#
Result number
|
Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
|
Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
|
Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
|
Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
|
1 |
Hamlet
[III, 4] |
Hamlet |
2419 |
Ay, lady, it was my word.
[Lifts up the arras and sees Polonius.]
Thou wretched, rash, intruding fool, farewell!
I took thee for thy better. Take thy fortune.
Thou find'st to be too busy is some danger.
Leave wringing of your hands. Peace! sit you down
And let me wring your heart; for so I shall
If it be made of penetrable stuff;
If damned custom have not braz'd it so
That it is proof and bulwark against sense.
|
2 |
Romeo and Juliet
[V, 1] |
Romeo |
2805 |
If I may trust the flattering truth of sleep,
My dreams presage some joyful news at hand:
My bosom's lord sits lightly in his throne;
And all this day an unaccustom'd spirit
Lifts me above the ground with cheerful thoughts.
I dreamt my lady came and found me dead—
Strange dream, that gives a dead man leave
to think!—
And breathed such life with kisses in my lips,
That I revived, and was an emperor.
Ah me! how sweet is love itself possess'd,
When but love's shadows are so rich in joy!
[Enter BALTHASAR, booted]
News from Verona!—How now, Balthasar!
Dost thou not bring me letters from the friar?
How doth my lady? Is my father well?
How fares my Juliet? that I ask again;
For nothing can be ill, if she be well.
|
3 |
Sonnet 7 |
Shakespeare |
85 |
Lo! in the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climb'd the steep-up heavenly hill,
Resembling strong youth in his middle age,
yet mortal looks adore his beauty still,
Attending on his golden pilgrimage;
But when from highmost pitch, with weary car,
Like feeble age, he reeleth from the day,
The eyes, 'fore duteous, now converted are
From his low tract and look another way:
So thou, thyself out-going in thy noon,
Unlook'd on diest, unless thou get a son.
|
4 |
Titus Andronicus
[IV, 1] |
Titus Andronicus |
1568 |
How now, Lavinia! Marcus, what means this?
Some book there is that she desires to see.
Which is it, girl, of these? Open them, boy.
But thou art deeper read, and better skill'd
Come, and take choice of all my library,
And so beguile thy sorrow, till the heavens
Reveal the damn'd contriver of this deed.
Why lifts she up her arms in sequence thus?
|
5 |
Troilus and Cressida
[IV, 5] |
Ulysses |
2611 |
'Tis he, I ken the manner of his gait;
He rises on the toe: that spirit of his
In aspiration lifts him from the earth.
|
6 |
Venus and Adonis |
Shakespeare |
1145 |
She looks upon his lips, and they are pale;
She takes him by the hand, and that is cold;
She whispers in his ears a heavy tale,
As if they heard the woeful words she told;
She lifts the coffer-lids that close his eyes,
Where, lo, two lamps, burnt out, in darkness lies;
|