# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[I, 3]

Celia

423

Hem them away.

2

Henry IV, Part I
[II, 4]

Henry V

988

With three or four loggerheads amongst three or four
score hogsheads. I have sounded the very
base-string of humility. Sirrah, I am sworn brother
to a leash of drawers; and can call them all by
their christen names, as Tom, Dick, and Francis.
They take it already upon their salvation, that
though I be but the prince of Wales, yet I am king
of courtesy; and tell me flatly I am no proud Jack,
like Falstaff, but a Corinthian, a lad of mettle, a
good boy, by the Lord, so they call me, and when I
am king of England, I shall command all the good
lads in Eastcheap. They call drinking deep, dyeing
scarlet; and when you breathe in your watering, they
cry 'hem!' and bid you play it off. To conclude, I
am so good a proficient in one quarter of an hour,
that I can drink with any tinker in his own language
during my life. I tell thee, Ned, thou hast lost
much honour, that thou wert not with me in this sweet
action. But, sweet Ned,—to sweeten which name of
Ned, I give thee this pennyworth of sugar, clapped
even now into my hand by an under-skinker, one that
never spake other English in his life than 'Eight
shillings and sixpence' and 'You are welcome,' with
this shrill addition, 'Anon, anon, sir! Score a pint
of bastard in the Half-Moon,' or so. But, Ned, to
drive away the time till Falstaff come, I prithee,
do thou stand in some by-room, while I question my
puny drawer to what end he gave me the sugar; and do
thou never leave calling 'Francis,' that his tale
to me may be nothing but 'Anon.' Step aside, and
I'll show thee a precedent.

3

Henry IV, Part II
[III, 2]

Robert Shallow

2069

That we have, that we have, that we have; in faith,
John, we have. Our watchword was 'Hem, boys!' Come, let's to
dinner; come, let's to dinner. Jesus, the days that we have
Come, come.

4

Much Ado about Nothing
[V, 1]

Leonato

2071

I pray thee, cease thy counsel,
Which falls into mine ears as profitless
As water in a sieve: give not me counsel;
Nor let no comforter delight mine ear
But such a one whose wrongs do suit with mine.
Bring me a father that so loved his child,
Whose joy of her is overwhelm'd like mine,
And bid him speak of patience;
Measure his woe the length and breadth of mine
And let it answer every strain for strain,
As thus for thus and such a grief for such,
In every lineament, branch, shape, and form:
If such a one will smile and stroke his beard,
Bid sorrow wag, cry 'hem!' when he should groan,
Patch grief with proverbs, make misfortune drunk
With candle-wasters; bring him yet to me,
And I of him will gather patience.
But there is no such man: for, brother, men
Can counsel and speak comfort to that grief
Which they themselves not feel; but, tasting it,
Their counsel turns to passion, which before
Would give preceptial medicine to rage,
Fetter strong madness in a silken thread,
Charm ache with air and agony with words:
No, no; 'tis all men's office to speak patience
To those that wring under the load of sorrow,
But no man's virtue nor sufficiency
To be so moral when he shall endure
The like himself. Therefore give me no counsel:
My griefs cry louder than advertisement.

5

Othello
[IV, 2]

Othello

2770

[To EMILIA] Some of your function, mistress;
Leave procreants alone and shut the door;
Cough, or cry 'hem,' if any body come:
Your mystery, your mystery: nay, dispatch.

6

Timon of Athens
[V, 4]

Soldier

2635

My noble general, Timon is dead;
Entomb'd upon the very hem o' the sea;
And on his grave-stone this insculpture, which
With wax I brought away, whose soft impression
Interprets for my poor ignorance.

7

Troilus and Cressida
[I, 2]

Pandarus

376

Where? yonder? that's Deiphobus. 'Tis Troilus!
there's a man, niece! Hem! Brave Troilus! the
prince of chivalry!

8

Troilus and Cressida
[I, 3]

Ulysses

595

The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs: with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action,
Which, slanderer, he imitation calls,
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on,
And, like a strutting player, whose conceit
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage,—
Such to-be-pitied and o'er-wrested seeming
He acts thy greatness in: and when he speaks,
'Tis like a chime a-mending; with terms unsquared,
Which, from the tongue of roaring Typhon dropp'd
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done, as near as the extremest ends
Of parallels, as like as Vulcan and his wife:
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth; to cough and spit,
And, with a palsy-fumbling on his gorget,
Shake in and out the rivet: and at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion,
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field, or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.