# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[IV, 12]

Scarus

2904

Swallows have built
In Cleopatra's sails their nests: the augurers
Say they know not, they cannot tell; look grimly,
And dare not speak their knowledge. Antony
Is valiant, and dejected; and, by starts,
His fretted fortunes give him hope, and fear,
Of what he has, and has not.

2

Cymbeline
[II, 4]

Iachimo

1282

The roof o' the chamber
With golden cherubins is fretted: her andirons—
I had forgot them—were two winking Cupids
Of silver, each on one foot standing, nicely
Depending on their brands.

3

Hamlet
[II, 2]

Hamlet

1389

I will tell you why. So shall my anticipation prevent your
discovery, and your secrecy to the King and Queen moult no
feather. I have of late- but wherefore I know not- lost all my
mirth, forgone all custom of exercises; and indeed, it goes so
heavily with my disposition that this goodly frame, the earth,
seems to me a sterile promontory; this most excellent canopy, the
air, look you, this brave o'erhanging firmament, this majestical
roof fretted with golden fire- why, it appeareth no other thing
to me than a foul and pestilent congregation of vapours. What a
piece of work is a man! how noble in reason! how infinite in
faculties! in form and moving how express and admirable! in
action how like an angel! in apprehension how like a god! the
beauty of the world, the paragon of animals! And yet to me what
is this quintessence of dust? Man delights not me- no, nor woman
neither, though by your smiling you seem to say so.

4

Merry Wives of Windsor
[III, 5]

Falstaff

1832

Nay, you shall hear, Master Brook, what I have
suffered to bring this woman to evil for your good.
Being thus crammed in the basket, a couple of Ford's
knaves, his hinds, were called forth by their
mistress to carry me in the name of foul clothes to
Datchet-lane: they took me on their shoulders; met
the jealous knave their master in the door, who
asked them once or twice what they had in their
basket: I quaked for fear, lest the lunatic knave
would have searched it; but fate, ordaining he
should be a cuckold, held his hand. Well: on went he
for a search, and away went I for foul clothes. But
mark the sequel, Master Brook: I suffered the pangs
of three several deaths; first, an intolerable
fright, to be detected with a jealous rotten
bell-wether; next, to be compassed, like a good
bilbo, in the circumference of a peck, hilt to
point, heel to head; and then, to be stopped in,
like a strong distillation, with stinking clothes
that fretted in their own grease: think of that,—a
man of my kidney,—think of that,—that am as subject
to heat as butter; a man of continual dissolution
and thaw: it was a miracle to scape suffocation.
And in the height of this bath, when I was more than
half stewed in grease, like a Dutch dish, to be
thrown into the Thames, and cooled, glowing hot,
in that surge, like a horse-shoe; think of
that,—hissing hot,—think of that, Master Brook.

5

Richard II
[III, 3]

King Richard II

1785

What must the king do now? must he submit?
The king shall do it: must he be deposed?
The king shall be contented: must he lose
The name of king? o' God's name, let it go:
I'll give my jewels for a set of beads,
My gorgeous palace for a hermitage,
My gay apparel for an almsman's gown,
My figured goblets for a dish of wood,
My sceptre for a palmer's walking staff,
My subjects for a pair of carved saints
And my large kingdom for a little grave,
A little little grave, an obscure grave;
Or I'll be buried in the king's highway,
Some way of common trade, where subjects' feet
May hourly trample on their sovereign's head;
For on my heart they tread now whilst I live;
And buried once, why not upon my head?
Aumerle, thou weep'st, my tender-hearted cousin!
We'll make foul weather with despised tears;
Our sighs and they shall lodge the summer corn,
And make a dearth in this revolting land.
Or shall we play the wantons with our woes,
And make some pretty match with shedding tears?
As thus, to drop them still upon one place,
Till they have fretted us a pair of graves
Within the earth; and, therein laid,—there lies
Two kinsmen digg'd their graves with weeping eyes.
Would not this ill do well? Well, well, I see
I talk but idly, and you laugh at me.
Most mighty prince, my Lord Northumberland,
What says King Bolingbroke? will his majesty
Give Richard leave to live till Richard die?
You make a leg, and Bolingbroke says ay.