# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 5]

(stage directions)

1145

[Draws a knife]

2

Comedy of Errors
[IV, 2]

Dromio of Syracuse

1107

No, he's in Tartar limbo, worse than hell.
A devil in an everlasting garment hath him;
One whose hard heart is button'd up with steel;
A fiend, a fury, pitiless and rough;
A wolf, nay, worse, a fellow all in buff;
A back-friend, a shoulder-clapper, one that
countermands
The passages of alleys, creeks and narrow lands;
A hound that runs counter and yet draws dryfoot well;
One that before the judgement carries poor souls to hell.

3

Cymbeline
[III, 3]

Belarius

1613

Now for our mountain sport: up to yond hill;
Your legs are young; I'll tread these flats. Consider,
When you above perceive me like a crow,
That it is place which lessens and sets off;
And you may then revolve what tales I have told you
Of courts, of princes, of the tricks in war:
This service is not service, so being done,
But being so allow'd: to apprehend thus,
Draws us a profit from all things we see;
And often, to our comfort, shall we find
The sharded beetle in a safer hold
Than is the full-wing'd eagle. O, this life
Is nobler than attending for a cheque,
Richer than doing nothing for a bauble,
Prouder than rustling in unpaid-for silk:
Such gain the cap of him that makes 'em fine,
Yet keeps his book uncross'd: no life to ours.

4

Hamlet
[I, 4]

Horatio

631

Indeed? I heard it not. It then draws near the season
Wherein the spirit held his wont to walk.
[A flourish of trumpets, and two pieces go off.]
What does this mean, my lord?

5

Hamlet
[III, 4]

Hamlet

2410

[draws] How now? a rat? Dead for a ducat, dead!

6

Hamlet
[IV, 7]

Laertes

3285

I will do't!
And for that purpose I'll anoint my sword.
I bought an unction of a mountebank,
So mortal that, but dip a knife in it,
Where it draws blood no cataplasm so rare,
Collected from all simples that have virtue
Under the moon, can save the thing from death
This is but scratch'd withal. I'll touch my point
With this contagion, that, if I gall him slightly,
It may be death.

7

Henry IV, Part I
[IV, 1]

Earl of Worcester

2282

But yet I would your father had been here.
The quality and hair of our attempt
Brooks no division: it will be thought
By some, that know not why he is away,
That wisdom, loyalty and mere dislike
Of our proceedings kept the earl from hence:
And think how such an apprehension
May turn the tide of fearful faction
And breed a kind of question in our cause;
For well you know we of the offering side
Must keep aloof from strict arbitrement,
And stop all sight-holes, every loop from whence
The eye of reason may pry in upon us:
This absence of your father's draws a curtain,
That shows the ignorant a kind of fear
Before not dreamt of.

8

Henry IV, Part I
[V, 3]

(stage directions)

2939

[PRINCE HENRY draws it out, and finds it to be a bottle of sack]

9

Henry IV, Part II
[I, 3]

Lord Bardolph

641

Yes, if this present quality of war-
Indeed the instant action, a cause on foot-
Lives so in hope, as in an early spring
We see th' appearing buds; which to prove fruit
Hope gives not so much warrant, as despair
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then we must rate the cost of the erection;
Which if we find outweighs ability,
What do we then but draw anew the model
In fewer offices, or at least desist
To build at all? Much more, in this great work—
Which is almost to pluck a kingdom down
And set another up—should we survey
The plot of situation and the model,
Consent upon a sure foundation,
Question surveyors, know our own estate
How able such a work to undergo-
To weigh against his opposite; or else
We fortify in paper and in figures,
Using the names of men instead of men;
Like one that draws the model of a house
Beyond his power to build it; who, half through,
Gives o'er and leaves his part-created cost
A naked subject to the weeping clouds
And waste for churlish winter's tyranny.

10

Henry V
[II, 1]

(stage directions)

570

[Draws]

11

Henry V
[III, 6]

Henry V

1637

We are in God's hand, brother, not in theirs.
March to the bridge; it now draws toward night:
Beyond the river we'll encamp ourselves,
And on to-morrow, bid them march away.

12

Henry VI, Part I
[III, 4]

Basset

1747

Villain, thou know'st the law of arms is such
That whoso draws a sword, 'tis present death,
Or else this blow should broach thy dearest blood.
But I'll unto his majesty, and crave
I may have liberty to venge this wrong;
When thou shalt see I'll meet thee to thy cost.

13

Henry VIII
[II, 2]

Duke of Norfolk

1087

Thanks, my good lord chamberlain.
[Exit Chamberlain; and KING HENRY VIII draws the]
curtain, and sits reading pensively]

14

Julius Caesar
[II, 1]

Brutus

848

Good gentlemen, look fresh and merrily;
Let not our looks put on our purposes,
But bear it as our Roman actors do,
With untired spirits and formal constancy:
And so good morrow to you every one.
[Exeunt all but BRUTUS]
Boy! Lucius! Fast asleep? It is no matter;
Enjoy the honey-heavy dew of slumber:
Thou hast no figures nor no fantasies,
Which busy care draws in the brains of men;
Therefore thou sleep'st so sound.

15

Julius Caesar
[III, 1]

Cassius

1226

Trebonius knows his time; for, look you, Brutus.
He draws Mark Antony out of the way.

16

King John
[I, 1]

Philip the Bastard

186

Brother, adieu: good fortune come to thee!
For thou wast got i' the way of honesty.
[Exeunt all but BASTARD]
A foot of honour better than I was;
But many a many foot of land the worse.
Well, now can I make any Joan a lady.
'Good den, sir Richard!'—'God-a-mercy, fellow!'—
And if his name be George, I'll call him Peter;
For new-made honour doth forget men's names;
'Tis too respective and too sociable
For your conversion. Now your traveller,
He and his toothpick at my worship's mess,
And when my knightly stomach is sufficed,
Why then I suck my teeth and catechise
My picked man of countries: 'My dear sir,'
Thus, leaning on mine elbow, I begin,
'I shall beseech you'—that is question now;
And then comes answer like an Absey book:
'O sir,' says answer, 'at your best command;
At your employment; at your service, sir;'
'No, sir,' says question, 'I, sweet sir, at yours:'
And so, ere answer knows what question would,
Saving in dialogue of compliment,
And talking of the Alps and Apennines,
The Pyrenean and the river Po,
It draws toward supper in conclusion so.
But this is worshipful society
And fits the mounting spirit like myself,
For he is but a bastard to the time
That doth not smack of observation;
And so am I, whether I smack or no;
And not alone in habit and device,
Exterior form, outward accoutrement,
But from the inward motion to deliver
Sweet, sweet, sweet poison for the age's tooth:
Which, though I will not practise to deceive,
Yet, to avoid deceit, I mean to learn;
For it shall strew the footsteps of my rising.
But who comes in such haste in riding-robes?
What woman-post is this? hath she no husband
That will take pains to blow a horn before her?
[Enter LADY FAULCONBRIDGE and GURNEY]
O me! it is my mother. How now, good lady!
What brings you here to court so hastily?

17

King John
[II, 1]

Constance

465

Now shame upon you, whether she does or no!
His grandam's wrongs, and not his mother's shames,
Draws those heaven-moving pearls from his poor eyes,
Which heaven shall take in nature of a fee;
Ay, with these crystal beads heaven shall be bribed
To do him justice and revenge on you.

18

King Lear
[I, 4]

Fool

746

May not an ass know when the cart draws the horse?
Whoop, Jug, I love thee!

19

King Lear
[II, 2]

Earl of Kent

1098

What a brazen-fac'd varlet art thou, to deny thou knowest me!
Is it two days ago since I beat thee and tripp'd up thy heels
before the King? [Draws his sword.] Draw, you rogue! for, though
it be night, yet the moon shines. I'll make a sop o' th'
moonshine o' you. Draw, you whoreson cullionly barbermonger!
draw!

20

Love's Labour's Lost
[V, 1]

(stage directions)

1749

[Draws out his table-book]