# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part I
[IV, 2]

Falstaff

2378

If I be not ashamed of my soldiers, I am a soused
gurnet. I have misused the king's press damnably.
I have got, in exchange of a hundred and fifty
soldiers, three hundred and odd pounds. I press me
none but good house-holders, yeoman's sons; inquire
me out contracted bachelors, such as had been asked
twice on the banns; such a commodity of warm slaves,
as had as lieve hear the devil as a drum; such as
fear the report of a caliver worse than a struck
fowl or a hurt wild-duck. I pressed me none but such
toasts-and-butter, with hearts in their bellies no
bigger than pins' heads, and they have bought out
their services; and now my whole charge consists of
ancients, corporals, lieutenants, gentlemen of
companies, slaves as ragged as Lazarus in the
painted cloth, where the glutton's dogs licked his
sores; and such as indeed were never soldiers, but
discarded unjust serving-men, younger sons to
younger brothers, revolted tapsters and ostlers
trade-fallen, the cankers of a calm world and a
long peace, ten times more dishonourable ragged than
an old faced ancient: and such have I, to fill up
the rooms of them that have bought out their
services, that you would think that I had a hundred
and fifty tattered prodigals lately come from
swine-keeping, from eating draff and husks. A mad
fellow met me on the way and told me I had unloaded
all the gibbets and pressed the dead bodies. No eye
hath seen such scarecrows. I'll not march through
Coventry with them, that's flat: nay, and the
villains march wide betwixt the legs, as if they had
gyves on; for indeed I had the most of them out of
prison. There's but a shirt and a half in all my
company; and the half shirt is two napkins tacked
together and thrown over the shoulders like an
herald's coat without sleeves; and the shirt, to say
the truth, stolen from my host at Saint Alban's, or
the red-nose innkeeper of Daventry. But that's all
one; they'll find linen enough on every hedge.

2

Henry VI, Part III
[III, 2]

Richard III (Duke of Gloucester)

1613

Ay, Edward will use women honourably.
Would he were wasted, marrow, bones and all,
That from his loins no hopeful branch may spring,
To cross me from the golden time I look for!
And yet, between my soul's desire and me—
The lustful Edward's title buried—
Is Clarence, Henry, and his son young Edward,
And all the unlook'd for issue of their bodies,
To take their rooms, ere I can place myself:
A cold premeditation for my purpose!
Why, then, I do but dream on sovereignty;
Like one that stands upon a promontory,
And spies a far-off shore where he would tread,
Wishing his foot were equal with his eye,
And chides the sea that sunders him from thence,
Saying, he'll lade it dry to have his way:
So do I wish the crown, being so far off;
And so I chide the means that keeps me from it;
And so I say, I'll cut the causes off,
Flattering me with impossibilities.
My eye's too quick, my heart o'erweens too much,
Unless my hand and strength could equal them.
Well, say there is no kingdom then for Richard;
What other pleasure can the world afford?
I'll make my heaven in a lady's lap,
And deck my body in gay ornaments,
And witch sweet ladies with my words and looks.
O miserable thought! and more unlikely
Than to accomplish twenty golden crowns!
Why, love forswore me in my mother's womb:
And, for I should not deal in her soft laws,
She did corrupt frail nature with some bribe,
To shrink mine arm up like a wither'd shrub;
To make an envious mountain on my back,
Where sits deformity to mock my body;
To shape my legs of an unequal size;
To disproportion me in every part,
Like to a chaos, or an unlick'd bear-whelp
That carries no impression like the dam.
And am I then a man to be beloved?
O monstrous fault, to harbour such a thought!
Then, since this earth affords no joy to me,
But to command, to cheque, to o'erbear such
As are of better person than myself,
I'll make my heaven to dream upon the crown,
And, whiles I live, to account this world but hell,
Until my mis-shaped trunk that bears this head
Be round impaled with a glorious crown.
And yet I know not how to get the crown,
For many lives stand between me and home:
And I,—like one lost in a thorny wood,
That rends the thorns and is rent with the thorns,
Seeking a way and straying from the way;
Not knowing how to find the open air,
But toiling desperately to find it out,—
Torment myself to catch the English crown:
And from that torment I will free myself,
Or hew my way out with a bloody axe.
Why, I can smile, and murder whiles I smile,
And cry 'Content' to that which grieves my heart,
And wet my cheeks with artificial tears,
And frame my face to all occasions.
I'll drown more sailors than the mermaid shall;
I'll slay more gazers than the basilisk;
I'll play the orator as well as Nestor,
Deceive more slily than Ulysses could,
And, like a Sinon, take another Troy.
I can add colours to the chameleon,
Change shapes with Proteus for advantages,
And set the murderous Machiavel to school.
Can I do this, and cannot get a crown?
Tut, were it farther off, I'll pluck it down.

3

Much Ado about Nothing
[I, 1]

Claudio

268

O, my lord,
When you went onward on this ended action,
I look'd upon her with a soldier's eye,
That liked, but had a rougher task in hand
Than to drive liking to the name of love:
But now I am return'd and that war-thoughts
Have left their places vacant, in their rooms
Come thronging soft and delicate desires,
All prompting me how fair young Hero is,
Saying, I liked her ere I went to wars.