# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Coriolanus
[III, 1]

Titus Lartius

1736

On safe-guard he came to me; and did curse
Against the Volsces, for they had so vilely
Yielded the town: he is retired to Antium.

2

Cymbeline
[V, 5]

Iachimo

3587

Your daughter's chastity—there it begins.
He spake of her, as Dian had hot dreams,
And she alone were cold: whereat I, wretch,
Made scruple of his praise; and wager'd with him
Pieces of gold 'gainst this which then he wore
Upon his honour'd finger, to attain
In suit the place of's bed and win this ring
By hers and mine adultery. He, true knight,
No lesser of her honour confident
Than I did truly find her, stakes this ring;
And would so, had it been a carbuncle
Of Phoebus' wheel, and might so safely, had it
Been all the worth of's car. Away to Britain
Post I in this design: well may you, sir,
Remember me at court; where I was taught
Of your chaste daughter the wide difference
'Twixt amorous and villanous. Being thus quench'd
Of hope, not longing, mine Italian brain
'Gan in your duller Britain operate
Most vilely; for my vantage, excellent:
And, to be brief, my practise so prevail'd,
That I return'd with simular proof enough
To make the noble Leonatus mad,
By wounding his belief in her renown
With tokens thus, and thus; averting notes
Of chamber-hanging, pictures, this her bracelet,—
O cunning, how I got it!—nay, some marks
Of secret on her person, that he could not
But think her bond of chastity quite crack'd,
I having ta'en the forfeit. Whereupon—
Methinks, I see him now—

3

Henry IV, Part I
[III, 3]

Falstaff

2008

Bardolph, am I not fallen away vilely since this last
action? do I not bate? do I not dwindle? Why my
skin hangs about me like an like an old lady's loose
gown; I am withered like an old apple-john. Well,
I'll repent, and that suddenly, while I am in some
liking; I shall be out of heart shortly, and then I
shall have no strength to repent. An I have not
forgotten what the inside of a church is made of, I
am a peppercorn, a brewer's horse: the inside of a
church! Company, villanous company, hath been the
spoil of me.

4

Henry IV, Part I
[III, 3]

Hostess Quickly

2116

So I told him, my lord; and I said I heard your
grace say so: and, my lord, he speaks most vilely
of you, like a foul-mouthed man as he is; and said
he would cudgel you.

5

Henry IV, Part II
[II, 2]

Henry V

949

Faith, it does me; though it discolours the complexion
my greatness to acknowledge it. Doth it not show vilely in me
desire small beer?

6

Henry IV, Part II
[II, 4]

Henry V

1594

YOU whoreson candle-mine, you, how vilely did you speak
me even now before this honest, virtuous, civil gentlewoman!

7

Julius Caesar
[IV, 3]

Cassius

2126

Ha, ha! how vilely doth this cynic rhyme!

8

Love's Labour's Lost
[V, 2]

Katharine

1931

Yes, madam, and moreover
Some thousand verses of a faithful lover,
A huge translation of hypocrisy,
Vilely compiled, profound simplicity.

9

Love's Labour's Lost
[V, 2]

Rosaline

2214

Good madam, if by me you'll be advised,
Let's, mock them still, as well known as disguised:
Let us complain to them what fools were here,
Disguised like Muscovites, in shapeless gear;
And wonder what they were and to what end
Their shallow shows and prologue vilely penn'd
And their rough carriage so ridiculous,
Should be presented at our tent to us.

10

Merchant of Venice
[I, 2]

Portia

276

Very vilely in the morning, when he is sober, and
most vilely in the afternoon, when he is drunk: when
he is best, he is a little worse than a man, and
when he is worst, he is little better than a beast:
and the worst fall that ever fell, I hope I shall
make shift to go without him.

11

Much Ado about Nothing
[I, 1]

Benedick

236

The savage bull may; but if ever the sensible
Benedick bear it, pluck off the bull's horns and set
them in my forehead: and let me be vilely painted,
and in such great letters as they write 'Here is
good horse to hire,' let them signify under my sign
'Here you may see Benedick the married man.'

12

Much Ado about Nothing
[III, 1]

Hero

1137

Why, you speak truth. I never yet saw man,
How wise, how noble, young, how rarely featured,
But she would spell him backward: if fair-faced,
She would swear the gentleman should be her sister;
If black, why, Nature, drawing of an antique,
Made a foul blot; if tall, a lance ill-headed;
If low, an agate very vilely cut;
If speaking, why, a vane blown with all winds;
If silent, why, a block moved with none.
So turns she every man the wrong side out
And never gives to truth and virtue that
Which simpleness and merit purchaseth.

13

Much Ado about Nothing
[III, 3]

Borachio

1456

Not so, neither: but know that I have to-night
wooed Margaret, the Lady Hero's gentlewoman, by the
name of Hero: she leans me out at her mistress'
chamber-window, bids me a thousand times good
night,—I tell this tale vilely:—I should first
tell thee how the prince, Claudio and my master,
planted and placed and possessed by my master Don
John, saw afar off in the orchard this amiable encounter.

14

Pericles
[IV, 6]

Lysimachus

2050

For me, be you thoughten
That I came with no ill intent; for to me
The very doors and windows savour vilely.
Fare thee well. Thou art a piece of virtue, and
I doubt not but thy training hath been noble.
Hold, here's more gold for thee.
A curse upon him, die he like a thief,
That robs thee of thy goodness! If thou dost
Hear from me, it shall be for thy good.

15

Winter's Tale
[IV, 4]

Perdita

1874

Now Jove afford you cause!
To me the difference forges dread; your greatness
Hath not been used to fear. Even now I tremble
To think your father, by some accident,
Should pass this way as you did: O, the Fates!
How would he look, to see his work so noble
Vilely bound up? What would he say? Or how
Should I, in these my borrow'd flaunts, behold
The sternness of his presence?