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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Taming of the Shrew
[I, 1] |
Lucentio |
454 |
Gramercies, lad. Go forward; this contents;
The rest will comfort, for thy counsel's sound.
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2 |
Taming of the Shrew
[I, 2] |
Hortensio |
710 |
Grumio, mum! [Coming forward]
God save you, Signior Gremio!
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3 |
Taming of the Shrew
[II, 1] |
Petruchio |
887 |
You wrong me, Signior Gremio; give me leave.
I am a gentleman of Verona, sir,
That, hearing of her beauty and her wit,
Her affability and bashful modesty,
Her wondrous qualities and mild behaviour,
Am bold to show myself a forward guest
Within your house, to make mine eye the witness
Of that report which I so oft have heard.
And, for an entrance to my entertainment,
I do present you with a man of mine,
[Presenting HORTENSIO]
Cunning in music and the mathematics,
To instruct her fully in those sciences,
Whereof I know she is not ignorant.
Accept of him, or else you do me wrong-
His name is Licio, born in Mantua.
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4 |
Taming of the Shrew
[II, 1] |
Gremio |
913 |
Saving your tale, Petruchio, I pray,
Let us that are poor petitioners speak too.
Bacare! you are marvellous forward.
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5 |
Taming of the Shrew
[III, 1] |
Lucentio |
1268 |
Fiddler, forbear; you grow too forward, sir.
Have you so soon forgot the entertainment
Her sister Katherine welcome'd you withal?
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6 |
Taming of the Shrew
[III, 1] |
Hortensio |
1312 |
The bass is right; 'tis the base knave that jars.
[Aside] How fiery and forward our pedant is!
Now, for my life, the knave doth court my love.
Pedascule, I'll watch you better yet.
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7 |
Taming of the Shrew
[III, 2] |
Katherina |
1585 |
Gentlemen, forward to the bridal dinner.
I see a woman may be made a fool
If she had not a spirit to resist.
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8 |
Taming of the Shrew
[III, 2] |
Petruchio |
1588 |
They shall go forward, Kate, at thy command.
Obey the bride, you that attend on her;
Go to the feast, revel and domineer,
Carouse full measure to her maidenhead;
Be mad and merry, or go hang yourselves.
But for my bonny Kate, she must with me.
Nay, look not big, nor stamp, nor stare, nor fret;
I will be master of what is mine own-
She is my goods, my chattels, she is my house,
My household stuff, my field, my barn,
My horse, my ox, my ass, my any thing,
And here she stands; touch her whoever dare;
I'll bring mine action on the proudest he
That stops my way in Padua. Grumio,
Draw forth thy weapon; we are beset with thieves;
Rescue thy mistress, if thou be a man.
Fear not, sweet wench; they shall not touch thee, Kate;
I'll buckler thee against a million.
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9 |
Taming of the Shrew
[IV, 5] |
Katherina |
2278 |
Forward, I pray, since we have come so far,
And be it moon, or sun, or what you please;
And if you please to call it a rush-candle,
Henceforth I vow it shall be so for me.
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10 |
Taming of the Shrew
[IV, 5] |
Petruchio |
2291 |
Well, forward, forward! thus the bowl should run,
And not unluckily against the bias.
But, soft! Company is coming here.
[Enter VINCENTIO]
[To VINCENTIO] Good-morrow, gentle mistress; where away?-
Tell me, sweet Kate, and tell me truly too,
Hast thou beheld a fresher gentlewoman?
Such war of white and red within her cheeks!
What stars do spangle heaven with such beauty
As those two eyes become that heavenly face?
Fair lovely maid, once more good day to thee.
Sweet Kate, embrace her for her beauty's sake.
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11 |
Taming of the Shrew
[V, 2] |
Katherina |
2644 |
Fie, fie! unknit that threatening unkind brow,
And dart not scornful glances from those eyes
To wound thy lord, thy king, thy governor.
It blots thy beauty as frosts do bite the meads,
Confounds thy fame as whirlwinds shake fair buds,
And in no sense is meet or amiable.
A woman mov'd is like a fountain troubled-
Muddy, ill-seeming, thick, bereft of beauty;
And while it is so, none so dry or thirsty
Will deign to sip or touch one drop of it.
Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign; one that cares for thee,
And for thy maintenance commits his body
To painful labour both by sea and land,
To watch the night in storms, the day in cold,
Whilst thou liest warm at home, secure and safe;
And craves no other tribute at thy hands
But love, fair looks, and true obedience-
Too little payment for so great a debt.
Such duty as the subject owes the prince,
Even such a woman oweth to her husband;
And when she is froward, peevish, sullen, sour,
And not obedient to his honest will,
What is she but a foul contending rebel
And graceless traitor to her loving lord?
I am asham'd that women are so simple
To offer war where they should kneel for peace;
Or seek for rule, supremacy, and sway,
When they are bound to serve, love, and obey.
Why are our bodies soft and weak and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions and our hearts
Should well agree with our external parts?
Come, come, you forward and unable worms!
My mind hath been as big as one of yours,
My heart as great, my reason haply more,
To bandy word for word and frown for frown;
But now I see our lances are but straws,
Our strength as weak, our weakness past compare,
That seeming to be most which we indeed least are.
Then vail your stomachs, for it is no boot,
And place your hands below your husband's foot;
In token of which duty, if he please,
My hand is ready, may it do him ease.
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