# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Steward

421

Madam, I was very late more near her than I think
she wished me: alone she was, and did communicate
to herself her own words to her own ears; she
thought, I dare vow for her, they touched not any
stranger sense. Her matter was, she loved your son:
Fortune, she said, was no goddess, that had put
such difference betwixt their two estates; Love no
god, that would not extend his might, only where
qualities were level; Dian no queen of virgins, that
would suffer her poor knight surprised, without
rescue in the first assault or ransom afterward.
This she delivered in the most bitter touch of
sorrow that e'er I heard virgin exclaim in: which I
held my duty speedily to acquaint you withal;
sithence, in the loss that may happen, it concerns
you something to know it.

2

All's Well That Ends Well
[I, 3]

Countess

458

Nay, a mother:
Why not a mother? When I said 'a mother,'
Methought you saw a serpent: what's in 'mother,'
That you start at it? I say, I am your mother;
And put you in the catalogue of those
That were enwombed mine: 'tis often seen
Adoption strives with nature and choice breeds
A native slip to us from foreign seeds:
You ne'er oppress'd me with a mother's groan,
Yet I express to you a mother's care:
God's mercy, maiden! does it curd thy blood
To say I am thy mother? What's the matter,
That this distemper'd messenger of wet,
The many-colour'd Iris, rounds thine eye?
Why? that you are my daughter?

3

All's Well That Ends Well
[II, 3]

Parolles

1170

What's the matter, sweet-heart?

4

All's Well That Ends Well
[II, 5]

Lafeu

1303

And shall do so ever, though I took him at 's
prayers. Fare you well, my lord; and believe this
of me, there can be no kernel in this light nut; the
soul of this man is his clothes. Trust him not in
matter of heavy consequence; I have kept of them
tame, and know their natures. Farewell, monsieur:
I have spoken better of you than you have or will to
deserve at my hand; but we must do good against evil.

5

All's Well That Ends Well
[III, 2]

Countess

1433

What is the matter?

6

All's Well That Ends Well
[IV, 1]

Second Lord

1904

He can come no other way but by this hedge-corner.
When you sally upon him, speak what terrible
language you will: though you understand it not
yourselves, no matter; for we must not seem to
understand him, unless some one among us whom we
must produce for an interpreter.

7

All's Well That Ends Well
[IV, 3]

Bertram

2192

No matter: his heels have deserved it, in usurping
his spurs so long. How does he carry himself?

8

All's Well That Ends Well
[IV, 5]

Lafeu

2524

I like him well; 'tis not amiss. And I was about to
tell you, since I heard of the good lady's death and
that my lord your son was upon his return home, I
moved the king my master to speak in the behalf of
my daughter; which, in the minority of them both,
his majesty, out of a self-gracious remembrance, did
first propose: his highness hath promised me to do
it: and, to stop up the displeasure he hath
conceived against your son, there is no fitter
matter. How does your ladyship like it?

9

All's Well That Ends Well
[V, 3]

King of France

2804

Thou speak'st it falsely, as I love mine honour;
And makest conjectural fears to come into me
Which I would fain shut out. If it should prove
That thou art so inhuman,—'twill not prove so;—
And yet I know not: thou didst hate her deadly,
And she is dead; which nothing, but to close
Her eyes myself, could win me to believe,
More than to see this ring. Take him away.
[Guards seize BERTRAM]
My fore-past proofs, howe'er the matter fall,
Shall tax my fears of little vanity,
Having vainly fear'd too little. Away with him!
We'll sift this matter further.

10

Antony and Cleopatra
[I, 2]

Charmian

137

Our worser thoughts heavens mend! Alexas,—come,
his fortune, his fortune! O, let him marry a woman
that cannot go, sweet Isis, I beseech thee! and let
her die too, and give him a worse! and let worst
follow worse, till the worst of all follow him
laughing to his grave, fifty-fold a cuckold! Good
Isis, hear me this prayer, though thou deny me a
matter of more weight; good Isis, I beseech thee!

11

Antony and Cleopatra
[I, 3]

Antony

319

What's the matter?

12

Antony and Cleopatra
[II, 1]

Pompey

654

I could have given less matter
A better ear. Menas, I did not think
This amorous surfeiter would have donn'd his helm
For such a petty war: his soldiership
Is twice the other twain: but let us rear
The higher our opinion, that our stirring
Can from the lap of Egypt's widow pluck
The ne'er-lust-wearied Antony.

13

Antony and Cleopatra
[II, 2]

Domitius Enobarus

692

Every time
Serves for the matter that is then born in't.

14

Antony and Cleopatra
[II, 2]

Lepidus

706

Noble friends,
That which combined us was most great, and let not
A leaner action rend us. What's amiss,
May it be gently heard: when we debate
Our trivial difference loud, we do commit
Murder in healing wounds: then, noble partners,
The rather, for I earnestly beseech,
Touch you the sourest points with sweetest terms,
Nor curstness grow to the matter.

15

Antony and Cleopatra
[II, 2]

Antony

743

You do mistake your business; my brother never
Did urge me in his act: I did inquire it;
And have my learning from some true reports,
That drew their swords with you. Did he not rather
Discredit my authority with yours;
And make the wars alike against my stomach,
Having alike your cause? Of this my letters
Before did satisfy you. If you'll patch a quarrel,
As matter whole you have not to make it with,
It must not be with this.

16

Antony and Cleopatra
[II, 2]

Octavius

819

I do not much dislike the matter, but
The manner of his speech; for't cannot be
We shall remain in friendship, our conditions
So differing in their acts. Yet if I knew
What hoop should hold us stanch, from edge to edge
O' the world I would pursue it.

17

Antony and Cleopatra
[II, 2]

Domitius Enobarus

906

This was but as a fly by an eagle: we had much more
monstrous matter of feast, which worthily deserved noting.

18

Antony and Cleopatra
[II, 5]

Cleopatra

1113

I do not like 'But yet,' it does allay
The good precedence; fie upon 'But yet'!
'But yet' is as a gaoler to bring forth
Some monstrous malefactor. Prithee, friend,
Pour out the pack of matter to mine ear,
The good and bad together: he's friends with Caesar:
In state of health thou say'st; and thou say'st free.

19

Antony and Cleopatra
[II, 5]

Cleopatra

1193

I am paid for't now.
Lead me from hence:
I faint: O Iras, Charmian! 'tis no matter.
Go to the fellow, good Alexas; bid him
Report the feature of Octavia, her years,
Her inclination, let him not leave out
The colour of her hair: bring me word quickly.
[Exit ALEXAS]
Let him for ever go:—let him not—Charmian,
Though he be painted one way like a Gorgon,
The other way's a Mars. Bid you Alexas
[To MARDIAN]
Bring me word how tall she is. Pity me, Charmian,
But do not speak to me. Lead me to my chamber.

20

Antony and Cleopatra
[II, 7]

Pompey

1438

[Aside to MENAS] I think thou'rt mad.
The matter?