# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Parolles

153

Let me see: marry, ill, to like him that ne'er it
likes. 'Tis a commodity will lose the gloss with
lying; the longer kept, the less worth: off with 't
while 'tis vendible; answer the time of request.
Virginity, like an old courtier, wears her cap out
of fashion: richly suited, but unsuitable: just
like the brooch and the tooth-pick, which wear not
now. Your date is better in your pie and your
porridge than in your cheek; and your virginity,
your old virginity, is like one of our French
withered pears, it looks ill, it eats drily; marry,
'tis a withered pear; it was formerly better;
marry, yet 'tis a withered pear: will you anything with it?

2

Henry VI, Part I
[IV, 1]

Vernon

1866

And that is my petition, noble lord:
For though he seem with forged quaint conceit
To set a gloss upon his bold intent,
Yet know, my lord, I was provoked by him;
And he first took exceptions at this badge,
Pronouncing that the paleness of this flower
Bewray'd the faintness of my master's heart.

3

Henry VI, Part I
[IV, 4]

Duke/Earl of Somerset

2086

It is too late; I cannot send them now:
This expedition was by York and Talbot
Too rashly plotted: all our general force
Might with a sally of the very town
Be buckled with: the over-daring Talbot
Hath sullied all his gloss of former honour
By this unheedful, desperate, wild adventure:
York set him on to fight and die in shame,
That, Talbot dead, great York might bear the name.

4

Henry VI, Part II
[I, 1]

Winchester

155

So, there goes our protector in a rage.
'Tis known to you he is mine enemy,
Nay, more, an enemy unto you all,
And no great friend, I fear me, to the king.
Consider, lords, he is the next of blood,
And heir apparent to the English crown:
Had Henry got an empire by his marriage,
And all the wealthy kingdoms of the west,
There's reason he should be displeased at it.
Look to it, lords! let not his smoothing words
Bewitch your hearts; be wise and circumspect.
What though the common people favour him,
Calling him 'Humphrey, the good Duke of
Gloucester,'
Clapping their hands, and crying with loud voice,
'Jesu maintain your royal excellence!'
With 'God preserve the good Duke Humphrey!'
I fear me, lords, for all this flattering gloss,
He will be found a dangerous protector.

5

Henry VIII
[V, 3]

Gardiner

3129

My lord, my lord, you are a sectary,
That's the plain truth: your painted gloss discovers,
To men that understand you, words and weakness.

6

Love's Labour's Lost
[II, 1]

Maria

526

I know him, madam: at a marriage-feast,
Between Lord Perigort and the beauteous heir
Of Jaques Falconbridge, solemnized
In Normandy, saw I this Longaville:
A man of sovereign parts he is esteem'd;
Well fitted in arts, glorious in arms:
Nothing becomes him ill that he would well.
The only soil of his fair virtue's gloss,
If virtue's gloss will stain with any soil,
Is a sharp wit matched with too blunt a will;
Whose edge hath power to cut, whose will still wills
It should none spare that come within his power.

7

Macbeth
[I, 7]

Macbeth

507

We will proceed no further in this business:
He hath honour'd me of late; and I have bought
Golden opinions from all sorts of people,
Which would be worn now in their newest gloss,
Not cast aside so soon.

8

Much Ado about Nothing
[III, 2]

Don Pedro

1203

Nay, that would be as great a soil in the new gloss
of your marriage as to show a child his new coat
and forbid him to wear it. I will only be bold
with Benedick for his company; for, from the crown
of his head to the sole of his foot, he is all
mirth: he hath twice or thrice cut Cupid's
bow-string and the little hangman dare not shoot at
him; he hath a heart as sound as a bell and his
tongue is the clapper, for what his heart thinks his
tongue speaks.

9

Othello
[I, 3]

Duke of Venice

570

The Turk with a most mighty preparation makes for
Cyprus. Othello, the fortitude of the place is best
known to you; and though we have there a substitute
of most allowed sufficiency, yet opinion, a
sovereign mistress of effects, throws a more safer
voice on you: you must therefore be content to
slubber the gloss of your new fortunes with this
more stubborn and boisterous expedition.

10

Passionate Pilgrim

Shakespeare

170

Beauty is but a vain and doubtful good;
A shining gloss that vadeth suddenly;
A flower that dies when first it gins to bud;
A brittle glass that's broken presently:
A doubtful good, a gloss, a glass, a flower,
Lost, vaded, broken, dead within an hour.

11

Passionate Pilgrim

Shakespeare

176

And as goods lost are seld or never found,
As vaded gloss no rubbing will refresh,
As flowers dead lie wither'd on the ground,
As broken glass no cement can redress,
So beauty blemish'd once's for ever lost,
In spite of physic, painting, pain and cost.

12

Timon of Athens
[I, 2]

Timon

352

Nay, my lords,
[They all stand ceremoniously looking on TIMON]
Ceremony was but devised at first
To set a gloss on faint deeds, hollow welcomes,
Recanting goodness, sorry ere 'tis shown;
But where there is true friendship, there needs none.
Pray, sit; more welcome are ye to my fortunes
Than my fortunes to me.

13

Troilus and Cressida
[II, 3]

Agamemnon

1330

Hear you, Patroclus:
We are too well acquainted with these answers:
But his evasion, wing'd thus swift with scorn,
Cannot outfly our apprehensions.
Much attribute he hath, and much the reason
Why we ascribe it to him; yet all his virtues,
Not virtuously on his own part beheld,
Do in our eyes begin to lose their gloss,
Yea, like fair fruit in an unwholesome dish,
Are like to rot untasted. Go and tell him,
We come to speak with him; and you shall not sin,
If you do say we think him over-proud
And under-honest, in self-assumption greater
Than in the note of judgment; and worthier
than himself
Here tend the savage strangeness he puts on,
Disguise the holy strength of their command,
And underwrite in an observing kind
His humorous predominance; yea, watch
His pettish lunes, his ebbs, his flows, as if
The passage and whole carriage of this action
Rode on his tide. Go tell him this, and add,
That if he overhold his price so much,
We'll none of him; but let him, like an engine
Not portable, lie under this report:
'Bring action hither, this cannot go to war:
A stirring dwarf we do allowance give
Before a sleeping giant.' Tell him so.

14

Venus and Adonis

Shakespeare

953

'Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,'—thus chides she Death,—
'Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he lived, his breath and beauty set
Gloss on the rose, smell to the violet?