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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Antony and Cleopatra
[III, 13] |
Antony |
2467 |
I will be treble-sinew'd, hearted, breathed,
And fight maliciously: for when mine hours
Were nice and lucky, men did ransom lives
Of me for jests; but now I'll set my teeth,
And send to darkness all that stop me. Come,
Let's have one other gaudy night: call to me
All my sad captains; fill our bowls once more;
Let's mock the midnight bell.
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2 |
As You Like It
[II, 7] |
Duke |
1016 |
True is it that we have seen better days,
And have with holy bell been knoll'd to church,
And sat at good men's feasts, and wip'd our eyes
Of drops that sacred pity hath engend'red;
And therefore sit you down in gentleness,
And take upon command what help we have
That to your wanting may be minist'red.
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3 |
Comedy of Errors
[I, 2] |
Dromio of Ephesus |
208 |
Return'd so soon! rather approach'd too late:
The capon burns, the pig falls from the spit,
The clock hath strucken twelve upon the bell;
My mistress made it one upon my cheek:
She is so hot because the meat is cold;
The meat is cold because you come not home;
You come not home because you have no stomach;
You have no stomach having broke your fast;
But we that know what 'tis to fast and pray
Are penitent for your default to-day.
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4 |
Comedy of Errors
[IV, 2] |
Dromio of Syracuse |
1131 |
No, no, the bell: 'tis time that I were gone:
It was two ere I left him, and now the clock
strikes one.
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5 |
Hamlet
[I, 1] |
Bernardo |
46 |
Last night of all,
When yond same star that's westward from the pole
Had made his course t' illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one-
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6 |
Hamlet
[V, 1] |
Priest |
3558 |
Her obsequies have been as far enlarg'd
As we have warranty. Her death was doubtful;
And, but that great command o'ersways the order,
She should in ground unsanctified have lodg'd
Till the last trumpet. For charitable prayers,
Shards, flints, and pebbles should be thrown on her.
Yet here she is allow'd her virgin rites,
Her maiden strewments, and the bringing home
Of bell and burial.
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7 |
Henry IV, Part II
[I, 1] |
Earl of Northumberland |
151 |
Yet, for all this, say not that Percy's dead.
I see a strange confession in thine eye;
Thou shak'st thy head, and hold'st it fear or sin
To speak a truth. If he be slain, say so:
The tongue offends not that reports his death;
And he doth sin that doth belie the dead,
Not he which says the dead is not alive.
Yet the first bringer of unwelcome news
Hath but a losing office, and his tongue
Sounds ever after as a sullen bell,
Rememb'red tolling a departing friend.
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8 |
Henry IV, Part II
[IV, 2] |
Prince John |
2442 |
You are well encount'red here, my cousin Mowbray.
Good day to you, gentle Lord Archbishop;
And so to you, Lord Hastings, and to all.
My Lord of York, it better show'd with you
When that your flock, assembled by the bell,
Encircled you to hear with reverence
Your exposition on the holy text
Than now to see you here an iron man,
Cheering a rout of rebels with your drum,
Turning the word to sword, and life to death.
That man that sits within a monarch's heart
And ripens in the sunshine of his favour,
Would he abuse the countenance of the king,
Alack, what mischiefs might he set abroach
In shadow of such greatness! With you, Lord Bishop,
It is even so. Who hath not heard it spoken
How deep you were within the books of God?
To us the speaker in His parliament,
To us th' imagin'd voice of God himself,
The very opener and intelligencer
Between the grace, the sanctities of heaven,
And our dull workings. O, who shall believe
But you misuse the reverence of your place,
Employ the countenance and grace of heav'n
As a false favourite doth his prince's name,
In deeds dishonourable? You have ta'en up,
Under the counterfeited zeal of God,
The subjects of His substitute, my father,
And both against the peace of heaven and him
Have here up-swarm'd them.
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9 |
Henry VI, Part I
[III, 2] |
Watch |
1456 |
Enter, go in; the market bell is rung.
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10 |
Henry VI, Part I
[IV, 2] |
General |
1981 |
Thou ominous and fearful owl of death,
Our nation's terror and their bloody scourge!
The period of thy tyranny approacheth.
On us thou canst not enter but by death;
For, I protest, we are well fortified
And strong enough to issue out and fight:
If thou retire, the Dauphin, well appointed,
Stands with the snares of war to tangle thee:
On either hand thee there are squadrons pitch'd,
To wall thee from the liberty of flight;
And no way canst thou turn thee for redress,
But death doth front thee with apparent spoil
And pale destruction meets thee in the face.
Ten thousand French have ta'en the sacrament
To rive their dangerous artillery
Upon no Christian soul but English Talbot.
Lo, there thou stand'st, a breathing valiant man,
Of an invincible unconquer'd spirit!
This is the latest glory of thy praise
That I, thy enemy, due thee withal;
For ere the glass, that now begins to run,
Finish the process of his sandy hour,
These eyes, that see thee now well coloured,
Shall see thee wither'd, bloody, pale and dead.
[Drum afar off]
Hark! hark! the Dauphin's drum, a warning bell,
Sings heavy music to thy timorous soul;
And mine shall ring thy dire departure out.
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11 |
Henry VI, Part III
[II, 5] |
Father |
1220 |
These arms of mine shall be thy winding-sheet;
My heart, sweet boy, shall be thy sepulchre,
For from my heart thine image ne'er shall go;
My sighing breast shall be thy funeral bell;
And so obsequious will thy father be,
Even for the loss of thee, having no more,
As Priam was for all his valiant sons.
I'll bear thee hence; and let them fight that will,
For I have murdered where I should not kill.
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12 |
Henry VIII
[III, 2] |
Earl of Surrey |
2180 |
Yes, that goodness
Of gleaning all the land's wealth into one,
Into your own hands, cardinal, by extortion;
The goodness of your intercepted packets
You writ to the pope against the king: your goodness,
Since you provoke me, shall be most notorious.
My Lord of Norfolk, as you are truly noble,
As you respect the common good, the state
Of our despised nobility, our issues,
Who, if he live, will scarce be gentlemen,
Produce the grand sum of his sins, the articles
Collected from his life. I'll startle you
Worse than the scaring bell, when the brown wench
Lay kissing in your arms, lord cardinal.
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13 |
King John
[III, 3] |
Philip the Bastard |
1311 |
Bell, book, and candle shall not drive me back,
When gold and silver becks me to come on.
I leave your highness. Grandam, I will pray,
If ever I remember to be holy,
For your fair safety; so, I kiss your hand.
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14 |
King John
[III, 3] |
King John |
1331 |
Good friend, thou hast no cause to say so yet,
But thou shalt have; and creep time ne'er so slow,
Yet it shall come from me to do thee good.
I had a thing to say, but let it go:
The sun is in the heaven, and the proud day,
Attended with the pleasures of the world,
Is all too wanton and too full of gawds
To give me audience: if the midnight bell
Did, with his iron tongue and brazen mouth,
Sound on into the drowsy race of night;
If this same were a churchyard where we stand,
And thou possessed with a thousand wrongs,
Or if that surly spirit, melancholy,
Had baked thy blood and made it heavy-thick,Which else runs tickling up and down the veins,
Making that idiot, laughter, keep men's eyes
And strain their cheeks to idle merriment,
A passion hateful to my purposes,
Or if that thou couldst see me without eyes,
Hear me without thine ears, and make reply
Without a tongue, using conceit alone,
Without eyes, ears and harmful sound of words;
Then, in despite of brooded watchful day,
I would into thy bosom pour my thoughts:
But, ah, I will not! yet I love thee well;
And, by my troth, I think thou lovest me well.
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15 |
Macbeth
[II, 1] |
Macbeth |
609 |
Go bid thy mistress, when my drink is ready,
She strike upon the bell. Get thee to bed.
[Exit Servant]
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall'st me the way that I was going;
And such an instrument I was to use.
Mine eyes are made the fools o' the other senses,
Or else worth all the rest; I see thee still,
And on thy blade and dudgeon gouts of blood,
Which was not so before. There's no such thing:
It is the bloody business which informs
Thus to mine eyes. Now o'er the one halfworld
Nature seems dead, and wicked dreams abuse
The curtain'd sleep; witchcraft celebrates
Pale Hecate's offerings, and wither'd murder,
Alarum'd by his sentinel, the wolf,
Whose howl's his watch, thus with his stealthy pace.
With Tarquin's ravishing strides, towards his design
Moves like a ghost. Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabout,
And take the present horror from the time,
Which now suits with it. Whiles I threat, he lives:
Words to the heat of deeds too cold breath gives.
[A bell rings]
I go, and it is done; the bell invites me.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell.
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16 |
Macbeth
[II, 3] |
Macduff |
844 |
Approach the chamber, and destroy your sight
With a new Gorgon: do not bid me speak;
See, and then speak yourselves.
[Exeunt MACBETH and LENNOX]
Awake, awake!
Ring the alarum-bell. Murder and treason!
Banquo and Donalbain! Malcolm! awake!
Shake off this downy sleep, death's counterfeit,
And look on death itself! up, up, and see
The great doom's image! Malcolm! Banquo!
As from your graves rise up, and walk like sprites,
To countenance this horror! Ring the bell.
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17 |
Macbeth
[II, 3] |
(stage directions) |
856 |
[Bell rings]
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18 |
Merchant of Venice
[III, 2] |
Portia |
1405 |
Away, then! I am lock'd in one of them:
If you do love me, you will find me out.
Nerissa and the rest, stand all aloof.
Let music sound while he doth make his choice;
Then, if he lose, he makes a swan-like end,
Fading in music: that the comparison
May stand more proper, my eye shall be the stream
And watery death-bed for him. He may win;
And what is music then? Then music is
Even as the flourish when true subjects bow
To a new-crowned monarch: such it is
As are those dulcet sounds in break of day
That creep into the dreaming bridegroom's ear,
And summon him to marriage. Now he goes,
With no less presence, but with much more love,
Than young Alcides, when he did redeem
The virgin tribute paid by howling Troy
To the sea-monster: I stand for sacrifice
The rest aloof are the Dardanian wives,
With bleared visages, come forth to view
The issue of the exploit. Go, Hercules!
Live thou, I live: with much, much more dismay
I view the fight than thou that makest the fray.
[Music, whilst BASSANIO comments on the caskets to himself]
SONG.
Tell me where is fancy bred,
Or in the heart, or in the head?
How begot, how nourished?
Reply, reply.
It is engender'd in the eyes,
With gazing fed; and fancy dies
In the cradle where it lies.
Let us all ring fancy's knell
I'll begin it,—Ding, dong, bell.
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19 |
Merchant of Venice
[III, 2] |
All |
1439 |
Ding, dong, bell.
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20 |
Merry Wives of Windsor
[V, 5] |
Falstaff |
2560 |
The Windsor bell hath struck twelve; the minute
draws on. Now, the hot-blooded gods assist me!
Remember, Jove, thou wast a bull for thy Europa; love
set on thy horns. O powerful love! that, in some
respects, makes a beast a man, in some other, a man
a beast. You were also, Jupiter, a swan for the love
of Leda. O omnipotent Love! how near the god drew
to the complexion of a goose! A fault done first in
the form of a beast. O Jove, a beastly fault! And
then another fault in the semblance of a fowl; think
on 't, Jove; a foul fault! When gods have hot
backs, what shall poor men do? For me, I am here a
Windsor stag; and the fattest, I think, i' the
forest. Send me a cool rut-time, Jove, or who can
blame me to piss my tallow? Who comes here? my
doe?
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