# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Tempest
[I, 1]

Boatswain

25

None that I more love than myself. You are a
counsellor; if you can command these elements to
silence, and work the peace of the present, we will
not hand a rope more; use your authority: if you
cannot, give thanks you have lived so long, and make
yourself ready in your cabin for the mischance of
the hour, if it so hap. Cheerly, good hearts! Out
of our way, I say.

2

Tempest
[I, 1]

Boatswain

42

Down with the topmast! yare! lower, lower! Bring
her to try with main-course.
[A cry within]
A plague upon this howling! they are louder than
the weather or our office.
[Re-enter SEBASTIAN, ANTONIO, and GONZALO]
Yet again! what do you here? Shall we give o'er
and drown? Have you a mind to sink?

3

Tempest
[I, 1]

Antonio

53

Hang, cur! hang, you whoreson, insolent noisemaker!
We are less afraid to be drowned than thou art.

4

Tempest
[I, 1]

Antonio

66

We are merely cheated of our lives by drunkards:
This wide-chapp'd rascal—would thou mightst lie drowning
The washing of ten tides!

5

Tempest
[I, 2]

Miranda

151

Sir, are not you my father?

6

Tempest
[I, 2]

Ariel

329

Not a soul
But felt a fever of the mad and play'd
Some tricks of desperation. All but mariners
Plunged in the foaming brine and quit the vessel,
Then all afire with me: the king's son, Ferdinand,
With hair up-staring,—then like reeds, not hair,—
Was the first man that leap'd; cried, 'Hell is empty
And all the devils are here.'

7

Tempest
[I, 2]

Prospero

340

But are they, Ariel, safe?

8

Tempest
[I, 2]

Ariel

352

Safely in harbour
Is the king's ship; in the deep nook, where once
Thou call'dst me up at midnight to fetch dew
From the still-vex'd Bermoothes, there she's hid:
The mariners all under hatches stow'd;
Who, with a charm join'd to their suffer'd labour,
I have left asleep; and for the rest o' the fleet
Which I dispersed, they all have met again
And are upon the Mediterranean flote,
Bound sadly home for Naples,
Supposing that they saw the king's ship wreck'd
And his great person perish.

9

Tempest
[I, 2]

Ferdinand

550

Where should this music be? i' the air or the earth?
It sounds no more: and sure, it waits upon
Some god o' the island. Sitting on a bank,
Weeping again the king my father's wreck,
This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air: thence I have follow'd it,
Or it hath drawn me rather. But 'tis gone.
No, it begins again.
[ARIEL sings]
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell
[Burthen Ding-dong]
Hark! now I hear them,—Ding-dong, bell.

10

Tempest
[I, 2]

Prospero

626

Soft, sir! one word more.
[Aside]
They are both in either's powers; but this swift business
I must uneasy make, lest too light winning
Make the prize light.
[To FERDINAND]
One word more; I charge thee
That thou attend me: thou dost here usurp
The name thou owest not; and hast put thyself
Upon this island as a spy, to win it
From me, the lord on't.

11

Tempest
[I, 2]

Prospero

664

Silence! one word more
Shall make me chide thee, if not hate thee. What!
An advocate for an imposter! hush!
Thou think'st there is no more such shapes as he,
Having seen but him and Caliban: foolish wench!
To the most of men this is a Caliban
And they to him are angels.

12

Tempest
[I, 2]

Miranda

671

My affections
Are then most humble; I have no ambition
To see a goodlier man.

13

Tempest
[I, 2]

Prospero

674

Come on; obey:
Thy nerves are in their infancy again
And have no vigour in them.

14

Tempest
[I, 2]

Ferdinand

677

So they are;
My spirits, as in a dream, are all bound up.
My father's loss, the weakness which I feel,
The wreck of all my friends, nor this man's threats,
To whom I am subdued, are but light to me,
Might I but through my prison once a day
Behold this maid: all corners else o' the earth
Let liberty make use of; space enough
Have I in such a prison.

15

Tempest
[II, 1]

Sebastian

763

As many vouched rarities are.

16

Tempest
[II, 1]

Gonzalo

771

Methinks our garments are now as fresh as when we
put them on first in Afric, at the marriage of
the king's fair daughter Claribel to the King of Tunis.

17

Tempest
[II, 1]

Gonzalo

847

It is foul weather in us all, good sir,
When you are cloudy.

18

Tempest
[II, 1]

Gonzalo

883

I do well believe your highness; and
did it to minister occasion to these gentlemen,
who are of such sensible and nimble lungs that
they always use to laugh at nothing.

19

Tempest
[II, 1]

Gonzalo

893

You are gentlemen of brave metal; you would lift
the moon out of her sphere, if she would continue
in it five weeks without changing.

20

Tempest
[II, 1]

Alonso

904

What, all so soon asleep! I wish mine eyes
Would, with themselves, shut up my thoughts: I find
They are inclined to do so.