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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[I, 1] |
Countess |
17 |
This young gentlewoman had a father,—O, that
'had'! how sad a passage 'tis!—whose skill was
almost as great as his honesty; had it stretched so
far, would have made nature immortal, and death
should have play for lack of work. Would, for the
king's sake, he were living! I think it would be
the death of the king's disease.
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2 |
Antony and Cleopatra
[V, 2] |
Clown |
3700 |
Truly, I have him: but I would not be the party
that should desire you to touch him, for his biting
is immortal; those that do die of it do seldom or
never recover.
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3 |
Antony and Cleopatra
[V, 2] |
Cleopatra |
3738 |
Give me my robe, put on my crown; I have
Immortal longings in me: now no more
The juice of Egypt's grape shall moist this lip:
Yare, yare, good Iras; quick. Methinks I hear
Antony call; I see him rouse himself
To praise my noble act; I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath: husband, I come:
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life. So; have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian; Iras, long farewell.
[Kisses them. IRAS falls and dies]
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts, and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.
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4 |
Cymbeline
[V, 4] |
Sicilius Leonatus |
3265 |
He came in thunder; his celestial breath
Was sulphurous to smell: the holy eagle
Stoop'd as to foot us: his ascension is
More sweet than our blest fields: his royal bird
Prunes the immortal wing and cloys his beak,
As when his god is pleased.
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5 |
Hamlet
[I, 4] |
Hamlet |
697 |
Why, what should be the fear?
I do not set my life at a pin's fee;
And for my soul, what can it do to that,
Being a thing immortal as itself?
It waves me forth again. I'll follow it.
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6 |
Henry IV, Part II
[II, 2] |
Edward Poins |
1067 |
Marry, the immortal part needs a physician; but that
not him. Though that be sick, it dies not.
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7 |
Henry V
[III, 2] |
Pistol |
1133 |
The plain-song is most just: for humours do abound:
Knocks go and come; God's vassals drop and die;
And sword and shield,
In bloody field,
Doth win immortal fame.
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8 |
Julius Caesar
[I, 2] |
Cassius |
142 |
'Tis just:
And it is very much lamented, Brutus,
That you have no such mirrors as will turn
Your hidden worthiness into your eye,
That you might see your shadow. I have heard,
Where many of the best respect in Rome,
Except immortal Caesar, speaking of Brutus
And groaning underneath this age's yoke,
Have wish'd that noble Brutus had his eyes.
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9 |
Julius Caesar
[II, 3] |
Artemidorus |
1121 |
'Caesar, beware of Brutus; take heed of Cassius;
come not near Casca; have an eye to Cinna, trust not
Trebonius: mark well Metellus Cimber: Decius Brutus
loves thee not: thou hast wronged Caius Ligarius.
There is but one mind in all these men, and it is
bent against Caesar. If thou beest not immortal,
look about you: security gives way to conspiracy.
The mighty gods defend thee! Thy lover,
'ARTEMIDORUS.'
Here will I stand till Caesar pass along,
And as a suitor will I give him this.
My heart laments that virtue cannot live
Out of the teeth of emulation.
If thou read this, O Caesar, thou mayst live;
If not, the Fates with traitors do contrive.
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10 |
Julius Caesar
[IV, 3] |
Cassius |
2158 |
O ye immortal gods!
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11 |
Measure for Measure
[I, 4] |
Lucio |
382 |
It is true.
I would not—though 'tis my familiar sin
With maids to seem the lapwing and to jest,
Tongue far from heart—play with all virgins so:
I hold you as a thing ensky'd and sainted.
By your renouncement an immortal spirit,
And to be talk'd with in sincerity,
As with a saint.
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12 |
Measure for Measure
[IV, 2] |
Provost |
1943 |
Call hither Barnardine and Claudio:
[Exeunt POMPEY and ABHORSON]
The one has my pity; not a jot the other,
Being a murderer, though he were my brother.
[Enter CLAUDIO]
Look, here's the warrant, Claudio, for thy death:
'Tis now dead midnight, and by eight to-morrow
Thou must be made immortal. Where's Barnardine?
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13 |
Merchant of Venice
[V, 1] |
Lorenzo |
2502 |
Sweet soul, let's in, and there expect their coming.
And yet no matter: why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand;
And bring your music forth into the air.
[Exit Stephano]
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
[Enter Musicians]
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress' ear,
And draw her home with music.
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14 |
Othello
[II, 3] |
Cassio |
1416 |
Reputation, reputation, reputation! O, I have lost
my reputation! I have lost the immortal part of
myself, and what remains is bestial. My reputation,
Iago, my reputation!
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15 |
Othello
[III, 3] |
Othello |
2022 |
I had been happy, if the general camp,
Pioners and all, had tasted her sweet body,
So I had nothing known. O, now, for ever
Farewell the tranquil mind! farewell content!
Farewell the plumed troop, and the big wars,
That make ambition virtue! O, farewell!
Farewell the neighing steed, and the shrill trump,
The spirit-stirring drum, the ear-piercing fife,
The royal banner, and all quality,
Pride, pomp and circumstance of glorious war!
And, O you mortal engines, whose rude throats
The immortal Jove's dead clamours counterfeit,
Farewell! Othello's occupation's gone!
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16 |
Pericles
[V, 0] |
Gower |
2144 |
Marina thus the brothel 'scapes, and chances
Into an honest house, our story says.
She sings like one immortal, and she dances
As goddess-like to her admired lays;
Deep clerks she dumbs; and with her needle composes
Nature's own shape, of bud, bird, branch, or berry,
That even her art sisters the natural roses;
Her inkle, silk, twin with the rubied cherry:
That pupils lacks she none of noble race,
Who pour their bounty on her; and her gain
She gives the cursed bawd. Here we her place;
And to her father turn our thoughts again,
Where we left him, on the sea. We there him lost;
Whence, driven before the winds, he is arrived
Here where his daughter dwells; and on this coast
Suppose him now at anchor. The city strived
God Neptune's annual feast to keep: from whence
Lysimachus our Tyrian ship espies,
His banners sable, trimm'd with rich expense;
And to him in his barge with fervor hies.
In your supposing once more put your sight
Of heavy Pericles; think this his bark:
Where what is done in action, more, if might,
Shall be discover'd; please you, sit and hark.
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17 |
Pericles
[V, 3] |
Pericles |
2563 |
Immortal Dian!
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18 |
Richard II
[I, 1] |
Thomas Mowbray |
25 |
Each day still better other's happiness;
Until the heavens, envying earth's good hap,
Add an immortal title to your crown!
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19 |
Romeo and Juliet
[II, 4] |
Mercutio |
1177 |
More than prince of cats, I can tell you. O, he is
the courageous captain of compliments. He fights as
you sing prick-song, keeps time, distance, and
proportion; rests me his minim rest, one, two, and
the third in your bosom: the very butcher of a silk
button, a duellist, a duellist; a gentleman of the
very first house, of the first and second cause:
ah, the immortal passado! the punto reverso! the
hai!
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20 |
Romeo and Juliet
[III, 3] |
Romeo |
1900 |
'Tis torture, and not mercy: heaven is here,
Where Juliet lives; and every cat and dog
And little mouse, every unworthy thing,
Live here in heaven and may look on her;
But Romeo may not: more validity,
More honourable state, more courtship lives
In carrion-flies than Romeo: they my seize
On the white wonder of dear Juliet's hand
And steal immortal blessing from her lips,
Who even in pure and vestal modesty,
Still blush, as thinking their own kisses sin;
But Romeo may not; he is banished:
Flies may do this, but I from this must fly:
They are free men, but I am banished.
And say'st thou yet that exile is not death?
Hadst thou no poison mix'd, no sharp-ground knife,
No sudden mean of death, though ne'er so mean,
But 'banished' to kill me?—'banished'?
O friar, the damned use that word in hell;
Howlings attend it: how hast thou the heart,
Being a divine, a ghostly confessor,
A sin-absolver, and my friend profess'd,
To mangle me with that word 'banished'?
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