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The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.

      — The Merchant of Venice, Act V, Scene 1

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1-4 of 4 total

KEYWORD: petitioners

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tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VI, Part II
[I, 3]

(stage directions)

386

[Enter three or four Petitioners, PETER, the]
Armourer's man, being one]

2

Henry VI, Part III
[V, 5]

Queen Margaret

2975

Ay, but thou usest to forswear thyself:
'Twas sin before, but now 'tis charity.
What, wilt thou not? Where is that devil's butcher,
Hard-favour'd Richard? Richard, where art thou?
Thou art not here: murder is thy alms-deed;
Petitioners for blood thou ne'er put'st back.

3

Taming of the Shrew
[II, 1]

Gremio

913

Saving your tale, Petruchio, I pray,
Let us that are poor petitioners speak too.
Bacare! you are marvellous forward.

4

Venus and Adonis

Shakespeare

375

O, what a war of looks was then between them!
Her eyes petitioners to his eyes suing;
His eyes saw her eyes as they had not seen them;
Her eyes woo'd still, his eyes disdain'd the wooing:
And all this dumb play had his acts made plain
With tears, which, chorus-like, her eyes did rain.

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