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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Cymbeline
[II, 2] |
(stage directions) |
976 |
[Goes into the trunk. The scene closes]
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2 |
Cymbeline
[V, 4] |
Sicilius Leonatus |
3272 |
The marble pavement closes, he is enter'd
His radiant root. Away! and, to be blest,
Let us with care perform his great behest.
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3 |
Hamlet
[II, 1] |
Polonius |
989 |
Marry, sir, here's my drift,
And I believe it is a fetch of warrant.
You laying these slight sullies on my son
As 'twere a thing a little soil'd i' th' working,
Mark you,
Your party in converse, him you would sound,
Having ever seen in the prenominate crimes
The youth you breathe of guilty, be assur'd
He closes with you in this consequence:
'Good sir,' or so, or 'friend,' or 'gentleman'-
According to the phrase or the addition
Of man and country-
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4 |
Hamlet
[II, 1] |
Reynaldo |
1004 |
At 'closes in the consequence,' at 'friend or so,' and
gentleman.'
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5 |
Hamlet
[II, 1] |
Polonius |
1006 |
At 'closes in the consequence'- Ay, marry!
He closes thus: 'I know the gentleman.
I saw him yesterday, or t'other day,
Or then, or then, with such or such; and, as you say,
There was 'a gaming; there o'ertook in's rouse;
There falling out at tennis'; or perchance,
'I saw him enter such a house of sale,'
Videlicet, a brothel, or so forth.
See you now-
Your bait of falsehood takes this carp of truth;
And thus do we of wisdom and of reach,
With windlasses and with assays of bias,
By indirections find directions out.
So, by my former lecture and advice,
Shall you my son. You have me, have you not?
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