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A good old man, sir; he will be talking: as they say, When the age is in the wit is out.

      — Much Ado about Nothing, Act III Scene 5

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1-3 of 3 total

KEYWORD: properer

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[III, 5]

Rosalind

1688

[Advancing] And why, I pray you? Who might be your
mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty-
As, by my faith, I see no more in you
Than without candle may go dark to bed-
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's sale-work. 'Od's my little life,
I think she means to tangle my eyes too!
No faith, proud mistress, hope not after it;
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south, puffing with wind and rain?
You are a thousand times a properer man
Than she a woman. 'Tis such fools as you
That makes the world full of ill-favour'd children.
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself. Down on your knees,
And thank heaven, fasting, for a good man's love;
For I must tell you friendly in your ear:
Sell when you can; you are not for all markets.
Cry the man mercy, love him, take his offer;
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd. Fare you well.

2

Romeo and Juliet
[II, 4]

Nurse

1352

Well, sir; my mistress is the sweetest lady—Lord,
Lord! when 'twas a little prating thing:—O, there
is a nobleman in town, one Paris, that would fain
lay knife aboard; but she, good soul, had as lief
see a toad, a very toad, as see him. I anger her
sometimes and tell her that Paris is the properer
man; but, I'll warrant you, when I say so, she looks
as pale as any clout in the versal world. Doth not
rosemary and Romeo begin both with a letter?

3

Timon of Athens
[I, 2]

Timon

426

O, no doubt, my good friends, but the gods
themselves have provided that I shall have much help
from you: how had you been my friends else? why
have you that charitable title from thousands, did
not you chiefly belong to my heart? I have told
more of you to myself than you can with modesty
speak in your own behalf; and thus far I confirm
you. O you gods, think I, what need we have any
friends, if we should ne'er have need of 'em? they
were the most needless creatures living, should we
ne'er have use for 'em, and would most resemble
sweet instruments hung up in cases that keep their
sounds to themselves. Why, I have often wished
myself poorer, that I might come nearer to you. We
are born to do benefits: and what better or
properer can we can our own than the riches of our
friends? O, what a precious comfort 'tis, to have
so many, like brothers, commanding one another's
fortunes! O joy, e'en made away ere 't can be born!
Mine eyes cannot hold out water, methinks: to
forget their faults, I drink to you.

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