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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Coriolanus
[III, 1] |
Cominius |
1982 |
That is the way to lay the city flat;
To bring the roof to the foundation,
And bury all, which yet distinctly ranges,
In heaps and piles of ruin.
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2 |
Henry IV, Part I
[III, 1] |
Glendower |
1555 |
I cannot blame him: at my nativity
The front of heaven was full of fiery shapes,
Of burning cressets; and at my birth
The frame and huge foundation of the earth
Shaked like a coward.
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3 |
Henry IV, Part II
[I, 3] |
Lord Bardolph |
641 |
Yes, if this present quality of war-
Indeed the instant action, a cause on foot-
Lives so in hope, as in an early spring
We see th' appearing buds; which to prove fruit
Hope gives not so much warrant, as despair
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then we must rate the cost of the erection;
Which if we find outweighs ability,
What do we then but draw anew the model
In fewer offices, or at least desist
To build at all? Much more, in this great work—
Which is almost to pluck a kingdom down
And set another up—should we survey
The plot of situation and the model,
Consent upon a sure foundation,
Question surveyors, know our own estate
How able such a work to undergo-
To weigh against his opposite; or else
We fortify in paper and in figures,
Using the names of men instead of men;
Like one that draws the model of a house
Beyond his power to build it; who, half through,
Gives o'er and leaves his part-created cost
A naked subject to the weeping clouds
And waste for churlish winter's tyranny.
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4 |
King John
[IV, 2] |
King John |
1833 |
They burn in indignation. I repent:
There is no sure foundation set on blood,
No certain life achieved by others' death.
[Enter a Messenger]
A fearful eye thou hast: where is that blood
That I have seen inhabit in those cheeks?
So foul a sky clears not without a storm:
Pour down thy weather: how goes all in France?
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5 |
Much Ado about Nothing
[V, 1] |
Dogberry |
2393 |
God save the foundation!
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6 |
Venus and Adonis |
Shakespeare |
1067 |
Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;
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7 |
Winter's Tale
[I, 2] |
Camillo |
551 |
Swear his thought over
By each particular star in heaven and
By all their influences, you may as well
Forbid the sea for to obey the moon
As or by oath remove or counsel shake
The fabric of his folly, whose foundation
Is piled upon his faith and will continue
The standing of his body.
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