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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Coriolanus
[IV, 7] |
Tullus Aufidius |
3246 |
All places yield to him ere he sits down;
And the nobility of Rome are his:
The senators and patricians love him too:
The tribunes are no soldiers; and their people
Will be as rash in the repeal, as hasty
To expel him thence. I think he'll be to Rome
As is the osprey to the fish, who takes it
By sovereignty of nature. First he was
A noble servant to them; but he could not
Carry his honours even: whether 'twas pride,
Which out of daily fortune ever taints
The happy man; whether defect of judgment,
To fail in the disposing of those chances
Which he was lord of; or whether nature,
Not to be other than one thing, not moving
From the casque to the cushion, but commanding peace
Even with the same austerity and garb
As he controll'd the war; but one of these—
As he hath spices of them all, not all,
For I dare so far free him—made him fear'd,
So hated, and so banish'd: but he has a merit,
To choke it in the utterance. So our virtues
Lie in the interpretation of the time:
And power, unto itself most commendable,
Hath not a tomb so evident as a chair
To extol what it hath done.
One fire drives out one fire; one nail, one nail;
Rights by rights falter, strengths by strengths do fail.
Come, let's away. When, Caius, Rome is thine,
Thou art poor'st of all; then shortly art thou mine.
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2 |
Hamlet
[II, 2] |
Hamlet |
1453 |
Gentlemen, you are welcome to Elsinore. Your hands, come! Th'
appurtenance of welcome is fashion and ceremony. Let me comply
with you in this garb, lest my extent to the players (which I
tell you must show fairly outwards) should more appear like
entertainment than yours. You are welcome. But my uncle-father
and aunt-mother are deceiv'd.
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3 |
Henry V
[V, 1] |
Gower |
2954 |
Go, go; you are a counterfeit cowardly knave. Will
you mock at an ancient tradition, begun upon an
honourable respect, and worn as a memorable trophy of
predeceased valour and dare not avouch in your deeds
any of your words? I have seen you gleeking and
galling at this gentleman twice or thrice. You
thought, because he could not speak English in the
native garb, he could not therefore handle an
English cudgel: you find it otherwise; and
henceforth let a Welsh correction teach you a good
English condition. Fare ye well.
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4 |
King Lear
[II, 2] |
Duke of Cornwall |
1163 |
This is some fellow
Who, having been prais'd for bluntness, doth affect
A saucy roughness, and constrains the garb
Quite from his nature. He cannot flatter, he!
An honest mind and plain- he must speak truth!
An they will take it, so; if not, he's plain.
These kind of knaves I know which in this plainness
Harbour more craft and more corrupter ends
Than twenty silly-ducking observants
That stretch their duties nicely.
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