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Farewell! thou art too dear for my possessing.

      — Sonnet XXXVII

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KEYWORD: pangs

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Cymbeline
[I, 1]

Queen

96

You know the peril.
I'll fetch a turn about the garden, pitying
The pangs of barr'd affections, though the king
Hath charged you should not speak together.

2

Cymbeline
[I, 1]

Imogen

169

I beseech you, sir,
Harm not yourself with your vexation
I am senseless of your wrath; a touch more rare
Subdues all pangs, all fears.

3

Hamlet
[III, 1]

Hamlet

1749

To be, or not to be- that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them. To die- to sleep-
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die- to sleep.
To sleep- perchance to dream: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despis'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death-
The undiscover'd country, from whose bourn
No traveller returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.- Soft you now!
The fair Ophelia!- Nymph, in thy orisons
Be all my sins rememb'red.

4

Henry IV, Part II
[IV, 4]

Prince Thomas

2870

No, no; he cannot long hold out these pangs.
Th' incessant care and labour of his mind
Hath wrought the mure that should confine it in
So thin that life looks through, and will break out.

5

Henry VI, Part II
[III, 3]

Earl of Warwick

2138

See, how the pangs of death do make him grin!

6

Henry VI, Part III
[II, 3]

Richard III (Duke of Gloucester)

1042

Ah, Warwick, why hast thou withdrawn thyself?
Thy brother's blood the thirsty earth hath drunk,
Broach'd with the steely point of Clifford's lance;
And in the very pangs of death he cried,
Like to a dismal clangour heard from far,
'Warwick, revenge! brother, revenge my death!'
So, underneath the belly of their steeds,
That stain'd their fetlocks in his smoking blood,
The noble gentleman gave up the ghost.

7

Henry VIII
[III, 2]

Cardinal Wolsey

2254

So farewell to the little good you bear me.
Farewell! a long farewell, to all my greatness!
This is the state of man: to-day he puts forth
The tender leaves of hopes; to-morrow blossoms,
And bears his blushing honours thick upon him;
The third day comes a frost, a killing frost,
And, when he thinks, good easy man, full surely
His greatness is a-ripening, nips his root,
And then he falls, as I do. I have ventured,
Like little wanton boys that swim on bladders,
This many summers in a sea of glory,
But far beyond my depth: my high-blown pride
At length broke under me and now has left me,
Weary and old with service, to the mercy
Of a rude stream, that must for ever hide me.
Vain pomp and glory of this world, I hate ye:
I feel my heart new open'd. O, how wretched
Is that poor man that hangs on princes' favours!
There is, betwixt that smile we would aspire to,
That sweet aspect of princes, and their ruin,
More pangs and fears than wars or women have:
And when he falls, he falls like Lucifer,
Never to hope again.
[Enter CROMWELL, and stands amazed]
Why, how now, Cromwell!

8

King John
[V, 4]

Salisbury

2537

We do believe thee: and beshrew my soul
But I do love the favour and the form
Of this most fair occasion, by the which
We will untread the steps of damned flight,
And like a bated and retired flood,
Leaving our rankness and irregular course,
Stoop low within those bounds we have o'erlook'd
And cabby run on in obedience
Even to our ocean, to our great King John.
My arm shall give thee help to bear thee hence;
For I do see the cruel pangs of death
Right in thine eye. Away, my friends! New flight;
And happy newness, that intends old right.

9

Lover's Complaint

Shakespeare

268

'When thou impressest, what are precepts worth
Of stale example? When thou wilt inflame,
How coldly those impediments stand forth
Of wealth, of filial fear, law, kindred, fame!
Love's arms are peace, 'gainst rule, 'gainst sense,
'gainst shame,
And sweetens, in the suffering pangs it bears,
The aloes of all forces, shocks, and fears.

10

Merry Wives of Windsor
[III, 5]

Falstaff

1832

Nay, you shall hear, Master Brook, what I have
suffered to bring this woman to evil for your good.
Being thus crammed in the basket, a couple of Ford's
knaves, his hinds, were called forth by their
mistress to carry me in the name of foul clothes to
Datchet-lane: they took me on their shoulders; met
the jealous knave their master in the door, who
asked them once or twice what they had in their
basket: I quaked for fear, lest the lunatic knave
would have searched it; but fate, ordaining he
should be a cuckold, held his hand. Well: on went he
for a search, and away went I for foul clothes. But
mark the sequel, Master Brook: I suffered the pangs
of three several deaths; first, an intolerable
fright, to be detected with a jealous rotten
bell-wether; next, to be compassed, like a good
bilbo, in the circumference of a peck, hilt to
point, heel to head; and then, to be stopped in,
like a strong distillation, with stinking clothes
that fretted in their own grease: think of that,—a
man of my kidney,—think of that,—that am as subject
to heat as butter; a man of continual dissolution
and thaw: it was a miracle to scape suffocation.
And in the height of this bath, when I was more than
half stewed in grease, like a Dutch dish, to be
thrown into the Thames, and cooled, glowing hot,
in that surge, like a horse-shoe; think of
that,—hissing hot,—think of that, Master Brook.

11

Pericles
[III, 1]

Pericles

1191

Thou god of this great vast, rebuke these surges,
Which wash both heaven and hell; and thou, that hast
Upon the winds command, bind them in brass,
Having call'd them from the deep! O, still
Thy deafening, dreadful thunders; gently quench
Thy nimble, sulphurous flashes! O, how, Lychorida,
How does my queen? Thou stormest venomously;
Wilt thou spit all thyself? The seaman's whistle
Is as a whisper in the ears of death,
Unheard. Lychorida!—Lucina, O
Divinest patroness, and midwife gentle
To those that cry by night, convey thy deity
Aboard our dancing boat; make swift the pangs
Of my queen's travails!
[Enter LYCHORIDA, with an Infant]
Now, Lychorida!

12

Timon of Athens
[V, 1]

Timon

2486

Commend me to them,
And tell them that, to ease them of their griefs,
Their fears of hostile strokes, their aches, losses,
Their pangs of love, with other incident throes
That nature's fragile vessel doth sustain
In life's uncertain voyage, I will some kindness do them:
I'll teach them to prevent wild Alcibiades' wrath.

13

Twelfth Night
[I, 5]

Malvolio

364

Yes, and shall do till the pangs of death shake him:
infirmity, that decays the wise, doth ever make the
better fool.

14

Twelfth Night
[II, 4]

Orsino

902

Seek him out, and play the tune the while.
[Exit CURIO. Music plays]
Come hither, boy: if ever thou shalt love,
In the sweet pangs of it remember me;
For such as I am all true lovers are,
Unstaid and skittish in all motions else,
Save in the constant image of the creature
That is beloved. How dost thou like this tune?

15

Twelfth Night
[III, 4]

Sir Toby Belch

1779

He is knight, dubbed with unhatched rapier and on
carpet consideration; but he is a devil in private
brawl: souls and bodies hath he divorced three; and
his incensement at this moment is so implacable,
that satisfaction can be none but by pangs of death
and sepulchre. Hob, nob, is his word; give't or take't.

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