# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[III, 1]

Antipholus of Ephesus

680

Do you hear, you minion? you'll let us in, I hope?

2

Comedy of Errors
[III, 1]

Antipholus of Ephesus

688

You'll cry for this, minion, if I beat the door down.

3

Comedy of Errors
[IV, 4]

Antipholus of Ephesus

1311

You minion, you, are these your customers?
Did this companion with the saffron face
Revel and feast it at my house to-day,
Whilst upon me the guilty doors were shut
And I denied to enter in my house?

4

Cymbeline
[II, 3]

Cymbeline

1021

The exile of her minion is too new;
She hath not yet forgot him: some more time
Must wear the print of his remembrance out,
And then she's yours.

5

Henry IV, Part I
[I, 1]

Henry IV

79

Yea, there thou makest me sad and makest me sin
In envy that my Lord Northumberland
Should be the father to so blest a son,
A son who is the theme of honour's tongue;
Amongst a grove, the very straightest plant;
Who is sweet Fortune's minion and her pride:
Whilst I, by looking on the praise of him,
See riot and dishonour stain the brow
Of my young Harry. O that it could be proved
That some night-tripping fairy had exchanged
In cradle-clothes our children where they lay,
And call'd mine Percy, his Plantagenet!
Then would I have his Harry, and he mine.
But let him from my thoughts. What think you, coz,
Of this young Percy's pride? the prisoners,
Which he in this adventure hath surprised,
To his own use he keeps; and sends me word,
I shall have none but Mordake Earl of Fife.

6

Henry VI, Part II
[I, 3]

Queen Margaret

529

They sale of offices and towns in France,
If they were known, as the suspect is great,
Would make thee quickly hop without thy head.
[Exit GLOUCESTER. QUEEN MARGARET drops her fan]
Give me my fan: what, minion! can ye not?
[She gives the DUCHESS a box on the ear]
I cry you mercy, madam; was it you?

7

King John
[II, 1]

Philip the Bastard

683

By heaven, these scroyles of Angiers flout you, kings,
And stand securely on their battlements,
As in a theatre, whence they gape and point
At your industrious scenes and acts of death.
Your royal presences be ruled by me:
Do like the mutines of Jerusalem,
Be friends awhile and both conjointly bend
Your sharpest deeds of malice on this town:
By east and west let France and England mount
Their battering cannon charged to the mouths,
Till their soul-fearing clamours have brawl'd down
The flinty ribs of this contemptuous city:
I'ld play incessantly upon these jades,
Even till unfenced desolation
Leave them as naked as the vulgar air.
That done, dissever your united strengths,
And part your mingled colours once again;
Turn face to face and bloody point to point;
Then, in a moment, Fortune shall cull forth
Out of one side her happy minion,
To whom in favour she shall give the day,
And kiss him with a glorious victory.
How like you this wild counsel, mighty states?
Smacks it not something of the policy?

8

Macbeth
[I, 2]

Sergeant

26

Doubtful it stood;
As two spent swimmers, that do cling together
And choke their art. The merciless Macdonwald—
Worthy to be a rebel, for to that
The multiplying villanies of nature
Do swarm upon him—from the western isles
Of kerns and gallowglasses is supplied;
And fortune, on his damned quarrel smiling,
Show'd like a rebel's whore: but all's too weak:
For brave Macbeth—well he deserves that name—
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements.

9

Othello
[V, 1]

Othello

3175

'Tis he:—O brave Iago, honest and just,
That hast such noble sense of thy friend's wrong!
Thou teachest me. Minion, your dear lies dead,
And your unblest fate hies: strumpet, I come.
Forth of my heart those charms, thine eyes, are blotted;
Thy bed, lust-stain'd, shall with lust's blood be spotted.

10

Romeo and Juliet
[III, 5]

Capulet

2256

How now, how now, chop-logic! What is this?
'Proud,' and 'I thank you,' and 'I thank you not;'
And yet 'not proud,' mistress minion, you,
Thank me no thankings, nor, proud me no prouds,
But fettle your fine joints 'gainst Thursday next,
To go with Paris to Saint Peter's Church,
Or I will drag thee on a hurdle thither.
Out, you green-sickness carrion! out, you baggage!
You tallow-face!

11

Sonnet 126

Shakespeare

1752

O thou, my lovely boy, who in thy power
Dost hold Time's fickle glass, his sickle, hour;
Who hast by waning grown, and therein show'st
Thy lovers withering as thy sweet self grow'st;
If Nature, sovereign mistress over wrack,
As thou goest onwards, still will pluck thee back,
She keeps thee to this purpose, that her skill
May time disgrace and wretched minutes kill.
Yet fear her, O thou minion of her pleasure!
She may detain, but not still keep, her treasure:
Her audit, though delay'd, answer'd must be,
And her quietus is to render thee.
( )
( )

12

Taming of the Shrew
[II, 1]

Katherina

849

Minion, thou liest. Is't not Hortensio?

13

Tempest
[IV, 1]

Iris

1804

Of her society
Be not afraid: I met her deity
Cutting the clouds towards Paphos and her son
Dove-drawn with her. Here thought they to have done
Some wanton charm upon this man and maid,
Whose vows are, that no bed-right shall be paid
Till Hymen's torch be lighted: but vain;
Mars's hot minion is returned again;
Her waspish-headed son has broke his arrows,
Swears he will shoot no more but play with sparrows
And be a boy right out.

14

Timon of Athens
[IV, 3]

Timandra

1754

Is this the Athenian minion, whom the world
Voiced so regardfully?

15

Titus Andronicus
[II, 3]

Demetrius

860

Stay, madam; here is more belongs to her;
First thrash the corn, then after burn the straw:
This minion stood upon her chastity,
Upon her nuptial vow, her loyalty,
And with that painted hope braves your mightiness:
And shall she carry this unto her grave?

16

Twelfth Night
[V, 1]

Orsino

2309

Why should I not, had I the heart to do it,
Like to the Egyptian thief at point of death,
Kill what I love?—a savage jealousy
That sometimes savours nobly. But hear me this:
Since you to non-regardance cast my faith,
And that I partly know the instrument
That screws me from my true place in your favour,
Live you the marble-breasted tyrant still;
But this your minion, whom I know you love,
And whom, by heaven I swear, I tender dearly,
Him will I tear out of that cruel eye,
Where he sits crowned in his master's spite.
Come, boy, with me; my thoughts are ripe in mischief:
I'll sacrifice the lamb that I do love,
To spite a raven's heart within a dove.

17

Two Gentlemen of Verona
[I, 2]

Julia

244

Let's see your song. How now, minion!

18

Two Gentlemen of Verona
[I, 2]

Julia

249

You, minion, are too saucy.