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In those holy fields
Over whose acres walked those blessed feet
Which fourteen hundred years ago were nail'd
For our advantage on the bitter cross.

      — King Henry IV. Part I, Act I Scene 1

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KEYWORD: drawer

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Henry IV, Part I
[II, 4]

Henry V

988

With three or four loggerheads amongst three or four
score hogsheads. I have sounded the very
base-string of humility. Sirrah, I am sworn brother
to a leash of drawers; and can call them all by
their christen names, as Tom, Dick, and Francis.
They take it already upon their salvation, that
though I be but the prince of Wales, yet I am king
of courtesy; and tell me flatly I am no proud Jack,
like Falstaff, but a Corinthian, a lad of mettle, a
good boy, by the Lord, so they call me, and when I
am king of England, I shall command all the good
lads in Eastcheap. They call drinking deep, dyeing
scarlet; and when you breathe in your watering, they
cry 'hem!' and bid you play it off. To conclude, I
am so good a proficient in one quarter of an hour,
that I can drink with any tinker in his own language
during my life. I tell thee, Ned, thou hast lost
much honour, that thou wert not with me in this sweet
action. But, sweet Ned,—to sweeten which name of
Ned, I give thee this pennyworth of sugar, clapped
even now into my hand by an under-skinker, one that
never spake other English in his life than 'Eight
shillings and sixpence' and 'You are welcome,' with
this shrill addition, 'Anon, anon, sir! Score a pint
of bastard in the Half-Moon,' or so. But, Ned, to
drive away the time till Falstaff come, I prithee,
do thou stand in some by-room, while I question my
puny drawer to what end he gave me the sugar; and do
thou never leave calling 'Francis,' that his tale
to me may be nothing but 'Anon.' Step aside, and
I'll show thee a precedent.

2

Henry IV, Part I
[II, 4]

Henry V

1063

Away, you rogue! dost thou not hear them call?
[Here they both call him; the drawer stands amazed,
not knowing which way to go]

3

Henry IV, Part I
[II, 4]

Edward Poins

1079

As merry as crickets, my lad. But hark ye; what
cunning match have you made with this jest of the
drawer? come, what's the issue?

4

Henry IV, Part II
[II, 4]

(stage directions)

1225

Enter FRANCIS and another DRAWER

5

Henry IV, Part II
[II, 4]

(stage directions)

1243

Enter third DRAWER

6

Henry IV, Part II
[II, 4]

Falstaff

1352

He's no swagg'rer, hostess; a tame cheater, i' faith;
may stroke him as gently as a puppy greyhound. He'll not
with a Barbary hen, if her feathers turn back in any show of
resistance. Call him up, drawer.

7

Merry Wives of Windsor
[II, 2]

Falstaff

953

You're welcome. What's your will? Give us leave, drawer.

8

Romeo and Juliet
[III, 1]

Mercutio

1503

Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.

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