# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Taming of the Shrew
[I, 2]

(stage directions)

691

[They stand aside]

2

Taming of the Shrew
[I, 2]

Lucentio

779

[Aside] Well begun, Tranio.

3

Taming of the Shrew
[II, 1]

Petruchio

1117

Marry, so I mean, sweet Katherine, in thy bed.
And therefore, setting all this chat aside,
Thus in plain terms: your father hath consented
That you shall be my wife your dowry greed on;
And will you, nill you, I will marry you.
Now, Kate, I am a husband for your turn;
For, by this light, whereby I see thy beauty,
Thy beauty that doth make me like thee well,
Thou must be married to no man but me;
For I am he am born to tame you, Kate,
And bring you from a wild Kate to a Kate
Conformable as other household Kates.
[Re-enter BAPTISTA, GREMIO, and TRANIO]
Here comes your father. Never make denial;
I must and will have Katherine to my wife.

4

Taming of the Shrew
[II, 1]

Gremio

1225

Two thousand ducats by the year of land!
[Aside] My land amounts not to so much in all.-
That she shall have, besides an argosy
That now is lying in Marseilles road.
What, have I chok'd you with an argosy?

5

Taming of the Shrew
[III, 1]

Hortensio

1312

The bass is right; 'tis the base knave that jars.
[Aside] How fiery and forward our pedant is!
Now, for my life, the knave doth court my love.
Pedascule, I'll watch you better yet.

6

Taming of the Shrew
[III, 1]

Lucentio

1327

Are you so formal, sir? Well, I must wait,
[Aside] And watch withal; for, but I be deceiv'd,
Our fine musician groweth amorous.

7

Taming of the Shrew
[IV, 2]

(stage directions)

1829

[They stand aside]

8

Taming of the Shrew
[IV, 2]

Biondello

1935

[Aside] As much as an apple doth an oyster, and all
one.

9

Taming of the Shrew
[IV, 3]

Petruchio

2010

[Aside] Eat it up all, Hortensio, if thou lovest me.-
Much good do it unto thy gentle heart!
Kate, eat apace. And now, my honey love,
Will we return unto thy father's house
And revel it as bravely as the best,
With silken coats and caps, and golden rings,
With ruffs and cuffs and farthingales and things,
With scarfs and fans and double change of brav'ry.
With amber bracelets, beads, and all this knav'ry.
What, hast thou din'd? The tailor stays thy leisure,
To deck thy body with his ruffling treasure.
[Enter TAILOR]
Come, tailor, let us see these ornaments;
Lay forth the gown.
[Enter HABERDASHER]
What news with you, sir?

10

Taming of the Shrew
[IV, 3]

Hortensio

2036

[Aside] That will not be in haste.

11

Taming of the Shrew
[IV, 3]

Hortensio

2057

[Aside] I see she's like to have neither cap nor gown.

12

Taming of the Shrew
[IV, 3]

Petruchio

2123

[Aside] Hortensio, say thou wilt see the tailor paid.-
Go take it hence; be gone, and say no more.

13

Taming of the Shrew
[V, 1]

Petruchio

2402

Prithee, Kate, let's stand aside and see the end of this
controversy. [They stand aside]
Re-enter PEDANT below; BAPTISTA, TRANIO, and SERVANTS