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But, alas, to make me
A fixed figure for the time of scorn
To point his slow unmoving finger

      — Othello, Act IV Scene 2

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1-5 of 5 total

KEYWORD: proof

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[II, 1]

Claudio

556

Thus answer I in the name of Benedick,
But hear these ill news with the ears of Claudio.
'Tis certain so; the prince wooes for himself.
Friendship is constant in all other things
Save in the office and affairs of love:
Therefore, all hearts in love use their own tongues;
Let every eye negotiate for itself
And trust no agent; for beauty is a witch
Against whose charms faith melteth into blood.
This is an accident of hourly proof,
Which I mistrusted not. Farewell, therefore, Hero!

2

Much Ado about Nothing
[II, 2]

Don John

783

What proof shall I make of that?

3

Much Ado about Nothing
[II, 2]

Borachio

784

Proof enough to misuse the prince, to vex Claudio,
to undo Hero and kill Leonato. Look you for any
other issue?

4

Much Ado about Nothing
[IV, 1]

Leonato

1686

Dear my lord, if you, in your own proof,
Have vanquish'd the resistance of her youth,
And made defeat of her virginity,—

5

Much Ado about Nothing
[V, 1]

Don Pedro

2179

Gentlemen both, we will not wake your patience.
My heart is sorry for your daughter's death:
But, on my honour, she was charged with nothing
But what was true and very full of proof.

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