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2 |
Much Ado about Nothing
[I, 2] |
Antonio |
308 |
As the event stamps them: but they have a good
cover; they show well outward. The prince and Count
Claudio, walking in a thick-pleached alley in mine
orchard, were thus much overheard by a man of mine:
the prince discovered to Claudio that he loved my
niece your daughter and meant to acknowledge it
this night in a dance: and if he found her
accordant, he meant to take the present time by the
top and instantly break with you of it.
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3 |
Much Ado about Nothing
[II, 1] |
Beatrice |
530 |
Do, do: he'll but break a comparison or two on me;
which, peradventure not marked or not laughed at,
strikes him into melancholy; and then there's a
partridge wing saved, for the fool will eat no
supper that night.
[Music]
We must follow the leaders.
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4 |
Much Ado about Nothing
[II, 2] |
Borachio |
775 |
I can, at any unseasonable instant of the night,
appoint her to look out at her lady's chamber window.
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5 |
Much Ado about Nothing
[II, 2] |
Borachio |
788 |
Go, then; find me a meet hour to draw Don Pedro and
the Count Claudio alone: tell them that you know
that Hero loves me; intend a kind of zeal both to the
prince and Claudio, as,—in love of your brother's
honour, who hath made this match, and his friend's
reputation, who is thus like to be cozened with the
semblance of a maid,—that you have discovered
thus. They will scarcely believe this without trial:
offer them instances; which shall bear no less
likelihood than to see me at her chamber-window,
hear me call Margaret Hero, hear Margaret term me
Claudio; and bring them to see this the very night
before the intended wedding,—for in the meantime I
will so fashion the matter that Hero shall be
absent,—and there shall appear such seeming truth
of Hero's disloyalty that jealousy shall be called
assurance and all the preparation overthrown.
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6 |
Much Ado about Nothing
[II, 3] |
Don Pedro |
903 |
Yea, marry, dost thou hear, Balthasar? I pray thee,
get us some excellent music; for to-morrow night we
would have it at the Lady Hero's chamber-window.
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7 |
Much Ado about Nothing
[II, 3] |
Leonato |
945 |
This says she now when she is beginning to write to
him; for she'll be up twenty times a night, and
there will she sit in her smock till she have writ a
sheet of paper: my daughter tells us all.
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8 |
Much Ado about Nothing
[III, 2] |
Don John |
1295 |
The word is too good to paint out her wickedness; I
could say she were worse: think you of a worse
title, and I will fit her to it. Wonder not till
further warrant: go but with me to-night, you shall
see her chamber-window entered, even the night
before her wedding-day: if you love her then,
to-morrow wed her; but it would better fit your honour
to change your mind.
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9 |
Much Ado about Nothing
[III, 3] |
Verges |
1382 |
If you hear a child cry in the night, you must call
to the nurse and bid her still it.
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10 |
Much Ado about Nothing
[III, 3] |
Dogberry |
1389 |
This is the end of the charge:—you, constable, are
to present the prince's own person: if you meet the
prince in the night, you may stay him.
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11 |
Much Ado about Nothing
[III, 3] |
Dogberry |
1399 |
Ha, ha, ha! Well, masters, good night: an there be
any matter of weight chances, call up me: keep your
fellows' counsels and your own; and good night.
Come, neighbour.
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12 |
Much Ado about Nothing
[III, 3] |
Borachio |
1456 |
Not so, neither: but know that I have to-night
wooed Margaret, the Lady Hero's gentlewoman, by the
name of Hero: she leans me out at her mistress'
chamber-window, bids me a thousand times good
night,—I tell this tale vilely:—I should first
tell thee how the prince, Claudio and my master,
planted and placed and possessed by my master Don
John, saw afar off in the orchard this amiable encounter.
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13 |
Much Ado about Nothing
[III, 3] |
Borachio |
1465 |
Two of them did, the prince and Claudio; but the
devil my master knew she was Margaret; and partly
by his oaths, which first possessed them, partly by
the dark night, which did deceive them, but chiefly
by my villany, which did confirm any slander that
Don John had made, away went Claudio enraged; swore
he would meet her, as he was appointed, next morning
at the temple, and there, before the whole
congregation, shame her with what he saw o'er night
and send her home again without a husband.
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14 |
Much Ado about Nothing
[IV, 1] |
Don Pedro |
1731 |
Why, then are you no maiden. Leonato,
I am sorry you must hear: upon mine honour,
Myself, my brother and this grieved count
Did see her, hear her, at that hour last night
Talk with a ruffian at her chamber-window
Who hath indeed, most like a liberal villain,
Confess'd the vile encounters they have had
A thousand times in secret.
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15 |
Much Ado about Nothing
[IV, 1] |
Benedick |
1797 |
Lady, were you her bedfellow last night?
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16 |
Much Ado about Nothing
[IV, 1] |
Beatrice |
1798 |
No, truly not; although, until last night,
I have this twelvemonth been her bedfellow.
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17 |
Much Ado about Nothing
[V, 1] |
Don Pedro |
2234 |
I'll tell thee how Beatrice praised thy wit the
other day. I said, thou hadst a fine wit: 'True,'
said she, 'a fine little one.' 'No,' said I, 'a
great wit:' 'Right,' says she, 'a great gross one.'
'Nay,' said I, 'a good wit:' 'Just,' said she, 'it
hurts nobody.' 'Nay,' said I, 'the gentleman
is wise:' 'Certain,' said she, 'a wise gentleman.'
'Nay,' said I, 'he hath the tongues:' 'That I
believe,' said she, 'for he swore a thing to me on
Monday night, which he forswore on Tuesday morning;
there's a double tongue; there's two tongues.' Thus
did she, an hour together, transshape thy particular
virtues: yet at last she concluded with a sigh, thou
wast the properest man in Italy.
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18 |
Much Ado about Nothing
[V, 1] |
Borachio |
2302 |
Sweet prince, let me go no farther to mine answer:
do you hear me, and let this count kill me. I have
deceived even your very eyes: what your wisdoms
could not discover, these shallow fools have brought
to light: who in the night overheard me confessing
to this man how Don John your brother incensed me
to slander the Lady Hero, how you were brought into
the orchard and saw me court Margaret in Hero's
garments, how you disgraced her, when you should
marry her: my villany they have upon record; which
I had rather seal with my death than repeat over
to my shame. The lady is dead upon mine and my
master's false accusation; and, briefly, I desire
nothing but the reward of a villain.
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19 |
Much Ado about Nothing
[V, 3] |
Claudio |
2509 |
[Reading out of a scroll]
Done to death by slanderous tongues
Was the Hero that here lies:
Death, in guerdon of her wrongs,
Gives her fame which never dies.
So the life that died with shame
Lives in death with glorious fame.
Hang thou there upon the tomb,
Praising her when I am dumb.
Now, music, sound, and sing your solemn hymn.
SONG.
Pardon, goddess of the night,
Those that slew thy virgin knight;
For the which, with songs of woe,
Round about her tomb they go.
Midnight, assist our moan;
Help us to sigh and groan,
Heavily, heavily:
Graves, yawn and yield your dead,
Till death be uttered,
Heavily, heavily.
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20 |
Much Ado about Nothing
[V, 3] |
Claudio |
2530 |
Now, unto thy bones good night!
Yearly will I do this rite.
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