# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[III, 2]

Second Gentleman

1473

Such is his noble purpose; and believe 't,
The duke will lay upon him all the honour
That good convenience claims.

2

All's Well That Ends Well
[III, 3]

Duke of Florence

1543

The general of our horse thou art; and we,
Great in our hope, lay our best love and credence
Upon thy promising fortune.

3

All's Well That Ends Well
[III, 7]

Widow

1887

I have yielded:
Instruct my daughter how she shall persever,
That time and place with this deceit so lawful
May prove coherent. Every night he comes
With musics of all sorts and songs composed
To her unworthiness: it nothing steads us
To chide him from our eaves; for he persists
As if his life lay on't.

4

All's Well That Ends Well
[IV, 3]

Parolles

2332

He will steal, sir, an egg out of a cloister: for
rapes and ravishments he parallels Nessus: he
professes not keeping of oaths; in breaking 'em he
is stronger than Hercules: he will lie, sir, with
such volubility, that you would think truth were a
fool: drunkenness is his best virtue, for he will
be swine-drunk; and in his sleep he does little
harm, save to his bed-clothes about him; but they
know his conditions and lay him in straw. I have but
little more to say, sir, of his honesty: he has
every thing that an honest man should not have; what
an honest man should have, he has nothing.

5

All's Well That Ends Well
[V, 1]

Helena

2578

I do presume, sir, that you are not fallen
From the report that goes upon your goodness;
An therefore, goaded with most sharp occasions,
Which lay nice manners by, I put you to
The use of your own virtues, for the which
I shall continue thankful.

6

All's Well That Ends Well
[V, 3]

Bertram

2879

My lord, this is a fond and desperate creature,
Whom sometime I have laugh'd with: let your highness
Lay a more noble thought upon mine honour
Than for to think that I would sink it here.

7

Antony and Cleopatra
[I, 2]

Alexas

151

Lo, now, if it lay in their hands to make me a
cuckold, they would make themselves whores, but
they'ld do't!

8

Antony and Cleopatra
[I, 5]

Cleopatra

582

O well-divided disposition! Note him,
Note him good Charmian, 'tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seem'd to tell them his remembrance lay
In Egypt with his joy; but between both:
O heavenly mingle! Be'st thou sad or merry,
The violence of either thee becomes,
So does it no man else. Met'st thou my posts?

9

Antony and Cleopatra
[II, 2]

Agrippa

953

Royal wench!
She made great Caesar lay his sword to bed:
He plough'd her, and she cropp'd.

10

Antony and Cleopatra
[III, 13]

Antony

2269

To him again: tell him he wears the rose
Of youth upon him; from which the world should note
Something particular: his coin, ships, legions,
May be a coward's; whose ministers would prevail
Under the service of a child as soon
As i' the command of Caesar: I dare him therefore
To lay his gay comparisons apart,
And answer me declined, sword against sword,
Ourselves alone. I'll write it: follow me.

11

Antony and Cleopatra
[III, 13]

Cleopatra

2338

Most kind messenger,
Say to great Caesar this: in deputation
I kiss his conquering hand: tell him, I am prompt
To lay my crown at 's feet, and there to kneel:
Tell him from his all-obeying breath I hear
The doom of Egypt.

12

Antony and Cleopatra
[III, 13]

Thyreus

2344

'Tis your noblest course.
Wisdom and fortune combating together,
If that the former dare but what it can,
No chance may shake it. Give me grace to lay
My duty on your hand.

13

Antony and Cleopatra
[IV, 15]

Antony

3187

I am dying, Egypt, dying; only
I here importune death awhile, until
Of many thousand kisses the poor last
I lay up thy lips.

14

Antony and Cleopatra
[V, 1]

Octavius

3296

The breaking of so great a thing should make
A greater crack: the round world
Should have shook lions into civil streets,
And citizens to their dens: the death of Antony
Is not a single doom; in the name lay
A moiety of the world.

15

Antony and Cleopatra
[V, 2]

Cleopatra

3445

Sir, I will eat no meat, I'll not drink, sir;
If idle talk will once be necessary,
I'll not sleep neither: this mortal house I'll ruin,
Do Caesar what he can. Know, sir, that I
Will not wait pinion'd at your master's court;
Nor once be chastised with the sober eye
Of dull Octavia. Shall they hoist me up
And show me to the shouting varletry
Of censuring Rome? Rather a ditch in Egypt
Be gentle grave unto me! rather on Nilus' mud
Lay me stark naked, and let the water-flies
Blow me into abhorring! rather make
My country's high pyramides my gibbet,
And hang me up in chains!

16

Antony and Cleopatra
[V, 2]

Octavius

3545

Cleopatra, know,
We will extenuate rather than enforce:
If you apply yourself to our intents,
Which towards you are most gentle, you shall find
A benefit in this change; but if you seek
To lay on me a cruelty, by taking
Antony's course, you shall bereave yourself
Of my good purposes, and put your children
To that destruction which I'll guard them from,
If thereon you rely. I'll take my leave.

17

As You Like It
[I, 1]

Oliver

47

Wilt thou lay hands on me, villain?

18

As You Like It
[II, 1]

First Lord

574

Indeed, my lord,
The melancholy Jaques grieves at that;
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
To-day my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose antique root peeps out
Upon the brook that brawls along this wood!
To the which place a poor sequest'red stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish; and, indeed, my lord,
The wretched animal heav'd forth such groans
That their discharge did stretch his leathern coat
Almost to bursting; and the big round tears
Cours'd one another down his innocent nose
In piteous chase; and thus the hairy fool,
Much marked of the melancholy Jaques,
Stood on th' extremest verge of the swift brook,
Augmenting it with tears.

19

As You Like It
[III, 2]

Celia

1340

There lay he, stretch'd along like a wounded knight.

20

As You Like It
[IV, 3]

Oliver

2101

When last the young Orlando parted from you,
He left a promise to return again
Within an hour; and, pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! He threw his eye aside,
And mark what object did present itself.
Under an oak, whose boughs were moss'd with age,
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back. About his neck
A green and gilded snake had wreath'd itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush; under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead.
This seen, Orlando did approach the man,
And found it was his brother, his elder brother.