# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[IV, 5]

Antony

2695

Go, Eros, send his treasure after; do it;
Detain no jot, I charge thee: write to him—
I will subscribe—gentle adieus and greetings;
Say that I wish he never find more cause
To change a master. O, my fortunes have
Corrupted honest men! Dispatch.—Enobarbus!

2

As You Like It
[IV, 1]

Rosalind

1954

By my troth, and in good earnest, and so God mend me, and
by all pretty oaths that are not dangerous, if you break one jot
of your promise, or come one minute behind your hour, I will
think you the most pathetical break-promise, and the most hollow
lover, and the most unworthy of her you call Rosalind, that may
be chosen out of the gross band of the unfaithful. Therefore
beware my censure, and keep your promise.

3

Coriolanus
[II, 2]

Sicinius Velutus

1395

Sir, the people
Must have their voices; neither will they bate
One jot of ceremony.

4

Hamlet
[V, 1]

Horatio

3453

Not a jot more, my lord.

5

Hamlet
[V, 1]

Hamlet

3536

No, faith, not a jot; but to follow him thither with modesty
enough, and likelihood to lead it; as thus: Alexander died,
Alexander was buried, Alexander returneth into dust; the dust is
earth; of earth we make loam; and why of that loam (whereto he
was converted) might they not stop a beer barrel?
Imperious Caesar, dead and turn'd to clay,
Might stop a hole to keep the wind away.
O, that that earth which kept the world in awe
Should patch a wall t' expel the winter's flaw!
But soft! but soft! aside! Here comes the King-
Enter [priests with] a coffin [in funeral procession], King,
[Queen, Laertes, with Lords attendant.]
The Queen, the courtiers. Who is this they follow?
And with such maimed rites? This doth betoken
The corse they follow did with desp'rate hand
Fordo it own life. 'Twas of some estate.
Couch we awhile, and mark.

6

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

7

Henry VI, Part III
[II, 2]

Henry VI

885

Full well hath Clifford play'd the orator,
Inferring arguments of mighty force.
But, Clifford, tell me, didst thou never hear
That things ill-got had ever bad success?
And happy always was it for that son
Whose father for his hoarding went to hell?
I'll leave my son my virtuous deeds behind;
And would my father had left me no more!
For all the rest is held at such a rate
As brings a thousand-fold more care to keep
Than in possession and jot of pleasure.
Ah, cousin York! would thy best friends did know
How it doth grieve me that thy head is here!

8

Henry VIII
[II, 3]

Anne Bullen

1323

Good lady,
Make yourself mirth with your particular fancy,
And leave me out on't. Would I had no being,
If this salute my blood a jot: it faints me,
To think what follows.
The queen is comfortless, and we forgetful
In our long absence: pray, do not deliver
What here you've heard to her.

9

King Lear
[I, 4]

Lear

543

Let me not stay a jot for dinner; go get it ready. [Exit
an Attendant.] How now? What art thou?

10

Measure for Measure
[IV, 2]

Provost

1943

Call hither Barnardine and Claudio:
[Exeunt POMPEY and ABHORSON]
The one has my pity; not a jot the other,
Being a murderer, though he were my brother.
[Enter CLAUDIO]
Look, here's the warrant, Claudio, for thy death:
'Tis now dead midnight, and by eight to-morrow
Thou must be made immortal. Where's Barnardine?

11

Measure for Measure
[IV, 3]

Vincentio

2250

This nor hurts him nor profits you a jot;
Forbear it therefore; give your cause to heaven.
Mark what I say, which you shall find
By every syllable a faithful verity:
The duke comes home to-morrow; nay, dry your eyes;
One of our convent, and his confessor,
Gives me this instance: already he hath carried
Notice to Escalus and Angelo,
Who do prepare to meet him at the gates,
There to give up their power. If you can, pace your wisdom
In that good path that I would wish it go,
And you shall have your bosom on this wretch,
Grace of the duke, revenges to your heart,
And general honour.

12

Merchant of Venice
[IV, 1]

Portia

2251

Tarry a little; there is something else.
This bond doth give thee here no jot of blood;
The words expressly are 'a pound of flesh:'
Take then thy bond, take thou thy pound of flesh;
But, in the cutting it, if thou dost shed
One drop of Christian blood, thy lands and goods
Are, by the laws of Venice, confiscate
Unto the state of Venice.

13

Othello
[III, 3]

Othello

1870

Not a jot, not a jot.

14

Richard III
[II, 1]

Richard III (Duke of Gloucester)

1176

A blessed labour, my most sovereign liege:
Amongst this princely heap, if any here,
By false intelligence, or wrong surmise,
Hold me a foe;
If I unwittingly, or in my rage,
Have aught committed that is hardly borne
By any in this presence, I desire
To reconcile me to his friendly peace:
'Tis death to me to be at enmity;
I hate it, and desire all good men's love.
First, madam, I entreat true peace of you,
Which I will purchase with my duteous service;
Of you, my noble cousin Buckingham,
If ever any grudge were lodged between us;
Of you, Lord Rivers, and, Lord Grey, of you;
That without desert have frown'd on me;
Dukes, earls, lords, gentlemen; indeed, of all.
I do not know that Englishman alive
With whom my soul is any jot at odds
More than the infant that is born to-night
I thank my God for my humility.

15

Taming of the Shrew
[I, 1]

Lucentio

531

And not a jot of Tranio in your mouth:
Tranio is chang'd into Lucentio.

16

Timon of Athens
[IV, 3]

Timon

1785

That, by killing of villains,
Thou wast born to conquer my country.
Put up thy gold: go on,—here's gold,—go on;
Be as a planetary plague, when Jove
Will o'er some high-viced city hang his poison
In the sick air: let not thy sword skip one:
Pity not honour'd age for his white beard;
He is an usurer: strike me the counterfeit matron;
It is her habit only that is honest,
Herself's a bawd: let not the virgin's cheek
Make soft thy trenchant sword; for those milk-paps,
That through the window-bars bore at men's eyes,
Are not within the leaf of pity writ,
But set them down horrible traitors: spare not the babe,
Whose dimpled smiles from fools exhaust their mercy;
Think it a bastard, whom the oracle
Hath doubtfully pronounced thy throat shall cut,
And mince it sans remorse: swear against objects;
Put armour on thine ears and on thine eyes;
Whose proof, nor yells of mothers, maids, nor babes,
Nor sight of priests in holy vestments bleeding,
Shall pierce a jot. There's gold to pay soldiers:
Make large confusion; and, thy fury spent,
Confounded be thyself! Speak not, be gone.

17

Twelfth Night
[III, 2]

Sir Andrew Aguecheek

1406

No, faith, I'll not stay a jot longer.

18

Twelfth Night
[III, 4]

First Officer

1878

No, sir, no jot; I know your favour well,
Though now you have no sea-cap on your head.
Take him away: he knows I know him well.

19

Venus and Adonis

Shakespeare

435

'Who wears a garment shapeless and unfinish'd?
Who plucks the bud before one leaf put forth?
If springing things be any jot diminish'd,
They wither in their prime, prove nothing worth:
The colt that's back'd and burden'd being young
Loseth his pride and never waxeth strong.

20

Winter's Tale
[III, 2]

Hermione

1234

Since what I am to say must be but that
Which contradicts my accusation and
The testimony on my part no other
But what comes from myself, it shall scarce boot me
To say 'not guilty:' mine integrity
Being counted falsehood, shall, as I express it,
Be so received. But thus: if powers divine
Behold our human actions, as they do,
I doubt not then but innocence shall make
False accusation blush and tyranny
Tremble at patience. You, my lord, best know,
Who least will seem to do so, my past life
Hath been as continent, as chaste, as true,
As I am now unhappy; which is more
Than history can pattern, though devised
And play'd to take spectators. For behold me
A fellow of the royal bed, which owe
A moiety of the throne a great king's daughter,
The mother to a hopeful prince, here standing
To prate and talk for life and honour 'fore
Who please to come and hear. For life, I prize it
As I weigh grief, which I would spare: for honour,
'Tis a derivative from me to mine,
And only that I stand for. I appeal
To your own conscience, sir, before Polixenes
Came to your court, how I was in your grace,
How merited to be so; since he came,
With what encounter so uncurrent I
Have strain'd to appear thus: if one jot beyond
The bound of honour, or in act or will
That way inclining, harden'd be the hearts
Of all that hear me, and my near'st of kin
Cry fie upon my grave!