# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[V, 3]

Bertram

2725

Admiringly, my liege, at first
I stuck my choice upon her, ere my heart
Durst make too bold a herald of my tongue
Where the impression of mine eye infixing,
Contempt his scornful perspective did lend me,
Which warp'd the line of every other favour;
Scorn'd a fair colour, or express'd it stolen;
Extended or contracted all proportions
To a most hideous object: thence it came
That she whom all men praised and whom myself,
Since I have lost, have loved, was in mine eye
The dust that did offend it.

2

As You Like It
[IV, 3]

Oliver

2101

When last the young Orlando parted from you,
He left a promise to return again
Within an hour; and, pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! He threw his eye aside,
And mark what object did present itself.
Under an oak, whose boughs were moss'd with age,
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back. About his neck
A green and gilded snake had wreath'd itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush; under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead.
This seen, Orlando did approach the man,
And found it was his brother, his elder brother.

3

Comedy of Errors
[II, 2]

Adriana

499

Ay, ay, Antipholus, look strange and frown:
Some other mistress hath thy sweet aspects;
I am not Adriana nor thy wife.
The time was once when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savor'd in thy taste,
Unless I spake, or look'd, or touch'd, or carved to thee.
How comes it now, my husband, O, how comes it,
That thou art thus estranged from thyself?
Thyself I call it, being strange to me,
That, undividable, incorporate,
Am better than thy dear self's better part.
Ah, do not tear away thyself from me!
For know, my love, as easy mayest thou fall
A drop of water in the breaking gulf,
And take unmingled that same drop again,
Without addition or diminishing,
As take from me thyself and not me too.
How dearly would it touch me to the quick,
Shouldst thou but hear I were licentious
And that this body, consecrate to thee,
By ruffian lust should be contaminate!
Wouldst thou not spit at me and spurn at me
And hurl the name of husband in my face
And tear the stain'd skin off my harlot-brow
And from my false hand cut the wedding-ring
And break it with a deep-divorcing vow?
I know thou canst; and therefore see thou do it.
I am possess'd with an adulterate blot;
My blood is mingled with the crime of lust:
For if we too be one and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then far league and truce with thy true bed;
I live unstain'd, thou undishonoured.

4

Coriolanus
[I, 1]

First Citizen

13

We are accounted poor citizens, the patricians good.
What authority surfeits on would relieve us: if they
would yield us but the superfluity, while it were
wholesome, we might guess they relieved us humanely;
but they think we are too dear: the leanness that
afflicts us, the object of our misery, is as an
inventory to particularise their abundance; our
sufferance is a gain to them Let us revenge this with
our pikes, ere we become rakes: for the gods know I
speak this in hunger for bread, not in thirst for revenge.

5

Cymbeline
[I, 6]

Iachimo

722

Had I this cheek
To bathe my lips upon; this hand, whose touch,
Whose every touch, would force the feeler's soul
To the oath of loyalty; this object, which
Takes prisoner the wild motion of mine eye,
Fixing it only here; should I, damn'd then,
Slaver with lips as common as the stairs
That mount the Capitol; join gripes with hands
Made hard with hourly falsehood—falsehood, as
With labour; then by-peeping in an eye
Base and unlustrous as the smoky light
That's fed with stinking tallow; it were fit
That all the plagues of hell should at one time
Encounter such revolt.

6

Cymbeline
[V, 4]

First Brother

3199

When once he was mature for man,
In Britain where was he
That could stand up his parallel;
Or fruitful object be
In eye of Imogen, that best
Could deem his dignity?

7

Cymbeline
[V, 5]

Cymbeline

3839

O rare instinct!
When shall I hear all through? This fierce
abridgement
Hath to it circumstantial branches, which
Distinction should be rich in. Where? how lived You?
And when came you to serve our Roman captive?
How parted with your brothers? how first met them?
Why fled you from the court? and whither? These,
And your three motives to the battle, with
I know not how much more, should be demanded;
And all the other by-dependencies,
From chance to chance: but nor the time nor place
Will serve our long inter'gatories. See,
Posthumus anchors upon Imogen,
And she, like harmless lightning, throws her eye
On him, her brother, me, her master, hitting
Each object with a joy: the counterchange
Is severally in all. Let's quit this ground,
And smoke the temple with our sacrifices.
[To BELARIUS]
Thou art my brother; so we'll hold thee ever.

8

Hamlet
[I, 1]

Horatio

171

And then it started, like a guilty thing
Upon a fearful summons. I have heard
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and at his warning,
Whether in sea or fire, in earth or air,
Th' extravagant and erring spirit hies
To his confine; and of the truth herein
This present object made probation.

9

Henry IV, Part II
[IV, 5]

Henry IV

2951

The Prince hath ta'en it hence. Go, seek him out.
Is he so hasty that he doth suppose
My sleep my death?
Find him, my lord of Warwick; chide him hither.
[Exit WARWICK]
This part of his conjoins with my disease
And helps to end me. See, sons, what things you are!
How quickly nature falls into revolt
When gold becomes her object!
For this the foolish over-careful fathers
Have broke their sleep with thoughts,
Their brains with care, their bones with industry;
For this they have engrossed and pil'd up
The cank'red heaps of strange-achieved gold;
For this they have been thoughtful to invest
Their sons with arts and martial exercises;
When, like the bee, tolling from every flower
The virtuous sweets,
Our thighs with wax, our mouths with honey pack'd,
We bring it to the hive, and, like the bees,
Are murd'red for our pains. This bitter taste
Yields his engrossments to the ending father.
[Re-enter WARWICK]
Now where is he that will not stay so long
Till his friend sickness hath determin'd me?

10

Henry V
[Prologue, 1]

Chorus

2

O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth;
For 'tis your thoughts that now must deck our kings,
Carry them here and there; jumping o'er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.

11

Henry VI, Part I
[II, 4]

Earl of Warwick

1053

This blot that they object against your house
Shall be wiped out in the next parliament
Call'd for the truce of Winchester and Gloucester;
And if thou be not then created York,
I will not live to be accounted Warwick.
Meantime, in signal of my love to thee,
Against proud Somerset and William Pole,
Will I upon thy party wear this rose:
And here I prophesy: this brawl to-day,
Grown to this faction in the Temple-garden,
Shall send between the red rose and the white
A thousand souls to death and deadly night.

12

Henry VI, Part I
[III, 1]

Winchester

1221

Comest thou with deep premeditated lines,
With written pamphlets studiously devised,
Humphrey of Gloucester? If thou canst accuse,
Or aught intend'st to lay unto my charge,
Do it without invention, suddenly;
As I with sudden and extemporal speech
Purpose to answer what thou canst object.

13

Henry VI, Part III
[II, 2]

Queen Margaret

843

Welcome, my lord, to this brave town of York.
Yonder's the head of that arch-enemy
That sought to be encompass'd with your crown:
Doth not the object cheer your heart, my lord?

14

Henry VI, Part III
[V, 1]

George Plantagenet (Duke of Clarence)

2684

Father of Warwick, know you what this means?
[Taking his red rose out of his hat]
Look here, I throw my infamy at thee
I will not ruinate my father's house,
Who gave his blood to lime the stones together,
And set up Lancaster. Why, trow'st thou, Warwick,
That Clarence is so harsh, so blunt, unnatural,
To bend the fatal instruments of war
Against his brother and his lawful king?
Perhaps thou wilt object my holy oath:
To keep that oath were more impiety
Than Jephthah's, when he sacrificed his daughter.
I am so sorry for my trespass made
That, to deserve well at my brother's hands,
I here proclaim myself thy mortal foe,
With resolution, wheresoe'er I meet thee—
As I will meet thee, if thou stir abroad—
To plague thee for thy foul misleading me.
And so, proud-hearted Warwick, I defy thee,
And to my brother turn my blushing cheeks.
Pardon me, Edward, I will make amends:
And, Richard, do not frown upon my faults,
For I will henceforth be no more unconstant.

15

Henry VI, Part III
[V, 6]

Henry VI

3008

The bird that hath been limed in a bush,
With trembling wings misdoubteth every bush;
And I, the hapless male to one sweet bird,
Have now the fatal object in my eye
Where my poor young was limed, was caught and kill'd.

16

Henry VIII
[I, 1]

Duke of Buckingham

189

I read in's looks
Matter against me; and his eye reviled
Me, as his abject object: at this instant
He bores me with some trick: he's gone to the king;
I'll follow and outstare him.

17

Henry VIII
[III, 2]

Henry VIII

1999

If we did think
His contemplation were above the earth,
And fix'd on spiritual object, he should still
Dwell in his musings: but I am afraid
His thinkings are below the moon, not worth
His serious considering.
[King HENRY VIII takes his seat; whispers LOVELL,]
who goes to CARDINAL WOLSEY]

18

King John
[IV, 3]

Salisbury

2061

Sir Richard, what think you? have you beheld,
Or have you read or heard? or could you think?
Or do you almost think, although you see,
That you do see? could thought, without this object,
Form such another? This is the very top,
The height, the crest, or crest unto the crest,
Of murder's arms: this is the bloodiest shame,
The wildest savagery, the vilest stroke,
That ever wall-eyed wrath or staring rage
Presented to the tears of soft remorse.

19

King Lear
[I, 1]

King of France

232

This is most strange,
That she that even but now was your best object,
The argument of your praise, balm of your age,
Most best, most dearest, should in this trice of time
Commit a thing so monstrous to dismantle
So many folds of favour. Sure her offence
Must be of such unnatural degree
That monsters it, or your fore-vouch'd affection
Fall'n into taint; which to believe of her
Must be a faith that reason without miracle
Should never plant in me.

20

King Lear
[II, 3]

Edgar

1252

I heard myself proclaim'd,
And by the happy hollow of a tree
Escap'd the hunt. No port is free, no place
That guard and most unusual vigilance
Does not attend my taking. Whiles I may scape,
I will preserve myself; and am bethought
To take the basest and most poorest shape
That ever penury, in contempt of man,
Brought near to beast. My face I'll grime with filth,
Blanket my loins, elf all my hair in knots,
And with presented nakedness outface
The winds and persecutions of the sky.
The country gives me proof and precedent
Of Bedlam beggars, who, with roaring voices,
Strike in their numb'd and mortified bare arms
Pins, wooden pricks, nails, sprigs of rosemary;
And with this horrible object, from low farms,
Poor pelting villages, sheepcotes, and mills,
Sometime with lunatic bans, sometime with prayers,
Enforce their charity. 'Poor Turlygod! poor Tom!'
That's something yet! Edgar I nothing am. Exit.