# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Parolles

207

I am so full of businesses, I cannot answer thee
acutely. I will return perfect courtier; in the
which, my instruction shall serve to naturalize
thee, so thou wilt be capable of a courtier's
counsel and understand what advice shall thrust upon
thee; else thou diest in thine unthankfulness, and
thine ignorance makes thee away: farewell. When
thou hast leisure, say thy prayers; when thou hast
none, remember thy friends; get thee a good husband,
and use him as he uses thee; so, farewell.

2

All's Well That Ends Well
[II, 5]

Lafeu

1291

A good traveller is something at the latter end of a
dinner; but one that lies three thirds and uses a
known truth to pass a thousand nothings with, should
be once heard and thrice beaten. God save you, captain.

3

As You Like It
[II, 1]

Duke

548

Now, my co-mates and brothers in exile,
Hath not old custom made this life more sweet
Than that of painted pomp? Are not these woods
More free from peril than the envious court?
Here feel we not the penalty of Adam,
The seasons' difference; as the icy fang
And churlish chiding of the winter's wind,
Which when it bites and blows upon my body,
Even till I shrink with cold, I smile and say
'This is no flattery; these are counsellors
That feelingly persuade me what I am.'
Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in everything.
I would not change it.

4

As You Like It
[V, 4]

Duke

2498

He uses his folly like a stalking-horse, and under the
presentation of that he shoots his wit.
[Enter HYMEN, ROSALIND, and CELIA. Still MUSIC]
HYMEN. Then is there mirth in heaven,
When earthly things made even
Atone together.
Good Duke, receive thy daughter;
Hymen from heaven brought her,
Yea, brought her hither,
That thou mightst join her hand with his,
Whose heart within his bosom is.

5

Hamlet
[I, 2]

Hamlet

333

O that this too too solid flesh would melt,
Thaw, and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat, and unprofitable
Seem to me all the uses of this world!
Fie on't! ah, fie! 'Tis an unweeded garden
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead! Nay, not so much, not two.
So excellent a king, that was to this
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? Why, she would hang on him
As if increase of appetite had grown
By what it fed on; and yet, within a month-
Let me not think on't! Frailty, thy name is woman!-
A little month, or ere those shoes were old
With which she followed my poor father's body
Like Niobe, all tears- why she, even she
(O God! a beast that wants discourse of reason
Would have mourn'd longer) married with my uncle;
My father's brother, but no more like my father
Than I to Hercules. Within a month,
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not, nor it cannot come to good.
But break my heart, for I must hold my tongue!

6

Hamlet
[III, 2]

Hamlet

1914

O, reform it altogether! And let those that play your clowns
speak no more than is set down for them. For there be of them
that will themselves laugh, to set on some quantity of barren
spectators to laugh too, though in the mean time some necessary
question of the play be then to be considered. That's villanous
and shows a most pitiful ambition in the fool that uses it. Go
make you ready.
[Exeunt Players.]
[Enter Polonius, Rosencrantz, and Guildenstern.]
How now, my lord? Will the King hear this piece of work?

7

Hamlet
[V, 1]

Hamlet

3532

To what base uses we may return, Horatio! Why may not
imagination trace the noble dust of Alexander till he find it
stopping a bunghole?

8

Henry IV, Part II
[V, 3]

Falstaff

3405

This Davy serves you for good uses; he is your
serving-man and your husband.

9

King John
[IV, 1]

Arthur

1702

An if you do, you will but make it blush
And glow with shame of your proceedings, Hubert:
Nay, it perchance will sparkle in your eyes;
And like a dog that is compell'd to fight,
Snatch at his master that doth tarre him on.
All things that you should use to do me wrong
Deny their office: only you do lack
That mercy which fierce fire and iron extends,
Creatures of note for mercy-lacking uses.

10

Othello
[III, 3]

Othello

1919

This fellow's of exceeding honesty,
And knows all qualities, with a learned spirit,
Of human dealings. If I do prove her haggard,
Though that her jesses were my dear heartstrings,
I'ld whistle her off and let her down the wind,
To pray at fortune. Haply, for I am black
And have not those soft parts of conversation
That chamberers have, or for I am declined
Into the vale of years,—yet that's not much—
She's gone. I am abused; and my relief
Must be to loathe her. O curse of marriage,
That we can call these delicate creatures ours,
And not their appetites! I had rather be a toad,
And live upon the vapour of a dungeon,
Than keep a corner in the thing I love
For others' uses. Yet, 'tis the plague of great ones;
Prerogatived are they less than the base;
'Tis destiny unshunnable, like death:
Even then this forked plague is fated to us
When we do quicken. Desdemona comes:
[Re-enter DESDEMONA and EMILIA]
If she be false, O, then heaven mocks itself!
I'll not believe't.

11

Othello
[IV, 3]

Desdemona

3132

Good night, good night: heaven me such uses send,
Not to pick bad from bad, but by bad mend!

12

Timon of Athens
[II, 1]

Senator

643

Get on your cloak, and haste you to Lord Timon;
Importune him for my moneys; be not ceased
With slight denial, nor then silenced when—
'Commend me to your master'—and the cap
Plays in the right hand, thus: but tell him,
My uses cry to me, I must serve my turn
Out of mine own; his days and times are past
And my reliances on his fracted dates
Have smit my credit: I love and honour him,
But must not break my back to heal his finger;
Immediate are my needs, and my relief
Must not be toss'd and turn'd to me in words,
But find supply immediate. Get you gone:
Put on a most importunate aspect,
A visage of demand; for, I do fear,
When every feather sticks in his own wing,
Lord Timon will be left a naked gull,
Which flashes now a phoenix. Get you gone.

13

Troilus and Cressida
[V, 1]

Thersites

3033

That same Diomed's a false-hearted rogue, a most
unjust knave; I will no more trust him when he leers
than I will a serpent when he hisses: he will spend
his mouth, and promise, like Brabbler the hound:
but when he performs, astronomers foretell it; it
is prodigious, there will come some change; the sun
borrows of the moon, when Diomed keeps his
word. I will rather leave to see Hector, than
not to dog him: they say he keeps a Trojan
drab, and uses the traitor Calchas' tent: I'll
after. Nothing but lechery! all incontinent varlets!

14

Twelfth Night
[II, 5]

Malvolio

1052

'Tis but fortune; all is fortune. Maria once told
me she did affect me: and I have heard herself come
thus near, that, should she fancy, it should be one
of my complexion. Besides, she uses me with a more
exalted respect than any one else that follows her.
What should I think on't?

15

Twelfth Night
[II, 5]

Malvolio

1115

[Reads] 'To the unknown beloved, this, and my good
wishes:'—her very phrases! By your leave, wax.
Soft! and the impressure her Lucrece, with which she
uses to seal: 'tis my lady. To whom should this be?

16

Twelfth Night
[III, 4]

Sir Toby Belch

1697

[Reads] 'Thou comest to the lady Olivia, and in my
sight she uses thee kindly: but thou liest in thy
throat; that is not the matter I challenge thee for.'