Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

I come not
To hear such flattery now, and in my presence.

      — King Henry VIII, Act V Scene 3

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-20 of 23 total

KEYWORD: moan

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[IV, 2]

Arviragus

2672

Thou hast finish'd joy and moan:

2

Hamlet
[IV, 5]

Ophelia

3064

[sings]
And will he not come again?
And will he not come again?
No, no, he is dead;
Go to thy deathbed;
He never will come again.
His beard was as white as snow,
All flaxen was his poll.
He is gone, he is gone,
And we cast away moan.
God 'a'mercy on his soul!
And of all Christian souls, I pray God. God b' wi' you.

3

Henry VI, Part I
[II, 3]

Countess of Auvergne

874

Laughest thou, wretch? thy mirth shall turn to moan.

4

Henry VI, Part III
[V, 4]

Queen Margaret

2805

Great lords, wise men ne'er sit and wail their loss,
But cheerly seek how to redress their harms.
What though the mast be now blown overboard,
The cable broke, the holding-anchor lost,
And half our sailors swallow'd in the flood?
Yet lives our pilot still. Is't meet that he
Should leave the helm and like a fearful lad
With tearful eyes add water to the sea
And give more strength to that which hath too much,
Whiles, in his moan, the ship splits on the rock,
Which industry and courage might have saved?
Ah, what a shame! ah, what a fault were this!
Say Warwick was our anchor; what of that?
And Montague our topmost; what of him?
Our slaughter'd friends the tackles; what of these?
Why, is not Oxford here another anchor?
And Somerset another goodly mast?
The friends of France our shrouds and tacklings?
And, though unskilful, why not Ned and I
For once allow'd the skilful pilot's charge?
We will not from the helm to sit and weep,
But keep our course, though the rough wind say no,
From shelves and rocks that threaten us with wreck.
As good to chide the waves as speak them fair.
And what is Edward but ruthless sea?
What Clarence but a quicksand of deceit?
And Richard but a ragged fatal rock?
All these the enemies to our poor bark.
Say you can swim; alas, 'tis but a while!
Tread on the sand; why, there you quickly sink:
Bestride the rock; the tide will wash you off,
Or else you famish; that's a threefold death.
This speak I, lords, to let you understand,
If case some one of you would fly from us,
That there's no hoped-for mercy with the brothers
More than with ruthless waves, with sands and rocks.
Why, courage then! what cannot be avoided
'Twere childish weakness to lament or fear.

5

Lover's Complaint

Shakespeare

212

'The diamond,—why, 'twas beautiful and hard,
Whereto his invised properties did tend;
The deep-green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hued sapphire and the opal blend
With objects manifold: each several stone,
With wit well blazon'd, smiled or made some moan.

6

Merchant of Venice
[I, 1]

Bassanio

129

'Tis not unknown to you, Antonio,
How much I have disabled mine estate,
By something showing a more swelling port
Than my faint means would grant continuance:
Nor do I now make moan to be abridged
From such a noble rate; but my chief care
Is to come fairly off from the great debts
Wherein my time something too prodigal
Hath left me gaged. To you, Antonio,
I owe the most, in money and in love,
And from your love I have a warranty
To unburden all my plots and purposes
How to get clear of all the debts I owe.

7

Merchant of Venice
[III, 3]

Antonio

1729

Let him alone:
I'll follow him no more with bootless prayers.
He seeks my life; his reason well I know:
I oft deliver'd from his forfeitures
Many that have at times made moan to me;
Therefore he hates me.

8

Midsummer Night's Dream
[V, 1]

Flute

2169

[as Thisbe] Asleep, my love?
What, dead, my dove?
O Pyramus, arise!
Speak, speak. Quite dumb?
Dead, dead? A tomb
Must cover thy sweet eyes.
These My lips,
This cherry nose,
These yellow cowslip cheeks,
Are gone, are gone:
Lovers, make moan:
His eyes were green as leeks.
O Sisters Three,
Come, come to me,
With hands as pale as milk;
Lay them in gore,
Since you have shore
With shears his thread of silk.
Tongue, not a word:
Come, trusty sword;
Come, blade, my breast imbrue:
[Stabs herself]
And, farewell, friends;
Thus Thisby ends:
Adieu, adieu, adieu.

9

Much Ado about Nothing
[V, 3]

Claudio

2509

[Reading out of a scroll]
Done to death by slanderous tongues
Was the Hero that here lies:
Death, in guerdon of her wrongs,
Gives her fame which never dies.
So the life that died with shame
Lives in death with glorious fame.
Hang thou there upon the tomb,
Praising her when I am dumb.
Now, music, sound, and sing your solemn hymn.
SONG.
Pardon, goddess of the night,
Those that slew thy virgin knight;
For the which, with songs of woe,
Round about her tomb they go.
Midnight, assist our moan;
Help us to sigh and groan,
Heavily, heavily:
Graves, yawn and yield your dead,
Till death be uttered,
Heavily, heavily.

10

Passionate Pilgrim

Shakespeare

246

My flocks feed not,
My ewes breed not,
My rams speed not,
All is amiss:
Love's denying,
Faith's defying,
Heart's renying,
Causer of this.
All my merry jigs are quite forgot,
All my lady's love is lost, God wot:
Where her faith was firmly fix'd in love,
There a nay is placed without remove.
One silly cross
Wrought all my loss;
O frowning Fortune, cursed, fickle dame!
For now I see
Inconstancy
More in women than in men remain.
In black mourn I,
All fears scorn I,
Love hath forlorn me,
Living in thrall:
Heart is bleeding,
All help needing,
O cruel speeding,
Fraughted with gall.
My shepherd's pipe can sound no deal;
My wether's bell rings doleful knell;
My curtail dog, that wont to have play'd
Plays not at all, but seems afraid;
My sighs so deep
Procure to weep,
In howling wise, to see my doleful plight.
How sighs resound
Through heartless ground,
Like a thousand vanquish'd men in bloody fight!
Clear wells spring not,
Sweet birds sing not,
Green plants bring not
Forth their dye;
Herds stand weeping,
Flocks all sleeping,
Nymphs back peeping
Fearfully:
All our pleasure known to us poor swains,
All our merry meetings on the plains,
All our evening sport from us is fled,
All our love is lost, for Love is dead
Farewell, sweet lass,
Thy like ne'er was
For a sweet content, the cause of all my moan:
Poor Corydon
Must live alone;
Other help for him I see that there is none.

11

Passionate Pilgrim

Shakespeare

375

As it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap, and birds did sing,
Trees did grow, and plants did spring;
Every thing did banish moan,
Save the nightingale alone:
She, poor bird, as all forlorn,
Lean'd her breast up-till a thorn
And there sung the dolefull'st ditty,
That to hear it was great pity:
'Fie, fie, fie,' now would she cry;
'Tereu, tereu!' by and by;
That to hear her so complain,
Scarce I could from tears refrain;
For her griefs, so lively shown,
Made me think upon mine own.
Ah, thought I, thou mourn'st in vain!
None takes pity on thy pain:
Senseless trees they cannot hear thee;
Ruthless beasts they will not cheer thee:
King Pandion he is dead;
All thy friends are lapp'd in lead;
All thy fellow birds do sing,
Careless of thy sorrowing.
Even so, poor bird, like thee,
None alive will pity me.
Whilst as fickle Fortune smiled,
Thou and I were both beguiled.
Every one that flatters thee
Is no friend in misery.
Words are easy, like the wind;
Faithful friends are hard to find:
Every man will be thy friend
Whilst thou hast wherewith to spend;
But if store of crowns be scant,
No man will supply thy want.
If that one be prodigal,
Bountiful they will him call,
And with such-like flattering,
'Pity but he were a king;'
If he be addict to vice,
Quickly him they will entice;
If to women he be bent,
They have at commandement:
But if Fortune once do frown,
Then farewell his great renown
They that fawn'd on him before
Use his company no more.
He that is thy friend indeed,
He will help thee in thy need:
If thou sorrow, he will weep;
If thou wake, he cannot sleep;
Thus of every grief in heart
He with thee doth bear a part.
These are certain signs to know
Faithful friend from flattering foe.

12

Pericles
[IV, 0]

Gower

1493

Imagine Pericles arrived at Tyre,
Welcomed and settled to his own desire.
His woeful queen we leave at Ephesus,
Unto Diana there a votaress.
Now to Marina bend your mind,
Whom our fast-growing scene must find
At Tarsus, and by Cleon train'd
In music, letters; who hath gain'd
Of education all the grace,
Which makes her both the heart and place
Of general wonder. But, alack,
That monster envy, oft the wrack
Of earned praise, Marina's life
Seeks to take off by treason's knife.
And in this kind hath our Cleon
One daughter, and a wench full grown,
Even ripe for marriage-rite; this maid
Hight Philoten: and it is said
For certain in our story, she
Would ever with Marina be:
Be't when she weaved the sleided silk
With fingers long, small, white as milk;
Or when she would with sharp needle wound
The cambric, which she made more sound
By hurting it; or when to the lute
She sung, and made the night-bird mute,
That still records with moan; or when
She would with rich and constant pen
Vail to her mistress Dian; still
This Philoten contends in skill
With absolute Marina: so
With the dove of Paphos might the crow
Vie feathers white. Marina gets
All praises, which are paid as debts,
And not as given. This so darks
In Philoten all graceful marks,
That Cleon's wife, with envy rare,
A present murderer does prepare
For good Marina, that her daughter
Might stand peerless by this slaughter.
The sooner her vile thoughts to stead,
Lychorida, our nurse, is dead:
And cursed Dionyza hath
The pregnant instrument of wrath
Prest for this blow. The unborn event
I do commend to your content:
Only I carry winged time
Post on the lame feet of my rhyme;
Which never could I so convey,
Unless your thoughts went on my way.
Dionyza does appear,
With Leonine, a murderer.

13

Rape of Lucrece

Shakespeare

1025

'Disturb his hours of rest with restless trances,
Afflict him in his bed with bedrid groans;
Let there bechance him pitiful mischances,
To make him moan; but pity not his moans:
Stone him with harden'd hearts harder than stones;
And let mild women to him lose their mildness,
Wilder to him than tigers in their wildness.

14

Rape of Lucrece

Shakespeare

1411

But long she thinks till he return again,
And yet the duteous vassal scarce is gone.
The weary time she cannot entertain,
For now 'tis stale to sigh, to weep, and groan:
So woe hath wearied woe, moan tired moan,
That she her plaints a little while doth stay,
Pausing for means to mourn some newer way.

15

Richard III
[I, 2]

Richard III (Duke of Gloucester)

336

I would they were, that I might die at once;
For now they kill me with a living death.
Those eyes of thine from mine have drawn salt tears,
Shamed their aspect with store of childish drops:
These eyes that never shed remorseful tear,
No, when my father York and Edward wept,
To hear the piteous moan that Rutland made
When black-faced Clifford shook his sword at him;
Nor when thy warlike father, like a child,
Told the sad story of my father's death,
And twenty times made pause to sob and weep,
That all the standers-by had wet their cheeks
Like trees bedash'd with rain: in that sad time
My manly eyes did scorn an humble tear;
And what these sorrows could not thence exhale,
Thy beauty hath, and made them blind with weeping.
I never sued to friend nor enemy;
My tongue could never learn sweet smoothing word;
But now thy beauty is proposed my fee,
My proud heart sues, and prompts my tongue to speak.
[She looks scornfully at him]
Teach not thy lips such scorn, for they were made
For kissing, lady, not for such contempt.
If thy revengeful heart cannot forgive,
Lo, here I lend thee this sharp-pointed sword;
Which if thou please to hide in this true bosom.
And let the soul forth that adoreth thee,
I lay it naked to the deadly stroke,
And humbly beg the death upon my knee.
[He lays his breast open: she offers at it with his sword]
Nay, do not pause; for I did kill King Henry,
But 'twas thy beauty that provoked me.
Nay, now dispatch; 'twas I that stabb'd young Edward,
But 'twas thy heavenly face that set me on.
[Here she lets fall the sword]
Take up the sword again, or take up me.

16

Richard III
[II, 2]

Duke of Buckingham

1385

You cloudy princes and heart-sorrowing peers,
That bear this mutual heavy load of moan,
Now cheer each other in each other's love
Though we have spent our harvest of this king,
We are to reap the harvest of his son.
The broken rancour of your high-swoln hearts,
But lately splinter'd, knit, and join'd together,
Must gently be preserved, cherish'd, and kept:
Me seemeth good, that, with some little train,
Forthwith from Ludlow the young prince be fetch'd
Hither to London, to be crown'd our king.

17

Richard III
[IV, 4]

Queen Margaret

2841

Thou hadst a Clarence too, and Richard kill'd him.
From forth the kennel of thy womb hath crept
A hell-hound that doth hunt us all to death:
That dog, that had his teeth before his eyes,
To worry lambs and lap their gentle blood,
That foul defacer of God's handiwork,
That excellent grand tyrant of the earth,
That reigns in galled eyes of weeping souls,
Thy womb let loose, to chase us to our graves.
O upright, just, and true-disposing God,
How do I thank thee, that this carnal cur
Preys on the issue of his mother's body,
And makes her pew-fellow with others' moan!

18

Sonnet 30

Shakespeare

407

When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time's waste:
Then can I drown an eye, unused to flow,
For precious friends hid in death's dateless night,
And weep afresh love's long since cancell'd woe,
And moan the expense of many a vanish'd sight:
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before.
But if the while I think on thee, dear friend,
All losses are restored and sorrows end.

19

Sonnet 44

Shakespeare

603

If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote where thou dost stay.
No matter then although my foot did stand
Upon the farthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that so much of earth and water wrought
I must attend time's leisure with my moan,
Receiving nought by elements so slow
But heavy tears, badges of either's woe.

20

Sonnet 71

Shakespeare

981

No longer mourn for me when I am dead
Then you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world, with vilest worms to dwell:
Nay, if you read this line, remember not
The hand that writ it; for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O, if, I say, you look upon this verse
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse.
But let your love even with my life decay,
Lest the wise world should look into your moan
And mock you with me after I am gone.

] Back to the concordance menu