Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

If it will feed nothing else, it will feed my revenge.

      — The Merchant of Venice, Act III Scene 1

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-8 of 8 total

KEYWORD: ear

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Tempest
[I, 2]

Prospero

128

The hour's now come;
The very minute bids thee ope thine ear;
Obey and be attentive. Canst thou remember
A time before we came unto this cell?
I do not think thou canst, for then thou wast not
Out three years old.

2

Tempest
[I, 2]

Prospero

179

Being once perfected how to grant suits,
How to deny them, who to advance and who
To trash for over-topping, new created
The creatures that were mine, I say, or changed 'em,
Or else new form'd 'em; having both the key
Of officer and office, set all hearts i' the state
To what tune pleased his ear; that now he was
The ivy which had hid my princely trunk,
And suck'd my verdure out on't. Thou attend'st not.

3

Tempest
[I, 2]

Prospero

461

Come forth, I say! there's other business for thee:
Come, thou tortoise! when?
[Re-enter ARIEL like a water-nymph]
Fine apparition! My quaint Ariel,
Hark in thine ear.

4

Tempest
[II, 1]

Ariel

1040

My master through his art foresees the danger
That you, his friend, are in; and sends me forth—
For else his project dies—to keep them living.
[Sings in GONZALO's ear]
While you here do snoring lie,
Open-eyed conspiracy
His time doth take.
If of life you keep a care,
Shake off slumber, and beware:
Awake, awake!

5

Tempest
[II, 1]

Sebastian

1057

Whiles we stood here securing your repose,
Even now, we heard a hollow burst of bellowing
Like bulls, or rather lions: did't not wake you?
It struck mine ear most terribly.

6

Tempest
[II, 1]

Antonio

1062

O, 'twas a din to fright a monster's ear,
To make an earthquake! sure, it was the roar
Of a whole herd of lions.

7

Tempest
[III, 1]

Ferdinand

1324

Admired Miranda!
Indeed the top of admiration! worth
What's dearest to the world! Full many a lady
I have eyed with best regard and many a time
The harmony of their tongues hath into bondage
Brought my too diligent ear: for several virtues
Have I liked several women; never any
With so fun soul, but some defect in her
Did quarrel with the noblest grace she owed
And put it to the foil: but you, O you,
So perfect and so peerless, are created
Of every creature's best!

8

Tempest
[V, 1]

Alonso

2390

I long
To hear the story of your life, which must
Take the ear strangely.

] Back to the concordance menu