# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 1]

King of France

665

I would I had; so I had broke thy pate,
And ask'd thee mercy for't.

2

Comedy of Errors
[I, 2]

Dromio of Ephesus

227

I pray you, air, as you sit at dinner:
I from my mistress come to you in post;
If I return, I shall be post indeed,
For she will score your fault upon my pate.
Methinks your maw, like mine, should be your clock,
And strike you home without a messenger.

3

Comedy of Errors
[I, 2]

Dromio of Ephesus

246

I have some marks of yours upon my pate,
Some of my mistress' marks upon my shoulders,
But not a thousand marks between you both.
If I should pay your worship those again,
Perchance you will not bear them patiently.

4

Comedy of Errors
[II, 1]

Adriana

351

Back, slave, or I will break thy pate across.

5

Comedy of Errors
[II, 2]

Dromio of Syracuse

461

Marry, sir, by a rule as plain as the plain bald
pate of father Time himself.

6

Comedy of Errors
[II, 2]

Adriana

608

Ay; and let none enter, lest I break your pate.

7

Comedy of Errors
[III, 1]

Dromio of Syracuse

706

[Within] Break any breaking here, and I'll break your
knave's pate.

8

Cymbeline
[II, 1]

First Lord

856

What got he by that? You have broke his pate with
your bowl.

9

Hamlet
[II, 2]

Hamlet

1620

Ay, so, God b' wi' ye!
[Exeunt Rosencrantz and Guildenstern]
Now I am alone.
O what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That, from her working, all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech;
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears.
Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing! No, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard and blows it in my face?
Tweaks me by th' nose? gives me the lie i' th' throat
As deep as to the lungs? Who does me this, ha?
'Swounds, I should take it! for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal. Bloody bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murther'd,
Prompted to my revenge by heaven and hell,
Must (like a whore) unpack my heart with words
And fall a-cursing like a very drab,
A scullion!
Fie upon't! foh! About, my brain! Hum, I have heard
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murther, though it have no tongue, will speak
With most miraculous organ, I'll have these Players
Play something like the murther of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If he but blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T' assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King. Exit.

10

Hamlet
[V, 1]

Hamlet

3418

That skull had a tongue in it, and could sing once. How the
knave jowls it to the ground,as if 'twere Cain's jawbone, that
did the first murther! This might be the pate of a Politician,
which this ass now o'erreaches; one that would circumvent God,
might it not?

11

Hamlet
[V, 1]

Hamlet

3440

There's another. Why may not that be the skull of a lawyer?
Where be his quiddits now, his quillets, his cases, his tenures,
and his tricks? Why does he suffer this rude knave now to knock
him about the sconce with a dirty shovel, and will not tell him
of his action of battery? Hum! This fellow might be in's time a
great buyer of land, with his statutes, his recognizances, his
fines, his double vouchers, his recoveries. Is this the fine of
his fines, and the recovery of his recoveries, to have his fine
pate full of fine dirt? Will his vouchers vouch him no more of
his purchases, and double ones too, than the length and breadth
of a pair of indentures? The very conveyances of his lands will
scarcely lie in this box; and must th' inheritor himself have no
more, ha?

12

Hamlet
[V, 1]

Hamlet

3618

'Swounds, show me what thou't do.
Woo't weep? woo't fight? woo't fast? woo't tear thyself?
Woo't drink up esill? eat a crocodile?
I'll do't. Dost thou come here to whine?
To outface me with leaping in her grave?
Be buried quick with her, and so will I.
And if thou prate of mountains, let them throw
Millions of acres on us, till our ground,
Singeing his pate against the burning zone,
Make Ossa like a wart! Nay, an thou'lt mouth,
I'll rant as well as thou.

13

Henry IV, Part I
[II, 1]

First Carrier

667

God's body! the turkeys in my pannier are quite
starved. What, ostler! A plague on thee! hast thou
never an eye in thy head? canst not hear? An
'twere not as good deed as drink, to break the pate
on thee, I am a very villain. Come, and be hanged!
hast thou no faith in thee?

14

Henry IV, Part I
[V, 3]

Falstaff

2914

Though I could 'scape shot-free at London, I fear
the shot here; here's no scoring but upon the pate.
Soft! who are you? Sir Walter Blunt: there's honour
for you! here's no vanity! I am as hot as moulten
lead, and as heavy too: God keep lead out of me! I
need no more weight than mine own bowels. I have
led my ragamuffins where they are peppered: there's
not three of my hundred and fifty left alive; and
they are for the town's end, to beg during life.
But who comes here?

15

Henry V
[IV, 1]

Pistol

1900

Tell him, I'll knock his leek about his pate
Upon Saint Davy's day.

16

Henry V
[V, 1]

Fluellen

2927

I say, I will make him eat some part of my leek, or
I will peat his pate four days. Bite, I pray you; it
is good for your green wound and your ploody coxcomb.

17

Henry V
[V, 1]

Fluellen

2943

Ay, leeks is good: hold you, there is a groat to
heal your pate.

18

Henry V
[V, 1]

Fluellen

2949

If I owe you any thing, I will pay you in cudgels:
you shall be a woodmonger, and buy nothing of me but
cudgels. God b' wi' you, and keep you, and heal your pate.

19

Henry V
[V, 2]

Henry V

3114

Marry, if you would put me to verses or to dance for
your sake, Kate, why you undid me: for the one, I
have neither words nor measure, and for the other, I
have no strength in measure, yet a reasonable
measure in strength. If I could win a lady at
leap-frog, or by vaulting into my saddle with my
armour on my back, under the correction of bragging
be it spoken. I should quickly leap into a wife.
Or if I might buffet for my love, or bound my horse
for her favours, I could lay on like a butcher and
sit like a jack-an-apes, never off. But, before God,
Kate, I cannot look greenly nor gasp out my
eloquence, nor I have no cunning in protestation;
only downright oaths, which I never use till urged,
nor never break for urging. If thou canst love a
fellow of this temper, Kate, whose face is not worth
sun-burning, that never looks in his glass for love
of any thing he sees there, let thine eye be thy
cook. I speak to thee plain soldier: If thou canst
love me for this, take me: if not, to say to thee
that I shall die, is true; but for thy love, by the
Lord, no; yet I love thee too. And while thou
livest, dear Kate, take a fellow of plain and
uncoined constancy; for he perforce must do thee
right, because he hath not the gift to woo in other
places: for these fellows of infinite tongue, that
can rhyme themselves into ladies' favours, they do
always reason themselves out again. What! a
speaker is but a prater; a rhyme is but a ballad. A
good leg will fall; a straight back will stoop; a
black beard will turn white; a curled pate will grow
bald; a fair face will wither; a full eye will wax
hollow: but a good heart, Kate, is the sun and the
moon; or, rather, the sun, and not the moon; for it
shines bright and never changes, but keeps his
course truly. If thou would have such a one, take
me; and take me, take a soldier; take a soldier,
take a king. And what sayest thou then to my love?
speak, my fair, and fairly, I pray thee.

20

Henry VI, Part I
[III, 1]

Lord Mayor of London

1303

O, my good lords, and virtuous Henry,
Pity the city of London, pity us!
The bishop and the Duke of Gloucester's men,
Forbidden late to carry any weapon,
Have fill'd their pockets full of pebble stones
And banding themselves in contrary parts
Do pelt so fast at one another's pate
That many have their giddy brains knock'd out:
Our windows are broke down in every street
And we for fear compell'd to shut our shops.