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A foutre for the world and worldlings base!
I speak of Africa and golden joys.

      — King Henry IV. Part II, Act V Scene 3

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1-13 of 13 total

KEYWORD: circle

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Antony and Cleopatra
[III, 12]

Euphronius

2211

Lord of his fortunes he salutes thee, and
Requires to live in Egypt: which not granted,
He lessens his requests; and to thee sues
To let him breathe between the heavens and earth,
A private man in Athens: this for him.
Next, Cleopatra does confess thy greatness;
Submits her to thy might; and of thee craves
The circle of the Ptolemies for her heirs,
Now hazarded to thy grace.

2

As You Like It
[II, 5]

Jaques (lord)

873

'Tis a Greek invocation, to call fools into a circle. I'll
go sleep, if I can; if I cannot, I'll rail against all the
first-born of Egypt.

3

As You Like It
[V, 4]

Orlando

2431

My lord, the first time that I ever saw him
Methought he was a brother to your daughter.
But, my good lord, this boy is forest-born,
And hath been tutor'd in the rudiments
Of many desperate studies by his uncle,
Whom he reports to be a great magician,
Obscured in the circle of this forest.

4

Cymbeline
[V, 4]

Posthumus Leonatus

3140

Most welcome, bondage! for thou art away,
think, to liberty: yet am I better
Than one that's sick o' the gout; since he had rather
Groan so in perpetuity than be cured
By the sure physician, death, who is the key
To unbar these locks. My conscience, thou art fetter'd
More than my shanks and wrists: you good gods, give me
The penitent instrument to pick that bolt,
Then, free for ever! Is't enough I am sorry?
So children temporal fathers do appease;
Gods are more full of mercy. Must I repent?
I cannot do it better than in gyves,
Desired more than constrain'd: to satisfy,
If of my freedom 'tis the main part, take
No stricter render of me than my all.
I know you are more clement than vile men,
Who of their broken debtors take a third,
A sixth, a tenth, letting them thrive again
On their abatement: that's not my desire:
For Imogen's dear life take mine; and though
'Tis not so dear, yet 'tis a life; you coin'd it:
'Tween man and man they weigh not every stamp;
Though light, take pieces for the figure's sake:
You rather mine, being yours: and so, great powers,
If you will take this audit, take this life,
And cancel these cold bonds. O Imogen!
I'll speak to thee in silence.
[Sleeps]
[Solemn music. Enter, as in an apparition,]
SICILIUS LEONATUS, father to Posthumus Leonatus,
an old man, attired like a warrior; leading in
his hand an ancient matron, his wife, and mother
to Posthumus Leonatus, with music before them:
then, after other music, follow the two young
Leonati, brothers to Posthumus Leonatus, with
wounds as they died in the wars. They circle
Posthumus Leonatus round, as he lies sleeping]

5

Henry V
[V, 2]

Duke of Burgundy

3277

Pardon the frankness of my mirth, if I answer you
for that. If you would conjure in her, you must
make a circle; if conjure up love in her in his true
likeness, he must appear naked and blind. Can you
blame her then, being a maid yet rosed over with the
virgin crimson of modesty, if she deny the
appearance of a naked blind boy in her naked seeing
self? It were, my lord, a hard condition for a maid
to consign to.

6

Henry VI, Part I
[I, 2]

Joan la Pucelle

328

Assign'd am I to be the English scourge.
This night the siege assuredly I'll raise:
Expect Saint Martin's summer, halcyon days,
Since I have entered into these wars.
Glory is like a circle in the water,
Which never ceaseth to enlarge itself
Till by broad spreading it disperse to nought.
With Henry's death the English circle ends;
Dispersed are the glories it included.
Now am I like that proud insulting ship
Which Caesar and his fortune bare at once.

7

Henry VI, Part II
[I, 4]

Bolingbroke

642

Patience, good lady; wizards know their times:
Deep night, dark night, the silent of the night,
The time of night when Troy was set on fire;
The time when screech-owls cry and ban-dogs howl,
And spirits walk and ghosts break up their graves,
That time best fits the work we have in hand.
Madam, sit you and fear not: whom we raise,
We will make fast within a hallow'd verge.
[Here they do the ceremonies belonging, and make the]
circle; BOLINGBROKE or SOUTHWELL reads, Conjuro te,
&c. It thunders and lightens terribly; then the
Spirit riseth]

8

King John
[V, 1]

King John

2192

Thus have I yielded up into your hand
The circle of my glory.

9

King John
[V, 2]

Philip the Bastard

2409

By all the blood that ever fury breathed,
The youth says well. Now hear our English king;
For thus his royalty doth speak in me.
He is prepared, and reason too he should:
This apish and unmannerly approach,
This harness'd masque and unadvised revel,
This unhair'd sauciness and boyish troops,
The king doth smile at; and is well prepared
To whip this dwarfish war, these pigmy arms,
From out the circle of his territories.
That hand which had the strength, even at your door,
To cudgel you and make you take the hatch,
To dive like buckets in concealed wells,
To crouch in litter of your stable planks,
To lie like pawns lock'd up in chests and trunks,
To hug with swine, to seek sweet safety out
In vaults and prisons, and to thrill and shake
Even at the crying of your nation's crow,
Thinking his voice an armed Englishman;
Shall that victorious hand be feebled here,
That in your chambers gave you chastisement?
No: know the gallant monarch is in arms
And like an eagle o'er his aery towers,
To souse annoyance that comes near his nest.
And you degenerate, you ingrate revolts,
You bloody Neroes, ripping up the womb
Of your dear mother England, blush for shame;
For your own ladies and pale-visaged maids
Like Amazons come tripping after drums,
Their thimbles into armed gauntlets change,
Their needles to lances, and their gentle hearts
To fierce and bloody inclination.

10

King Lear
[V, 3]

Edmund

3331

Th' hast spoken right; 'tis true.
The wheel is come full circle; I am here.

11

Romeo and Juliet
[II, 1]

Mercutio

822

This cannot anger him: 'twould anger him
To raise a spirit in his mistress' circle
Of some strange nature, letting it there stand
Till she had laid it and conjured it down;
That were some spite: my invocation
Is fair and honest, and in his mistress' name
I conjure only but to raise up him.

12

Tempest
[V, 1]

Prospero

2054

Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimm'd
The noontide sun, call'd forth the mutinous winds,
And 'twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove's stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck'd up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let 'em forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I'll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.
[Solemn music]
[Re-enter ARIEL before: then ALONSO, with a]
frantic gesture, attended by GONZALO;
SEBASTIAN and ANTONIO in like manner,
attended by ADRIAN and FRANCISCO they all
enter the circle which PROSPERO had made,
and there stand charmed; which PROSPERO
observing, speaks:]
A solemn air and the best comforter
To an unsettled fancy cure thy brains,
Now useless, boil'd within thy skull! There stand,
For you are spell-stopp'd.
Holy Gonzalo, honourable man,
Mine eyes, even sociable to the show of thine,
Fall fellowly drops. The charm dissolves apace,
And as the morning steals upon the night,
Melting the darkness, so their rising senses
Begin to chase the ignorant fumes that mantle
Their clearer reason. O good Gonzalo,
My true preserver, and a loyal sir
To him you follow'st! I will pay thy graces
Home both in word and deed. Most cruelly
Didst thou, Alonso, use me and my daughter:
Thy brother was a furtherer in the act.
Thou art pinch'd fort now, Sebastian. Flesh and blood,
You, brother mine, that entertain'd ambition,
Expell'd remorse and nature; who, with Sebastian,
Whose inward pinches therefore are most strong,
Would here have kill'd your king; I do forgive thee,
Unnatural though thou art. Their understanding
Begins to swell, and the approaching tide
Will shortly fill the reasonable shore
That now lies foul and muddy. Not one of them
That yet looks on me, or would know me Ariel,
Fetch me the hat and rapier in my cell:
I will discase me, and myself present
As I was sometime Milan: quickly, spirit;
Thou shalt ere long be free.
[ARIEL sings and helps to attire him]
Where the bee sucks. there suck I:
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.

13

Titus Andronicus
[III, 1]

Titus Andronicus

1407

Why, I have not another tear to shed:
Besides, this sorrow is an enemy,
And would usurp upon my watery eyes
And make them blind with tributary tears:
Then which way shall I find Revenge's cave?
For these two heads do seem to speak to me,
And threat me I shall never come to bliss
Till all these mischiefs be return'd again
Even in their throats that have committed them.
Come, let me see what task I have to do.
You heavy people, circle me about,
That I may turn me to each one of you,
And swear unto my soul to right your wrongs.
The vow is made. Come, brother, take a head;
And in this hand the other I will bear.
Lavinia, thou shalt be employ'd: these arms!
Bear thou my hand, sweet wench, between thy teeth.
As for thee, boy, go get thee from my sight;
Thou art an exile, and thou must not stay:
Hie to the Goths, and raise an army there:
And, if you love me, as I think you do,
Let's kiss and part, for we have much to do.

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