# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

As You Like It
[I, 2]

Le Beau

247

The eldest of the three wrestled with Charles, the Duke's
wrestler; which Charles in a moment threw him, and broke three of
his ribs, that there is little hope of life in him. So he serv'd
the second, and so the third. Yonder they lie; the poor old man,
their father, making such pitiful dole over them that all the
beholders take his part with weeping.

2

As You Like It
[II, 1]

First Lord

595

O, yes, into a thousand similes.
First, for his weeping into the needless stream:
'Poor deer,' quoth he 'thou mak'st a testament
As worldlings do, giving thy sum of more
To that which had too much.' Then, being there alone,
Left and abandoned of his velvet friends:
'Tis right'; quoth he 'thus misery doth part
The flux of company.' Anon, a careless herd,
Full of the pasture, jumps along by him
And never stays to greet him. 'Ay,' quoth Jaques
'Sweep on, you fat and greasy citizens;
'Tis just the fashion. Wherefore do you look
Upon that poor and broken bankrupt there?'
Thus most invectively he pierceth through
The body of the country, city, court,
Yea, and of this our life; swearing that we
Are mere usurpers, tyrants, and what's worse,
To fright the animals, and to kill them up
In their assign'd and native dwelling-place.

3

As You Like It
[II, 1]

Second Lord

615

We did, my lord, weeping and commenting
Upon the sobbing deer.

4

As You Like It
[II, 4]

Touchstone

763

And I mine. I remember, when I was in love, I broke my
sword upon a stone, and bid him take that for coming a-night to
Jane Smile; and I remember the kissing of her batler, and the
cow's dugs that her pretty chapt hands had milk'd; and I remember
the wooing of peascod instead of her; from whom I took two cods,
and giving her them again, said with weeping tears 'Wear these
for my sake.' We that are true lovers run into strange capers;
but as all is mortal in nature, so is all nature in love mortal
in folly.

5

Comedy of Errors
[I, 1]

Aegeon

33

A heavier task could not have been imposed
Than I to speak my griefs unspeakable:
Yet, that the world may witness that my end
Was wrought by nature, not by vile offence,
I'll utter what my sorrows give me leave.
In Syracusa was I born, and wed
Unto a woman, happy but for me,
And by me, had not our hap been bad.
With her I lived in joy; our wealth increased
By prosperous voyages I often made
To Epidamnum; till my factor's death
And the great care of goods at random left
Drew me from kind embracements of my spouse:
From whom my absence was not six months old
Before herself, almost at fainting under
The pleasing punishment that women bear,
Had made provision for her following me
And soon and safe arrived where I was.
There had she not been long, but she became
A joyful mother of two goodly sons;
And, which was strange, the one so like the other,
As could not be distinguish'd but by names.
That very hour, and in the self-same inn,
A meaner woman was delivered
Of such a burden, male twins, both alike:
Those,—for their parents were exceeding poor,—
I bought and brought up to attend my sons.
My wife, not meanly proud of two such boys,
Made daily motions for our home return:
Unwilling I agreed. Alas! too soon,
We came aboard.
A league from Epidamnum had we sail'd,
Before the always wind-obeying deep
Gave any tragic instance of our harm:
But longer did we not retain much hope;
For what obscured light the heavens did grant
Did but convey unto our fearful minds
A doubtful warrant of immediate death;
Which though myself would gladly have embraced,
Yet the incessant weepings of my wife,
Weeping before for what she saw must come,
And piteous plainings of the pretty babes,
That mourn'd for fashion, ignorant what to fear,
Forced me to seek delays for them and me.
And this it was, for other means was none:
The sailors sought for safety by our boat,
And left the ship, then sinking-ripe, to us:
My wife, more careful for the latter-born,
Had fasten'd him unto a small spare mast,
Such as seafaring men provide for storms;
To him one of the other twins was bound,
Whilst I had been like heedful of the other:
The children thus disposed, my wife and I,
Fixing our eyes on whom our care was fix'd,
Fasten'd ourselves at either end the mast;
And floating straight, obedient to the stream,
Was carried towards Corinth, as we thought.
At length the sun, gazing upon the earth,
Dispersed those vapours that offended us;
And by the benefit of his wished light,
The seas wax'd calm, and we discovered
Two ships from far making amain to us,
Of Corinth that, of Epidaurus this:
But ere they came,—O, let me say no more!
Gather the sequel by that went before.

6

Comedy of Errors
[II, 1]

Adriana

377

Unfeeling fools can with such wrongs dispense.
I know his eye doth homage otherwhere,
Or else what lets it but he would be here?
Sister, you know he promised me a chain;
Would that alone, alone he would detain,
So he would keep fair quarter with his bed!
I see the jewel best enamelled
Will lose his beauty; yet the gold bides still,
That others touch, and often touching will
Wear gold: and no man that hath a name,
By falsehood and corruption doth it shame.
Since that my beauty cannot please his eye,
I'll weep what's left away, and weeping die.

7

Comedy of Errors
[III, 2]

Antipholus of Syracuse

791

Sweet mistress—what your name is else, I know not,
Nor by what wonder you do hit of mine,—
Less in your knowledge and your grace you show not
Than our earth's wonder, more than earth divine.
Teach me, dear creature, how to think and speak;
Lay open to my earthy-gross conceit,
Smother'd in errors, feeble, shallow, weak,
The folded meaning of your words' deceit.
Against my soul's pure truth why labour you
To make it wander in an unknown field?
Are you a god? would you create me new?
Transform me then, and to your power I'll yield.
But if that I am I, then well I know
Your weeping sister is no wife of mine,
Nor to her bed no homage do I owe
Far more, far more to you do I decline.
O, train me not, sweet mermaid, with thy note,
To drown me in thy sister's flood of tears:
Sing, siren, for thyself and I will dote:
Spread o'er the silver waves thy golden hairs,
And as a bed I'll take them and there lie,
And in that glorious supposition think
He gains by death that hath such means to die:
Let Love, being light, be drowned if she sink!

8

Coriolanus
[IV, 2]

Volumnia

2608

If that I could for weeping, you should hear,—
Nay, and you shall hear some.
[To BRUTUS]
Will you be gone?

9

Coriolanus
[V, 3]

Volumnia

3642

Nay, go not from us thus.
If it were so that our request did tend
To save the Romans, thereby to destroy
The Volsces whom you serve, you might condemn us,
As poisonous of your honour: no; our suit
Is that you reconcile them: while the Volsces
May say 'This mercy we have show'd;' the Romans,
'This we received;' and each in either side
Give the all-hail to thee and cry 'Be blest
For making up this peace!' Thou know'st, great son,
The end of war's uncertain, but this certain,
That, if thou conquer Rome, the benefit
Which thou shalt thereby reap is such a name,
Whose repetition will be dogg'd with curses;
Whose chronicle thus writ: 'The man was noble,
But with his last attempt he wiped it out;
Destroy'd his country, and his name remains
To the ensuing age abhorr'd.' Speak to me, son:
Thou hast affected the fine strains of honour,
To imitate the graces of the gods;
To tear with thunder the wide cheeks o' the air,
And yet to charge thy sulphur with a bolt
That should but rive an oak. Why dost not speak?
Think'st thou it honourable for a noble man
Still to remember wrongs? Daughter, speak you:
He cares not for your weeping. Speak thou, boy:
Perhaps thy childishness will move him more
Than can our reasons. There's no man in the world
More bound to 's mother; yet here he lets me prate
Like one i' the stocks. Thou hast never in thy life
Show'd thy dear mother any courtesy,
When she, poor hen, fond of no second brood,
Has cluck'd thee to the wars and safely home,
Loaden with honour. Say my request's unjust,
And spurn me back: but if it be not so,
Thou art not honest; and the gods will plague thee,
That thou restrain'st from me the duty which
To a mother's part belongs. He turns away:
Down, ladies; let us shame him with our knees.
To his surname Coriolanus 'longs more pride
Than pity to our prayers. Down: an end;
This is the last: so we will home to Rome,
And die among our neighbours. Nay, behold 's:
This boy, that cannot tell what he would have
But kneels and holds up bands for fellowship,
Does reason our petition with more strength
Than thou hast to deny 't. Come, let us go:
This fellow had a Volscian to his mother;
His wife is in Corioli and his child
Like him by chance. Yet give us our dispatch:
I am hush'd until our city be a-fire,
And then I'll speak a little.

10

Cymbeline
[III, 4]

Imogen

1781

True honest men being heard, like false Aeneas,
Were in his time thought false, and Sinon's weeping
Did scandal many a holy tear, took pity
From most true wretchedness: so thou, Posthumus,
Wilt lay the leaven on all proper men;
Goodly and gallant shall be false and perjured
From thy great fall. Come, fellow, be thou honest:
Do thou thy master's bidding: when thou see'st him,
A little witness my obedience: look!
I draw the sword myself: take it, and hit
The innocent mansion of my love, my heart;
Fear not; 'tis empty of all things but grief;
Thy master is not there, who was indeed
The riches of it: do his bidding; strike
Thou mayst be valiant in a better cause;
But now thou seem'st a coward.

11

Cymbeline
[V, 5]

Cornelius

3426

More, sir, and worse. She did confess she had
For you a mortal mineral; which, being took,
Should by the minute feed on life and lingering
By inches waste you: in which time she purposed,
By watching, weeping, tendance, kissing, to
O'ercome you with her show, and in time,
When she had fitted you with her craft, to work
Her son into the adoption of the crown:
But, failing of her end by his strange absence,
Grew shameless-desperate; open'd, in despite
Of heaven and men, her purposes; repented
The evils she hatch'd were not effected; so
Despairing died.

12

Hamlet
[IV, 7]

Gertrude

3315

There is a willow grows aslant a brook,
That shows his hoar leaves in the glassy stream.
There with fantastic garlands did she come
Of crowflowers, nettles, daisies, and long purples,
That liberal shepherds give a grosser name,
But our cold maids do dead men's fingers call them.
There on the pendant boughs her coronet weeds
Clamb'ring to hang, an envious sliver broke,
When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide
And, mermaid-like, awhile they bore her up;
Which time she chaunted snatches of old tunes,
As one incapable of her own distress,
Or like a creature native and indued
Unto that element; but long it could not be
Till that her garments, heavy with their drink,
Pull'd the poor wretch from her melodious lay
To muddy death.

13

Henry IV, Part II
[I, 3]

Lord Bardolph

641

Yes, if this present quality of war-
Indeed the instant action, a cause on foot-
Lives so in hope, as in an early spring
We see th' appearing buds; which to prove fruit
Hope gives not so much warrant, as despair
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then we must rate the cost of the erection;
Which if we find outweighs ability,
What do we then but draw anew the model
In fewer offices, or at least desist
To build at all? Much more, in this great work—
Which is almost to pluck a kingdom down
And set another up—should we survey
The plot of situation and the model,
Consent upon a sure foundation,
Question surveyors, know our own estate
How able such a work to undergo-
To weigh against his opposite; or else
We fortify in paper and in figures,
Using the names of men instead of men;
Like one that draws the model of a house
Beyond his power to build it; who, half through,
Gives o'er and leaves his part-created cost
A naked subject to the weeping clouds
And waste for churlish winter's tyranny.

14

Henry VI, Part II
[I, 1]

Henry VI

36

Her sight did ravish; but her grace in speech,
Her words y-clad with wisdom's majesty,
Makes me from wondering fall to weeping joys;
Such is the fulness of my heart's content.
Lords, with one cheerful voice welcome my love.

15

Henry VI, Part II
[III, 2]

Queen Margaret

1737

Why do you rate my Lord of Suffolk thus?
Although the duke was enemy to him,
Yet he most Christian-like laments his death:
And for myself, foe as he was to me,
Might liquid tears or heart-offending groans
Or blood-consuming sighs recall his life,
I would be blind with weeping, sick with groans,
Look pale as primrose with blood-drinking sighs,
And all to have the noble duke alive.
What know I how the world may deem of me?
For it is known we were but hollow friends:
It may be judged I made the duke away;
So shall my name with slander's tongue be wounded,
And princes' courts be fill'd with my reproach.
This get I by his death: ay me, unhappy!
To be a queen, and crown'd with infamy!

16

Julius Caesar
[III, 1]

Antony

1405

I doubt not of your wisdom.
Let each man render me his bloody hand:
First, Marcus Brutus, will I shake with you;
Next, Caius Cassius, do I take your hand;
Now, Decius Brutus, yours: now yours, Metellus;
Yours, Cinna; and, my valiant Casca, yours;
Though last, not last in love, yours, good Trebonius.
Gentlemen all,—alas, what shall I say?
My credit now stands on such slippery ground,
That one of two bad ways you must conceit me,
Either a coward or a flatterer.
That I did love thee, Caesar, O, 'tis true:
If then thy spirit look upon us now,
Shall it not grieve thee dearer than thy death,
To see thy thy Anthony making his peace,
Shaking the bloody fingers of thy foes,
Most noble! in the presence of thy corse?
Had I as many eyes as thou hast wounds,
Weeping as fast as they stream forth thy blood,
It would become me better than to close
In terms of friendship with thine enemies.
Pardon me, Julius! Here wast thou bay'd, brave hart;
Here didst thou fall; and here thy hunters stand,
Sign'd in thy spoil, and crimson'd in thy lethe.
O world, thou wast the forest to this hart;
And this, indeed, O world, the heart of thee.
How like a deer, strucken by many princes,
Dost thou here lie!

17

Julius Caesar
[III, 2]

Second Citizen

1660

Poor soul! his eyes are red as fire with weeping.

18

King Lear
[II, 4]

Lear

1565

O, reason not the need! Our basest beggars
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man's life is cheap as beast's. Thou art a lady:
If only to go warm were gorgeous,
Why, nature needs not what thou gorgeous wear'st
Which scarcely keeps thee warm. But, for true need-
You heavens, give me that patience, patience I need!
You see me here, you gods, a poor old man,
As full of grief as age; wretched in both.
If it be you that stirs these daughters' hearts
Against their father, fool me not so much
To bear it tamely; touch me with noble anger,
And let not women's weapons, water drops,
Stain my man's cheeks! No, you unnatural hags!
I will have such revenges on you both
That all the world shall- I will do such things-
What they are yet, I know not; but they shall be
The terrors of the earth! You think I'll weep.
No, I'll not weep.
I have full cause of weeping, but this heart
Shall break into a hundred thousand flaws
Or ere I'll weep. O fool, I shall go mad!

19

Lover's Complaint

Shakespeare

36

A thousand favours from a maund she drew
Of amber, crystal, and of beaded jet,
Which one by one she in a river threw,
Upon whose weeping margent she was set;
Like usury, applying wet to wet,
Or monarch's hands that let not bounty fall
Where want cries some, but where excess begs all.

20

Lover's Complaint

Shakespeare

304

'In him a plenitude of subtle matter,
Applied to cautels, all strange forms receives,
Of burning blushes, or of weeping water,
Or swooning paleness; and he takes and leaves,
In either's aptness, as it best deceives,
To blush at speeches rank to weep at woes,
Or to turn white and swoon at tragic shows.