# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 1]

Helena

711

The rather will I spare my praises towards him:
Knowing him is enough. On's bed of death
Many receipts he gave me: chiefly one.
Which, as the dearest issue of his practise,
And of his old experience the oily darling,
He bade me store up, as a triple eye,
Safer than mine own two, more dear; I have so;
And hearing your high majesty is touch'd
With that malignant cause wherein the honour
Of my dear father's gift stands chief in power,
I come to tender it and my appliance
With all bound humbleness.

2

All's Well That Ends Well
[II, 3]

Helena

988

Be not afraid that I your hand should take;
I'll never do you wrong for your own sake:
Blessing upon your vows! and in your bed
Find fairer fortune, if you ever wed!

3

All's Well That Ends Well
[II, 3]

King of France

1012

Thou know'st she has raised me from my sickly bed.

4

All's Well That Ends Well
[II, 3]

Bertram

1171

Although before the solemn priest I have sworn,
I will not bed her.

5

All's Well That Ends Well
[II, 3]

Bertram

1174

O my Parolles, they have married me!
I'll to the Tuscan wars, and never bed her.

6

All's Well That Ends Well
[IV, 2]

Diana

2067

When midnight comes, knock at my chamber-window:
I'll order take my mother shall not hear.
Now will I charge you in the band of truth,
When you have conquer'd my yet maiden bed,
Remain there but an hour, nor speak to me:
My reasons are most strong; and you shall know them
When back again this ring shall be deliver'd:
And on your finger in the night I'll put
Another ring, that what in time proceeds
May token to the future our past deeds.
Adieu, till then; then, fail not. You have won
A wife of me, though there my hope be done.

7

All's Well That Ends Well
[V, 3]

King of France

2791

Plutus himself,
That knows the tinct and multiplying medicine,
Hath not in nature's mystery more science
Than I have in this ring: 'twas mine, 'twas Helen's,
Whoever gave it you. Then, if you know
That you are well acquainted with yourself,
Confess 'twas hers, and by what rough enforcement
You got it from her: she call'd the saints to surety
That she would never put it from her finger,
Unless she gave it to yourself in bed,
Where you have never come, or sent it us
Upon her great disaster.

8

All's Well That Ends Well
[V, 3]

Bertram

2817

If you shall prove
This ring was ever hers, you shall as easy
Prove that I husbanded her bed in Florence,
Where yet she never was.

9

All's Well That Ends Well
[V, 3]

Parolles

2968

Yes, so please your majesty. I did go between them,
as I said; but more than that, he loved her: for
indeed he was mad for her, and talked of Satan and
of Limbo and of Furies and I know not what: yet I
was in that credit with them at that time that I
knew of their going to bed, and of other motions,
as promising her marriage, and things which would
derive me ill will to speak of; therefore I will not
speak what I know.

10

All's Well That Ends Well
[V, 3]

Diana

3011

Good mother, fetch my bail. Stay, royal sir:
[Exit Widow]
The jeweller that owes the ring is sent for,
And he shall surety me. But for this lord,
Who hath abused me, as he knows himself,
Though yet he never harm'd me, here I quit him:
He knows himself my bed he hath defiled;
And at that time he got his wife with child:
Dead though she be, she feels her young one kick:
So there's my riddle: one that's dead is quick:
And now behold the meaning.

11

Antony and Cleopatra
[I, 2]

Domitius Enobarus

122

Mine, and most of our fortunes, to-night, shall
be—drunk to bed.

12

Antony and Cleopatra
[I, 4]

Octavius

440

You are too indulgent. Let us grant, it is not
Amiss to tumble on the bed of Ptolemy;
To give a kingdom for a mirth; to sit
And keep the turn of tippling with a slave;
To reel the streets at noon, and stand the buffet
With knaves that smell of sweat: say this
becomes him,—
As his composure must be rare indeed
Whom these things cannot blemish,—yet must Antony
No way excuse his soils, when we do bear
So great weight in his lightness. If he fill'd
His vacancy with his voluptuousness,
Full surfeits, and the dryness of his bones,
Call on him for't: but to confound such time,
That drums him from his sport, and speaks as loud
As his own state and ours,—'tis to be chid
As we rate boys, who, being mature in knowledge,
Pawn their experience to their present pleasure,
And so rebel to judgment.

13

Antony and Cleopatra
[II, 2]

Agrippa

953

Royal wench!
She made great Caesar lay his sword to bed:
He plough'd her, and she cropp'd.

14

Antony and Cleopatra
[II, 5]

Cleopatra

1071

That time,—O times!—
I laugh'd him out of patience; and that night
I laugh'd him into patience; and next morn,
Ere the ninth hour, I drunk him to his bed;
Then put my tires and mantles on him, whilst
I wore his sword Philippan.
[Enter a Messenger]
O, from Italy
Ram thou thy fruitful tidings in mine ears,
That long time have been barren.

15

Antony and Cleopatra
[II, 5]

Messenger

1123

For the best turn i' the bed.

16

Antony and Cleopatra
[IV, 14]

Antony

3098

Thrice-nobler than myself!
Thou teachest me, O valiant Eros, what
I should, and thou couldst not. My queen and Eros
Have by their brave instruction got upon me
A nobleness in record: but I will be
A bridegroom in my death, and run into't
As to a lover's bed. Come, then; and, Eros,
Thy master dies thy scholar: to do thus
[Falling on his sword]
I learn'd of thee. How! not dead? not dead?
The guard, ho! O, dispatch me!

17

Antony and Cleopatra
[V, 2]

Octavius

3836

Most probable
That so she died; for her physician tells me
She hath pursued conclusions infinite
Of easy ways to die. Take up her bed;
And bear her women from the monument:
She shall be buried by her Antony:
No grave upon the earth shall clip in it
A pair so famous. High events as these
Strike those that make them; and their story is
No less in pity than his glory which
Brought them to be lamented. Our army shall
In solemn show attend this funeral;
And then to Rome. Come, Dolabella, see
High order in this great solemnity.

18

As You Like It
[II, 2]

First Lord

625

I cannot hear of any that did see her.
The ladies, her attendants of her chamber,
Saw her abed, and in the morning early
They found the bed untreasur'd of their mistress.

19

As You Like It
[IV, 1]

Rosalind

1937

Nay, you might keep that check for it, till you met your
wife's wit going to your neighbour's bed.

20

As You Like It
[V, 4]

Hymen

2518

Peace, ho! I bar confusion;
'Tis I must make conclusion
Of these most strange events.
Here's eight that must take hands
To join in Hymen's bands,
If truth holds true contents.
You and you no cross shall part;
You and you are heart in heart;
You to his love must accord,
Or have a woman to your lord;
You and you are sure together,
As the winter to foul weather.
Whiles a wedlock-hymn we sing,
Feed yourselves with questioning,
That reason wonder may diminish,
How thus we met, and these things finish.
SONG
Wedding is great Juno's crown;
O blessed bond of board and bed!
'Tis Hymen peoples every town;
High wedlock then be honoured.
Honour, high honour, and renown,
To Hymen, god of every town!