# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[II, 1]

Duke

548

Now, my co-mates and brothers in exile,
Hath not old custom made this life more sweet
Than that of painted pomp? Are not these woods
More free from peril than the envious court?
Here feel we not the penalty of Adam,
The seasons' difference; as the icy fang
And churlish chiding of the winter's wind,
Which when it bites and blows upon my body,
Even till I shrink with cold, I smile and say
'This is no flattery; these are counsellors
That feelingly persuade me what I am.'
Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in everything.
I would not change it.

2

As You Like It
[II, 4]

Corin

793

Fair sir, I pity her,
And wish, for her sake more than for mine own,
My fortunes were more able to relieve her;
But I am shepherd to another man,
And do not shear the fleeces that I graze.
My master is of churlish disposition,
And little recks to find the way to heaven
By doing deeds of hospitality.
Besides, his cote, his flocks, and bounds of feed,
Are now on sale; and at our sheepcote now,
By reason of his absence, there is nothing
That you will feed on; but what is, come see,
And in my voice most welcome shall you be.

3

As You Like It
[V, 4]

Touchstone

2468

Upon a lie seven times removed- bear your body more
seeming, Audrey- as thus, sir. I did dislike the cut of a certain
courtier's beard; he sent me word, if I said his beard was not
cut well, he was in the mind it was. This is call'd the Retort
Courteous. If I sent him word again it was not well cut, he would
send me word he cut it to please himself. This is call'd the Quip
Modest. If again it was not well cut, he disabled my judgment.
This is call'd the Reply Churlish. If again it was not well cut,
he would answer I spake not true. This is call'd the Reproof
Valiant. If again it was not well cut, he would say I lie. This
is call'd the Countercheck Quarrelsome. And so to the Lie
Circumstantial and the Lie Direct.

4

As You Like It
[V, 4]

Touchstone

2485

O, sir, we quarrel in print by the book, as you have
books for good manners. I will name you the degrees. The first,
the Retort Courteous; the second, the Quip Modest; the third, the
Reply Churlish; the fourth, the Reproof Valiant; the fifth, the
Countercheck Quarrelsome; the sixth, the Lie with Circumstance;
the seventh, the Lie Direct. All these you may avoid but the Lie
Direct; and you may avoid that too with an If. I knew when seven
justices could not take up a quarrel; but when the parties were
met themselves, one of them thought but of an If, as: 'If you
said so, then I said so.' And they shook hands, and swore
brothers. Your If is the only peace-maker; much virtue in If.

5

Hamlet
[V, 1]

Laertes

3572

Lay her i' th' earth;
And from her fair and unpolluted flesh
May violets spring! I tell thee, churlish priest,
A minist'ring angel shall my sister be
When thou liest howling.

6

Henry IV, Part II
[I, 3]

Lord Bardolph

641

Yes, if this present quality of war-
Indeed the instant action, a cause on foot-
Lives so in hope, as in an early spring
We see th' appearing buds; which to prove fruit
Hope gives not so much warrant, as despair
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then we must rate the cost of the erection;
Which if we find outweighs ability,
What do we then but draw anew the model
In fewer offices, or at least desist
To build at all? Much more, in this great work—
Which is almost to pluck a kingdom down
And set another up—should we survey
The plot of situation and the model,
Consent upon a sure foundation,
Question surveyors, know our own estate
How able such a work to undergo-
To weigh against his opposite; or else
We fortify in paper and in figures,
Using the names of men instead of men;
Like one that draws the model of a house
Beyond his power to build it; who, half through,
Gives o'er and leaves his part-created cost
A naked subject to the weeping clouds
And waste for churlish winter's tyranny.

7

Henry V
[IV, 1]

Henry V

1843

Gloucester, 'tis true that we are in great danger;
The greater therefore should our courage be.
Good morrow, brother Bedford. God Almighty!
There is some soul of goodness in things evil,
Would men observingly distil it out.
For our bad neighbour makes us early stirrers,
Which is both healthful and good husbandry:
Besides, they are our outward consciences,
And preachers to us all, admonishing
That we should dress us fairly for our end.
Thus may we gather honey from the weed,
And make a moral of the devil himself.
[Enter ERPINGHAM]
Good morrow, old Sir Thomas Erpingham:
A good soft pillow for that good white head
Were better than a churlish turf of France.

8

Henry VI, Part I
[IV, 1]

Duke of Gloucester

1811

What means his grace, that he hath changed his style?
No more but, plain and bluntly, 'To the king!'
Hath he forgot he is his sovereign?
Or doth this churlish superscription
Pretend some alteration in good will?
What's here?
[Reads]
'I have, upon especial cause,
Moved with compassion of my country's wreck,
Together with the pitiful complaints
Of such as your oppression feeds upon,
Forsaken your pernicious faction
And join'd with Charles, the rightful King of France.'
O monstrous treachery! can this be so,
That in alliance, amity and oaths,
There should be found such false dissembling guile?

9

King John
[II, 1]

Chatillon

345

Then turn your forces from this paltry siege
And stir them up against a mightier task.
England, impatient of your just demands,
Hath put himself in arms: the adverse winds,
Whose leisure I have stay'd, have given him time
To land his legions all as soon as I;
His marches are expedient to this town,
His forces strong, his soldiers confident.
With him along is come the mother-queen,
An Ate, stirring him to blood and strife;
With her her niece, the Lady Blanch of Spain;
With them a bastard of the king's deceased,
And all the unsettled humours of the land,
Rash, inconsiderate, fiery voluntaries,
With ladies' faces and fierce dragons' spleens,
Have sold their fortunes at their native homes,
Bearing their birthrights proudly on their backs,
To make hazard of new fortunes here:
In brief, a braver choice of dauntless spirits
Than now the English bottoms have waft o'er
Did nearer float upon the swelling tide,
To do offence and scath in Christendom.
[Drum beats]
The interruption of their churlish drums
Cuts off more circumstance: they are at hand,
To parley or to fight; therefore prepare.

10

King John
[II, 1]

Blanch

823

My uncle's will in this respect is mine:
If he see aught in you that makes him like,
That any thing he sees, which moves his liking,
I can with ease translate it to my will;
Or if you will, to speak more properly,
I will enforce it easily to my love.
Further I will not flatter you, my lord,
That all I see in you is worthy love,
Than this; that nothing do I see in you,
Though churlish thoughts themselves should be your judge,
That I can find should merit any hate.

11

King John
[III, 1]

Blanch

1227

Upon thy wedding-day?
Against the blood that thou hast married?
What, shall our feast be kept with slaughter'd men?
Shall braying trumpets and loud churlish drums,
Clamours of hell, be measures to our pomp?
O husband, hear me! ay, alack, how new
Is husband in my mouth! even for that name,
Which till this time my tongue did ne'er pronounce,
Upon my knee I beg, go not to arms
Against mine uncle.

12

Troilus and Cressida
[I, 2]

Alexander

174

This man, lady, hath robbed many beasts of their
particular additions; he is as valiant as the lion,
churlish as the bear, slow as the elephant: a man
into whom nature hath so crowded humours that his
valour is crushed into folly, his folly sauced with
discretion: there is no man hath a virtue that he
hath not a glimpse of, nor any man an attaint but he
carries some stain of it: he is melancholy without
cause, and merry against the hair: he hath the
joints of every thing, but everything so out of joint
that he is a gouty Briareus, many hands and no use,
or purblind Argus, all eyes and no sight.

13

Twelfth Night
[II, 2]

Viola

674

I left no ring with her: what means this lady?
Fortune forbid my outside have not charm'd her!
She made good view of me; indeed, so much,
That sure methought her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me, sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord's ring! why, he sent her none.
I am the man: if it be so, as 'tis,
Poor lady, she were better love a dream.
Disguise, I see, thou art a wickedness,
Wherein the pregnant enemy does much.
How easy is it for the proper-false
In women's waxen hearts to set their forms!
Alas, our frailty is the cause, not we!
For such as we are made of, such we be.
How will this fadge? my master loves her dearly;
And I, poor monster, fond as much on him;
And she, mistaken, seems to dote on me.
What will become of this? As I am man,
My state is desperate for my master's love;
As I am woman,—now alas the day!—
What thriftless sighs shall poor Olivia breathe!
O time! thou must untangle this, not I;
It is too hard a knot for me to untie!

14

Two Gentlemen of Verona
[III, 1]

Proteus

1296

Ay, ay; and she hath offer'd to the doom—
Which, unreversed, stands in effectual force—
A sea of melting pearl, which some call tears:
Those at her father's churlish feet she tender'd;
With them, upon her knees, her humble self;
Wringing her hands, whose whiteness so became them
As if but now they waxed pale for woe:
But neither bended knees, pure hands held up,
Sad sighs, deep groans, nor silver-shedding tears,
Could penetrate her uncompassionate sire;
But Valentine, if he be ta'en, must die.
Besides, her intercession chafed him so,
When she for thy repeal was suppliant,
That to close prison he commanded her,
With many bitter threats of biding there.

15

Venus and Adonis

Shakespeare

123

'Over my altars hath he hung his lance,
His batter'd shield, his uncontrolled crest,
And for my sake hath learn'd to sport and dance,
To toy, to wanton, dally, smile and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

16

Venus and Adonis

Shakespeare

153

'Were I hard-favour'd, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O'erworn, despised, rheumatic and cold,
Thick-sighted, barren, lean and lacking juice,
Then mightst thou pause, for then I were not for thee
But having no defects, why dost abhor me?

17

Venus and Adonis

Shakespeare

634

'Thou hadst been gone,' quoth she, 'sweet boy, ere this,
But that thou told'st me thou wouldst hunt the boar.
O, be advised! thou know'st not what it is
With javelin's point a churlish swine to gore,
Whose tushes never sheathed he whetteth still,
Like to a mortal butcher bent to kill.