# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Winter's Tale
[IV, 4]

Polixenes

2040

This is the prettiest low-born lass that ever
Ran on the green-sward: nothing she does or seems
But smacks of something greater than herself,
Too noble for this place.

2

Winter's Tale
[IV, 4]

Servant

2082

He hath songs for man or woman, of all sizes; no
milliner can so fit his customers with gloves: he
has the prettiest love-songs for maids; so without
bawdry, which is strange; with such delicate
burthens of dildos and fadings, 'jump her and thump
her;' and where some stretch-mouthed rascal would,
as it were, mean mischief and break a foul gap into
the matter, he makes the maid to answer 'Whoop, do me
no harm, good man;' puts him off, slights him, with
'Whoop, do me no harm, good man.'

3

Winter's Tale
[IV, 4]

Florizel

2542

My prettiest Perdita!
But O, the thorns we stand upon! Camillo,
Preserver of my father, now of me,
The medicine of our house, how shall we do?
We are not furnish'd like Bohemia's son,
Nor shall appear in Sicilia.

4

Winter's Tale
[V, 2]

Third Gentleman

3190

One of the prettiest touches of all and that which
angled for mine eyes, caught the water though not
the fish, was when, at the relation of the queen's
death, with the manner how she came to't bravely
confessed and lamented by the king, how
attentiveness wounded his daughter; till, from one
sign of dolour to another, she did, with an 'Alas,'
I would fain say, bleed tears, for I am sure my
heart wept blood. Who was most marble there changed
colour; some swooned, all sorrowed: if all the world
could have seen 't, the woe had been universal.